Banner Records
| Company type | Record label |
|---|---|
| Industry | Music |
| Predecessor | Plaza Music Company (principal label) |
| Founded | January 1922 |
| Defunct | December 1938 |
| Fate | Dissolved after acquisition by CBS Broadcasting Network |
Area served | United States |
| Products | Records (popular dance tunes, comedy, semi-classical, country, blues) |
Banner Records was a United States-based record label active during the 1920s and 1930s, primarily created for the S.S. Kresge Company and marketed as an affordable option in discount retail outlets.
History
Introduced in January 1922, Banner served as the principal label of New York's Plaza Music Company. Plaza specialized in producing budget-friendly records for discount stores and appointed bandleader Adrian Schubert to oversee musical direction. Initially, Banner concentrated on popular dance tunes but also released comedy, semi-classical selections, as well as some country music and blues tracks. Early in its existence, the label leased recordings from Paramount Records and Emerson Records.
In July 1929, Plaza merged with Cameo-Pathé and the Scranton Button Company, forming the (ARC). ARC discontinued the Pathé and Emerson labels but continued operating others, including Banner. Following ARC’s acquisition of rights to Brunswick Records, Banner’s catalogue broadened to feature more African-American and country music titles, reflecting ARC’s expanded market approach. Within ARC-BRC, Banner ceded its leading budget label position to Melotone. Although some dime-store labels were phased out, Banner remained in production until December 1938, when CBS Broadcasting Network acquired ARC-BRC and subsequently dissolved all dime-store labels.
A separate Banner Records was founded in December 1946 by entrepreneur Sam Selsman, focusing on Jewish music and Yiddish comedy. While this postwar incarnation of Banner no longer produces new recordings, its catalogue continues to be available. This later Banner is unrelated to the earlier Plaza or ARC/BRC labels, nor is it connected to an early 20th-century dime-store label issued by Leeds and Caitlin despite similarities in label design.
Label series
At its inception in January 1922, Banner introduced two main series: the popular-oriented 1000 series and the "Standard" 2000 series that featured semi-classical music, comedy routines, and some Jewish-themed material. By mid-1927, the primary series reached number Banner 1999 before jumping to the 6000 range; meanwhile, the Standard series concluded at Banner 2183. The 6000 series ended at Banner 6167, followed by a 7000 series beginning at Banner 7001 and concluding early in 1929 at Banner 7265. Subsequently, the label resumed using earlier numbering starting at Banner 6200. After becoming part of ARC, this sequence terminated at Banner 6566 and restarted at 0500, advancing to 0872 within the same year. Later numbering resumed at 32001 alongside a price increase from 25 to 35 cents to align with other dime-store labels marketed as three records for one dollar. This continued until 1935 when dime-store labels adopted a unified numbering system. It is notable that some artists such as Robert Johnson, although appearing on related labels like Melotone, did not have releases on Banner itself.
Legacy
Banner records were widely distributed throughout the United States, highlighting their status as Plaza’s primary budget label. The sound quality was generally average or slightly below average due to cost-saving measures in materials used during pressing; this also impacted their resilience against heavy phonograph needles common at that time. As a result, most surviving copies exhibit considerable wear and surface noise but remain prized for their distinctive repertoire.
Consistent with its economical positioning, Banner frequently paired popular hit songs on the A-side with lesser-known or unusual B-side tracks unavailable elsewhere but issued on other Plaza/ARC labels. These B-sides include performances by artists such as Luis Russell, Duke Ellington, and small ensembles associated with the Ben Pollack orchestra.
Roster: Plaza era
- Harold Arlen
- Sam Ash
- Franklyn Baur
- Al Bernard
- May Singhi Breen
- California Ramblers
- Joe Candullo
- Myron Cohen
- Vernon Dalhart
- Vaughn DeLeath
- Cliff Edwards
- Leo Erdody
- Frank Ferera
- Arthur Fields
- The Four Aristocrats
- Miss Frankie[1]
- Bob Fuller
- Rev. J. M. Gates
- Nathan Glantz
- Porter Grainger
- Lou Gold
- Billy Golden through Emerson Records
- Wendell Hall
- W.C. Handy
- Charles W. Harrison
- Charles Hart
- Lucille Hegamin
- Fletcher Henderson
- Rosa Henderson
- Billy Jones & Ernie Hare
- Joe Jordan
- Irving Kaufman
- Jack Kaufman
- Louis Katzman
- Hal Kemp
- Sam Lanin
- Scrappy Lambert
- Julius Lenzberg
- Jules Levy, Jr.
- Vincent Lopez
- Frank Luther
- Hazel Meyers
- Josie Miles
- Lizzie Miles
- Frank Munn
- Billy Murray
- Original Indiana Five
- Original Memphis Five
- Eddie Peabody
- Jack Pettis
- Evelyn Preer
- The Radio Franks
- Harry Richman
- Carson Robison
- Walter B. Rogers
- Peter DeRose
- Domenico Savino
- Adrian Schubert
- Ben Selvin
- Boyd Senter
- Elliott Shaw
- Monroe Silver
- Paul Specht
- Elizabeth Spencer
- Aileen Stanley
- Cal Stewart through Emerson Records
- Ernest Stoneman
- Toots Paka Hawaiian Troupe
- Fred Van Eps
- Sam Ku West
- Harry Yerkes[2][3][4][5][6]
Roster: ARC era
Although some performers from Banner’s previous phase remained active during 1929-1931, none were featured on the initial ARC label.[7][8][9][10]
- Henry "Red" Allen
- Clarence Ashley
- Gene Austin
- Gene Autry
- Baby Rose Marie
- Smith Ballew
- Charlie Barnet
- Lucille Bogan
- Big Bill Broonzy
- Smiley Burnette
- Chick Bullock
- Henry Busse
- Blanche Calloway
- Cab Calloway
- The Canova Family
- Eddie Cantor
- Bill Carlisle
- Cliff Carlisle
- The Carter Family
- Sam Collins
- Bill Cox
- Bing Crosby
- Charlie Davis
- Walter Davis
- Eddie Dean
- Georgia Tom Dorsey
Morton Downey, Sr. Duke Ellington Ruth Etting Alice Faye Red Foley George Hamilton Green Joe Green Mal Hallett Mike Hanapi Annette Hanshaw Joe Haymes Hokum Boys Hoosier Hot Shots Frankie "Half Pint" Jaxon Gene Kardos Ed Kirkeby Lead Belly Guy Lombardo Nick Lucas Charles Magnante Wingy Manone Frankie Marvin Johnny Marvin Memphis Minnie Mills Blue Rhythm Band Mills Brothers Mitchell Christian Singers Russ Morgan Buddy Moss Will Osborne Ben Pollack Dick Powell Prairie Ramblers Yank Rachell Joe Reichman Harry Reser Fred Rich Tex Ritter Fiddlin' Doc Roberts Dick Robertson (singer) Adrian Rollini Luis Russell Andy Sanella Singin' Sam Roy Smeck Phil Spitalny Eva Taylor Varsity Eight Joe Venuti Don Voorhees Jay Wilbur Josh White Clarence Williams Victor Young
See also
External links
- Roger Misiewicz & Helge Thygesen – Melotone Mythology: Robert Johnson's Dime Store Releases
- Bille W. Thomas & Allen Sutton – The Plaza-ARC Discography
- The Stone Collection – 78s Labels Overview
- Jewish Virtual Library – Phonograph Records
- Banner Records at the Internet Archive’s Great 78 Project
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