Blink-182

Blink-182

Company type	Private
Industry	Music
Founded	August 2, 1992 (1992-08-02) in Poway, California, United States
Headquarters	Poway, California , United States
Key people	Mark Hoppus, Tom DeLonge, Travis Barker
Products	Music albums, singles, tours

Blink-182 is a rock band from the United States, established in 1992 in Poway, California. The lineup most widely recognized today features bassist and vocalist Mark Hoppus, guitarist and vocalist Tom DeLonge, along with drummer Travis Barker. Their sound, often classified as pop-punk, combines infectious pop hooks with the energy and speed of punk rock. Their lyrics typically explore themes such as relationships, teenage angst, and growing up. Originating from Southern California's skate punk movement, the band became known for their dynamic performances and playful irreverence.

Their initial albums, Cheshire Cat (1995) and Dude Ranch (1997), were released through Grilled Cheese, an independent label under Cargo Records. These early projects achieved moderate recognition domestically and internationally—particularly in Australia—garnering attention from major record companies during the mainstream punk revival following Dookie. After years of independent releases and touring, including appearances on the Warped Tour, the band signed with MCA Records. Their third and fourth studio efforts, Enema of the State (1999) and Take Off Your Pants and Jacket (2001), marked significant commercial breakthroughs. Hit singles such as "All the Small Things", "Dammit", and "What's My Age Again?" became radio favorites and MTV fixtures. Subsequent records like the untitled 2003 album, Neighborhoods (2011), and the EP Dogs Eating Dogs (2012) reflected changes in their musical direction. Throughout these transitions, Hoppus remained the sole constant member. DeLonge departed on two occasions before rejoining the group. Founding drummer Scott Raynor was replaced by Barker in 1998. During DeLonge's hiatus from 2015 to 2022, Alkaline Trio's singer/guitarist Matt Skiba joined Blink-182, contributing to two albums: California (2016) and Nine (2019), both supported by tours. Following DeLonge’s return in 2022, their ninth studio album, One More Time..., was launched on October 20, 2023.

Blink-182’s uncomplicated style played a crucial role in popularizing pop-punk during its second wave of mainstream success, resonating with diverse age groups. To date, they have sold approximately 50 million albums worldwide, including 15.3 million units in the United States alone.

Formation and early period (1992–1994)

Blink-182 originated in August 1992 in Poway, California, a suburb located in northern San Diego County. Guitarist Tom DeLonge met drummer Scott Raynor after transferring to a new school. DeLonge also became acquainted with Kerry Key, whose girlfriend Anne Hoppus introduced him to her brother, bassist Mark Hoppus, who had recently moved from Ridgecrest, California to take up work at a record store and attend college. Both Hoppus and DeLonge drew inspiration from punk groups such as Screeching Weasel and the Descendents. The Southern California punk scene during the early 1990s flourished alongside surf, skateboarding, and snowboarding cultures, with West Coast punk known for incorporating more melodic influences than its East Coast counterpart. DeLonge observed that the suburban middle-class environment of California fostered a distinctive musical style differing from the darker tone found in New York.

On August 2, 1992, Anne introduced Hoppus to DeLonge. They quickly formed a connection and co-created tracks including fan favorite "Carousel." The trio rehearsed in Raynor's bedroom, bonding over music and shared pranks. Initially operating under names like Duck Tape and Figure 8, DeLonge eventually renamed the group "Blink". After a short departure caused by personal conflicts, Hoppus returned following his breakup. In May 1993, DeLonge and Raynor recorded the demo Flyswatter, which featured a combination of original compositions and punk covers.

The band aggressively scheduled performances throughout San Diego, playing nearly every weekend at venues such as Elks Lodges and YMCA centers. DeLonge persuaded local schools and clubs to host their shows by marketing Blink as a "motivational band with a strong antidrug message." As punk rock gained wider popularity, San Diego’s modest music scene gradually welcomed the group. Blink became part of a network including bands like Ten Foot Pole and Unwritten Law, eventually opening for acts at Soma, an all-ages venue they aspired to headline. With financial backing from Hoppus' manager Patrick Secor, they produced another demo at Doubletime studio entitled Buddha (1994), regarded as their first official release. During this timeframe, Raynor briefly left when his family relocated to Reno, Nevada, with Mike Krull filling in temporarily. The band arranged for Raynor to fly back for shows until he returned permanently in mid-1995 to live with Hoppus. This phase included recording their debut album, creating their first music video, and expanding their fanbase.

Initial releases and touring (1995–1998)

Cargo Records, an important independent label in the local music community, signed the band on a provisional basis supported by Otis Barthoulameu of punk band Fluf and Brahm Goodis, whose father was Cargo's president. Initially only Hoppus signed due to DeLonge’s employment and Raynor being underage. Their debut album, Cheshire Cat, was recorded over three days at Westbeach Recorders and featured new material alongside re-recorded demos. The single "M+M's" gained local radio play on 91X, leading Cargo to finance a music video. Following legal pressure from Irish band Blink, they appended "182" to their band name.

The group engaged manager Rick DeVoe—who had experience working with bands like NOFX and Pennywise—and received booking assistance from Rick and Jean Bonde of Tahoe agency. In late 1995, they embarked on their first national tour promoting the surf video Good Times, performing alongside Unwritten Law among others. They acquired a tour van nicknamed the Millennium Falcon. Members of Pennywise funded their Australian tour leg when financial constraints arose. Fletcher Dragge of Pennywise advocated for their inclusion in the 1996 Warped Tour lineup, anticipating significant success. That year involved extensive touring across North America, Japan, and Australia where their comedic stage antics earned both acclaim and criticism.

By March 1996, major record labels including Interscope, MCA, and Epitaph expressed interest in signing the band. MCA secured the deal offering complete creative control; however, Raynor preferred Epitaph and felt conflicted about the decision. Although criticized within punk circles for signing with a major label, this move addressed frustrations regarding Cargo's limited distribution capabilities. The band recorded their sophomore album Dude Ranch with producer Mark Trombino in late 1996; it was released in June 1997. The single "Dammit" received substantial modern rock radio rotation. By 1998, Dude Ranch attained gold certification amid relentless touring that placed considerable strain on the members.

Raynor faced personal challenges including heavy alcohol use; despite agreeing to enter rehab, he was dismissed mid-1998 by DeLonge and Hoppus—though Hoppus later indicated Raynor chose to leave voluntarily. Travis Barker from tour-mates the Aquabats quickly learned their repertoire and joined as full-time drummer by July 1998. Later that year, the band entered the studio with producer Jerry Finn to commence work on their third album.

Breakthrough into the mainstream and sustained achievements (1999–2004)

At the dawn of the new millennium, the group emerged as a prominent global rock sensation with their third studio release, the energetic and melodic Enema of the State (1999). This album garnered enormous worldwide acclaim, surpassing fifteen million copies sold. Tracks such as "What's My Age Again?", "All the Small Things", and "Adam's Song" became fixtures on radio playlists, while their music videos and extensive MTV airplay solidified their celebrity status. This phase also marked the beginning of their partnership with producer Jerry Finn, whose influence refined their polished pop-punk sound and played a key role in their multi-platinum achievements. Their musical approach notably contributed to revitalizing the pop punk movement.

The band advanced to performing in larger venues, evolving from traveling in vans and trailers to utilizing private jets by the conclusion of this album's promotional cycle. Hoppus reflected on their progression from intimate clubs to headlining amphitheaters and enjoying accommodations in luxury hotels. Publicly, Blink was recognized for their youthful mischief, including streaking incidents and a cameo appearance in the risqué comedy American Pie (1999). This playful image, supported by documentaries and branded merchandise, helped cultivate a devoted fan base. Despite expanding their brand through ventures like Famous Stars and Straps, Atticus Clothing, and Macbeth Footwear, they grew increasingly uncomfortable with how they were portrayed publicly, particularly when European UMG treated their satirical photos as genuine representations.

Aiming to convey a more sincere persona, they unveiled Take Off Your Pants and Jacket (2001), which became the first punk rock album to reach number one on U.S. charts. The record generated popular singles such as "The Rock Show", "First Date", and "Stay Together for the Kids". To promote it, they embarked on the Pop Disaster Tour, co-headlining alongside Green Day. The demanding schedule created strain within the group as record label executives pushed for consistent quarterly financial results. During breaks, DeLonge pursued wider musical exploration through Box Car Racer (2002), a post-hardcore side project produced by Finn that included Barker on drums but excluded Hoppus, which led to internal friction. MCA A&R executives aggressively marketed Box Car Racer, resulting in two nationwide tours in 2002. Concurrently, Barker delved into hip-hop influences with the rap rock band Transplants, collaborating with Rancid's Tim Armstrong.

In 2003, Blink reunited to create their fifth studio album. Reflecting their evolving lifestyles—each member having become a father—they infused experimental elements into their established pop-punk style. Released as untitled on Geffen Records (which had acquired MCA), it introduced a fresh "smiley face" emblem. Critics applauded its emo-inflected direction; singles like "Feeling This" and "I Miss You" received favorable reviews. Their international tour spanned Japan, Australia, and included performances for military personnel stationed in the Persian Gulf during the initial year of the Iraq War. The band regarded this period as transformative for both their creative process and self-awareness. Nevertheless, unresolved tensions lingered due to exhausting workloads, side projects such as Box Car Racer, and DeLonge’s desire to dedicate more time to family commitments.

Hiatus, side ventures, and Barker's aviation accident (2005–2008)

In February 2005, the group declared an "indefinite hiatus" amid internal disagreements regarding their direction and recording methods. DeLonge found himself constrained creatively and troubled by the toll touring took on his family life, requesting a half-year pause that Hoppus and Barker considered overly long. Rising tensions surfaced during rehearsals for a charity concert, exposing deepening resentments; eventually, DeLonge departed, citing conflicting priorities. He went on to establish Angels & Airwaves, a multimedia endeavor integrating music, film, and interactive elements. Concurrently, Hoppus and Barker launched +44, producing one album. Barker maintained a strong public profile through his MTV reality show Meet the Barkers.

Communication between DeLonge and Hoppus ceased until 2008. That year was marked by the death of their former producer Jerry Finn from a cerebral hemorrhage. In September, Barker and collaborator Adam Goldstein survived a Learjet crash that resulted in four fatalities; Barker suffered severe burns, post-traumatic stress disorder, underwent sixteen surgeries, and required multiple blood transfusions. Goldstein subsequently passed away due to a drug overdose. Barker’s survival acted as a catalyst for the trio to reunite in October, where they discussed their hiatus and breakup. DeLonge initiated conversations about reuniting, with Hoppus eager to return to touring and recording after 17 years together.

Reunion (2009–2014)

Following a five-year separation, the band came back together as presenters at the February 2009 Grammy Awards and officially announced their reunion. They embarked on a highly successful North American reunion tour from July through October 2009, followed by a European tour spanning August to September 2010. Due to drummer Travis Barker’s fear of flying post-accident, he traveled domestically by bus and crossed oceans via ship.

The production of Neighborhoods (2011), their sixth studio record, was hindered by separate recording locations and individual side projects—DeLonge worked out of San Diego while Hoppus and Barker recorded in Los Angeles—highlighting ongoing communication struggles. This self-produced album was their first without Jerry Finn since Dude Ranch and reached number two on the Billboard 200 chart. The singles "Up All Night" and "After Midnight" achieved moderate chart success amid a declining pop punk market. Their label Interscope reportedly expressed dissatisfaction with sales figures.

Despite ongoing internal difficulties, the band maintained an active touring schedule during the early 2010s. They co-headlined the 10th Annual Honda Civic Tour in North America alongside My Chemical Romance in 2011, followed by their 20th Anniversary Tour in 2012 across Europe, North America, and Australia; drummer Brooks Wackerman substituted for Barker during the Australian leg due to his flight restrictions. The band also commemorated the tenth anniversary of their untitled album with select performances, and topped the bill at the Reading and Leeds Festivals in 2014.

During this era, Blink-182 severed ties with UMG, choosing to independently release their subsequent project, the Dogs Eating Dogs EP. DeLonge’s last appearance before his exit occurred at the Wine Amplified Festival in Las Vegas on October 11, 2014.

This reunion period was characterized by dysfunctionality, as acknowledged by both Barker and DeLonge. Hoppus later described it as fraught with tension and an enduring "strange vibe." Barker’s memoir Can I Say details DeLonge’s inconsistent involvement during tours and an abrupt departure mid-2014 followed by a swift return.

DeLonge's second departure and the Matt Skiba period (2015–2020)

The band intended to start composing their seventh album in January 2015, but encountered repeated postponements. They secured a recording contract with independent label BMG, and studio sessions were scheduled before DeLonge's manager notified the group that he planned to concentrate on "non-musical activities" and leave indefinitely. DeLonge explained that he "Never intended to quit, [I] just find it incredibly difficult to commit." Subsequently, he dedicated himself full-time to his venture To the Stars... Academy of Arts & Sciences, which centers on UFO research.

Hoppus and Barker proceeded without DeLonge, bringing in Alkaline Trio's vocalist/guitarist Matt Skiba to temporarily "fill in" for three shows in March 2015. Skiba was their sole choice due to his previous interest in collaborating with Hoppus. After settling legal issues, Skiba officially became a member and started working on new material. This led to the creation of California, produced by John Feldmann, marking their first collaboration with a new producer since Jerry Finn. Released in July 2016 via BMG, California became the band’s second album to top the Billboard 200 chart and their first number-one in 15 years; it also reached number one on UK charts for the first time. The lead single, "Bored to Death", emerged as their most successful track in years, reaching the summit of the Alternative Songs chart. Both the single and album achieved gold status and received a Grammy nomination. To promote California, they embarked on a North American headline tour from July through October 2016, followed by a European tour in mid-2017. A deluxe two-disc version was issued in 2017.

Throughout this timeframe, Blink-182 worked with various artists, occasionally without Skiba’s involvement, releasing singles featuring XXXTentacion, Lil Wayne, Goody Grace, Steve Aoki, Powfu, Oliver Tree, and the Chainsmokers. In 2018, Hoppus launched a side project called Simple Creatures alongside All Time Low frontman Alex Gaskarth.

For their eighth studio album, Nine (2019), Blink-182 returned to a major label, signing with Columbia. While maintaining collaboration with Feldmann, Nine incorporated additional producers and songwriters, blending traditional pop punk elements with hip hop-influenced programming and electronic sounds. Promotion efforts were disrupted by the global COVID-19 pandemic in 2020; an anticipated tour alongside the Used was canceled due to health precautions. The band released "Quarantine", credited solely to Barker, Hoppus, and other contributors—raising uncertainty about Skiba’s participation. A partially completed EP was left unreleased, and their final live appearance with Skiba occurred at iHeartRadio’s 2020 ALTer EGO event in Los Angeles on January 18, 2020.

Hoppus' cancer diagnosis and DeLonge's subsequent reunion (2021–present)

On June 23, 2021, Mark Hoppus disclosed that he had been privately receiving treatment for a rare form of cancer over the previous three months. After his diagnosis, Hoppus convened with Tom DeLonge and Travis Barker to discuss both personal matters and the band's future. By the end of that year, he was declared free of cancer but continues to undergo biannual health evaluations. Soon thereafter, the three members reached a consensus that it was appropriate for DeLonge to rejoin the group.

Rumors regarding DeLonge's comeback intensified in October 2022 when Blink-182 cleared their social media accounts and shared enigmatic posts. His official return was confirmed on October 11, accompanied by the announcement of a two-year global tour and plans for a new album. The absence of Matt Skiba from promotional content suggested his departure. DeLonge publicly expressed gratitude toward Skiba for his role during his hiatus. Although Skiba anticipated an impending announcement, he was unaware it pertained to DeLonge’s reinstatement; he subsequently congratulated the band and expressed appreciation to fans.

The reunion was marked by the release of the single "Edging", which became their fourth chart-topping track on Billboard's Alternative Airplay chart and their highest-ranking Hot 100 single in nearly two decades. Their ninth studio album, One More Time..., launched on October 20, 2023, garnered both commercial success and critical acclaim, debuting at number one on the Billboard 200. The album's title track achieved their longest tenure at number one on the domestic Alternative Airplay chart. A deluxe version titled One More Time... Part-2 was released on September 6, 2024.

In August 2024, DeLonge revealed that although the band intended to take a break following their tour, Blink-182 would remain a central focus. He described this phase as a "whole new beginning" with promising developments ahead.

On February 13, 2025, during a benefit concert for Los Angeles wildfire relief at the Hollywood Palladium, Skiba joined the band onstage to perform "Bored to Death." He continued to make sporadic appearances throughout the Missionary Impossible tour. Early in 2025, both DeLonge and Hoppus confirmed they were collaborating on new material for an upcoming album.

Musical style and influences

Blink-182 is predominantly recognized for their pop-punk sound, which fuses elements of pop with traditional punk rock. Although their musical approach has evolved over time, it generally features rapid tempos, memorable melodies, distorted electric guitar tones, and frequent power chord progressions. Their early records are also categorized under skate punk and punk rock, shaped by influential bands they toured alongside. Additionally, their music has been identified within the alternative rock genre.

The band credits punk pioneers such as the Descendents as significant influences and has acknowledged inspiration from groups including the Beatles, the Ramones, the Beach Boys, the Cure, Depeche Mode, U2, Stiff Little Fingers, All, Dinosaur Jr., NOFX, Bad Religion, Refused, Fugazi, Screeching Weasel, the Vandals, the Queers, and Jimmy Eat World.

Blink-182 is often viewed as more accessible than earlier punk bands. Jon Caramanica of The New York Times observed that they "took punk’s inherently playful essence and polished it into something shiny and approachable." Luke Lewis from Total Guitar summarized their appeal: "They composed catchy tunes that received extensive radio play." Their most successful single, "All the Small Things," was deliberately crafted with radio friendliness in mind. DeLonge explained: "From the outset, it was clear this song would suit that format... We aim to avoid barriers between us and our audience."

Reflecting in 2014 on their mainstream breakthrough, DeLonge stated:

Instrumentation

Tom DeLonge’s guitar technique prioritizes riffs rather than solos, characterized by down-stroked power chords with heavy use of palm muting. His later work incorporates various effects such as ambience and delay. Many Blink-182 tracks employ the I–V–vi–IV progression. As bassist, Mark Hoppus is noted for a distinct midrange sound that merges rhythm guitar and bass functions within the trio format. Early albums like Cheshire Cat (1995) and Dude Ranch (1997) featured rapid-paced tracks with original drummer Scott Raynor providing double-time drumming. Travis Barker joined in 1998 and expanded rhythmic variety by integrating styles from Afro-Cuban music, bossa nova, reggae, and hip hop. His marching band background continues to influence his drum fills and kit configuration.

Lyrical themes

The band’s songwriting frequently delves into subjects like romantic relationships, suburban life, juvenile humor, and adolescent angst. Songwriting responsibilities are shared among Hoppus, DeLonge, and later Skiba, often drawing from personal experiences. Nitsuh Abebe of New York identifies maturity—specifically attitudes toward it—as a central thematic focus. Singles such as "What's My Age Again?" address themes akin to Peter Pan syndrome; "Dammit," their initial mainstream success, includes lyrics reflecting on growing up. The album Take Off Your Pants and Jacket heavily features toilet humor and teenage topics, leading Rolling Stone to describe it as an adolescence concept album. Hoppus emphasizes these themes resonate beyond youth: "The experiences from high school echo throughout life." Mid-career releases like Neighborhoods (2011) explore darker issues including depression and grief. More recent albums such as California (2016) aim for broader relatability while tackling miscommunication and identity struggles.

Public image

Blink-182’s public persona developed alongside their musical evolution, embodying their suburban Southern California background rather than an urban punk identity. Bassist Mark Hoppus highlighted this upbringing in lyrics that exude a "sunny prankishness," contrasting with traditional punk’s gritty urban narratives. Despite commercial achievements, critics sometimes disparaged their simplified arrangements and polished production style. British magazine NME notably dismissed them as sanitized compared to earlier punk icons. A 2001 Federal Trade Commission report named Blink-182 among artists marketing explicit content toward youth audiences.

Their playful and juvenile image attracted criticism from punk veterans like John Lydon who labeled them a "comedy act," while Green Day questioned their stage presence authenticity. NOFX accused them of mimicking similar humor but maintained no personal hostility despite declining an offer to open for them.

Blink-182’s mainstream success coupled with partnerships involving MTV, boardsport companies, and apparel brands led to accusations of compromising punk’s independent ethos. Their contract with Universal Music Group since 1996 fueled claims of commercial sellout behavior. Some detractors criticized their focus on female fans alongside lyrics deemed sexist or misogynistic. Their juvenile stage banter—sometimes homophobic or sexist for shock effect—has been interpreted as reflective of millennial male culture at the time. Conversely, others consider them among the least offensive acts within 2000s pop-punk due to introspective lyrics addressing personal flaws.

Analyses of internal dynamics between DeLonge and Hoppus have examined their relationship through a homosocial perspective; some commentators suggest that engaging with themes related to sexuality played a key role in shaping band identity and fan connection.

Legacy

Template:Quote box Blink-182 spearheaded the second wave of pop-punk, successfully bringing the genre into mainstream consciousness. Richard Blenkinsop of Reverb.com asserts that any discussion about pop punk inevitably includes mention of Blink-182.

Their refined production distinguished them from peers such as Green Day. The breakthrough album Enema of the State sold over fifteen million copies globally; its follow-up Take Off Your Pants and Jacket exceeded fourteen million sales. Kelefa Sanneh from The New Yorker credited Blink-182 with spawning more imitators than any American rock group since Nirvana. Their accessible songwriting inspired countless individuals to engage creatively with music.

Though initial critical reception was mixed, later reviews acknowledged artistic maturation. Andy Greenwald of Blender praised their rapid development; James Montgomery at MTV highlighted their approachable style as crucial for wide appeal. Nicole Frehsée from Rolling Stone described Blink's sound as profoundly influential for new rock audiences. Sanneh’s 2021 book Major Labels refers to them as a "generational touchstone," emphasizing lasting significance.

Jon Caramanica of The New York Times declared in 2011 that Blink-182 was arguably the most impactful punk band of the 1990s; their influence is evident in bands like Fall Out Boy, All Time Low, and the Maine. James Montgomery agrees they inspired acts such as Paramore and labels including Fueled by Ramen Records. Maria Sherman of The Village Voice noted their broad influence extending beyond music into ideology.

Ranked fourth by Alternative Press among the "30 Most Influential Bands of the Past 30 Years," Blink trails only behind acts like Radiohead, Fugazi, and Nirvana. Numerous artists—including Panic! at the Disco, All Time Low, You Me at Six, and 5 Seconds of Summer—cite Blink-182 as formative influences. Joel Madden from Good Charlotte acknowledged their impact on shaping the genre.

Their influence transcends pop-punk boundaries: musicians such as Avril Lavigne, Best Coast, Juice Wrld, Lil Peep, DIIV, FIDLAR, Grimes, Male Bonding, Neck Deep, Mumford & Sons, A Day to Remember, Machine Gun Kelly, Owl City, Charly Bliss, Tucker Beathard, Joyce Manor, Wavves, Taylor Swift, and The Chainsmokers have all referenced Blink-182 as an inspiration. The Chainsmokers notably mentioned Blink in their hit "Closer." Pierre Bouvier from Simple Plan described Enema of the State as revolutionary for pop-punk’s evolution.

In 2019, "All the Small Things" became adopted as the theme song for the National Hockey League's Colorado Avalanche.

Band members

Template:Col-begin Template:Col-2 Current

• Mark Hoppus – bass guitar and vocals (1992–2005; 2009–present); guitar (2020)
• Tom DeLonge – guitar and vocals (1992–2005; 2009–2015; 2022–present); keyboards (2012)
• Travis Barker – drums (1998–2005; 2009–present; touring member in 1998); occasional vocals (2003; 2016; 2023–present), keyboards (2012; 2018–2019)

Former

• Scott Raynor – drums (1992–1998)
• Matt Skiba – guitar and vocals (2015–2022; touring member in 2015; occasional guest in 2025)

Touring

• Cam Jones – bass (1993)
• Mike Krull – drums (1994)
• Byron McMackin – drums (1999)
• Josh Freese – drums (1999)
• Damon DeLaPaz – drums (1999; 2000)
• Brooks Wackerman – drums (1999; 2013)
• Kevin Gruft – guitar and backing vocals (2021)

Timeline

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Discography

Main articles: Blink-182 discography and List of songs recorded by Blink-182

Studio albums

• Cheshire Cat (1995)
• Dude Ranch (1997)
• Enema of the State (1999)
• Take Off Your Pants and Jacket (2001)
• Blink-182 (2003)
• Neighborhoods (2011)
• California (2016)
• Nine (2019)
• One More Time... (2023)

Tours

Main Acts

• PooPoo PeePee Tour (1998)
• Loserkids Tour (1999)
• The Mark, Tom and Travis Show Tour (2000–2001)
• Take Off Your Pants and Jacket Tour (2001)
• DollaBill Tour (2003)
• untitled Tour (2003–2004)
• blink-182 in Concert (2009–2010)
• 20th Anniversary Tour (2011–2014)
• We Are Pirates Tour (2016)
• California Tour (2016–2017)
• Kings of the Weekend Tour (2018)
• World Tour 2023/2024 (2023–2024)
• One More Time Tour (2024)
• Missionary Impossible (2025)

Joint Headliners

• Pop Disaster Tour (alongside Green Day) (2002)
• Summer Tour 2004 (with No Doubt) (2004)
• 10th Annual Honda Civic Tour (paired with My Chemical Romance) (2011)
• blink-182 and Lil Wayne Tour (featuring Lil Wayne) (2019)