Britannia Hospital
| Company type | Film |
|---|---|
| Industry | Film industry |
| Founded | 1982 |
| Founder | Lindsay Anderson (director), David Sherwin (screenwriter) |
| Headquarters | United Kingdom |
Key people | Lindsay Anderson (director), David Sherwin (screenwriter), Malcolm McDowell (actor) |
| Products | Film |
Britannia Hospital is a 1982 British dark comedy film helmed by director Lindsay Anderson, offering a sharp critique of the National Health Service and British culture. The film was showcased at both the 1982 Cannes Film Festival and Fantasporto.
This movie completes Anderson's Mick Travis Trilogy, with a screenplay by David Sherwin, chronicling the surreal experiences of Mick Travis (portrayed by Malcolm McDowell) within British society. Beginning with his school years in if.... (1968) and continuing through his transformation from coffee salesman to film star in O Lucky Man! (1973), Travis's story culminates in Britannia Hospital where he acts as an investigative journalist uncovering the strange undertakings of Professor Millar, reprising his role from O Lucky Man!. The trilogy features recurring characters, some of whom return from if.....
The ensemble cast boasts Leonard Rossiter, Joan Plowright, Jill Bennett, Marsha Hunt, Fulton Mackay, Vivian Pickles, Richard Griffiths, Arthur Lowe (in his final screen role), and Mark Hamill.
Plot
A new hospital wing at Britannia is about to be inaugurated, with the Queen (referred to as HRH) expected to attend. Vincent Potter (Leonard Rossiter), the hospital administrator, contends with protests against an African dictator admitted as a VIP patient, strikes by support staff opposing the extravagant demands of private patients, and the obstinate Professor Millar (Graham Crowden), who oversees the new wing. To ensure the royal visit proceeds, Potter brokers a deal with protesters: private patients will be relocated in exchange for allowing certain ambulances access, which covertly transport the Queen Mother and her entourage.
Investigative reporter Mick Travis (Malcolm McDowell) is secretly filming a documentary that exposes dubious hospital activities. Assisted by nurse Amanda Persil (Marsha Hunt), he delves into Millar’s sinister experiments, including the killing of patient Macready (Alan Bates). As disorder intensifies, Travis meets his demise and becomes part of a Frankenstein-like experiment where his head is grafted onto another body, which catastrophically fails.
Eventually, protestors invade the hospital during Millar’s demonstration of his Genesis Project, which claims to have perfected humanity. The project unveils a brain connected to machinery that recites Hamlet’s "What a piece of work is a man" soliloquy before monotonously repeating "How like a God."
Cast
Hospital Administration
- Leonard Rossiter as Vincent Potter
- Brian Pettifer as Biles
- John Moffatt as Greville Figg
- Fulton Mackay as Chief Superintendent Johns
- Vivian Pickles as Matron
- Barbara Hicks as Miss Tinker
Medical Staff
- Graham Crowden as Professor Millar
- Jill Bennett as Dr. MacMillan
- Peter Jeffrey as Sir Geoffrey
- Marsha Hunt as Nurse Amanda Persil
- Mary MacLeod as Casualty Sister
Union Representatives
- Joan Plowright as Phyllis Grimshaw
- Robin Askwith as Ben Keating
- Dave Atkins as Sharkey
Media Personnel
- Malcolm McDowell as Mick Travis
- Mark Hamill as Red
- Frank Grimes as Sammy / Voice of "Genesis"
Royal Household
- Gladys Crosbie as Queen Elizabeth the Queen Mother
- Marcus Powell as Sir Anthony Mount
- John Bett as Lady Felicity
Additional Cast
- Richard Griffiths as Cheerful Bernie
- Arthur Lowe as Hospital Patient
- Alan Bates as Macready
- Dandy Nichols as Florrie
- Betty Marsden as Hermione
- Liz Smith as Maisie
- T. P. McKenna as Theatre Surgeon
- Michael Medwin as Theatre Surgeon
- Roland Culver as General Wetherby
- Valentine Dyall as Mr Rochester
- Tony Haygarth as Fraser
- John Gordon Sinclair as Gregory
- Brian Glover as Painter
- Mike Grady as Painter
- Kevin Lloyd as Picket
- Robert Pugh as Picket
Robbie Coltrane, Patsy Byrne, and Edward Hibbert appear in minor roles. This film marks the last screen appearance of Arthur Lowe before his passing shortly after production concluded.
Development
Lindsay Anderson identified the film's inception in a 1975 news report detailing the "siege of Charing Cross Hospital", which involved a demonstration against fee-paying private patients organized by union leader Granny Brookstern. He found it paradoxical that ambulances were being obstructed "in the name of humanity," a contradiction he considered absurd, prompting him to gather related press accounts. Anderson was also inspired by Amiel's concept that justice forms the foundation of human nature, which influenced him to craft Britannia Hospital as an allegorical narrative centered on this idea.
After creating a preliminary outline, Anderson approached Lew Grade, who declined involvement. Subsequently, 20th Century Fox, led by Sandy Lieberson, signed Anderson to a two-film contract that included Britannia Hospital and Dress Grey by Gore Vidal. Screenwriter David Sherwin was brought on board; he described the project as encompassing everything, rather than focusing solely on Britain or a hospital setting.
Following Lieberson's departure from Fox, the studio abandoned the project, reportedly due to its controversial nature. Producer Clive Parsons then took up the cause, successfully obtaining $1 million from Britain's National Film Finance Corporation and an additional $3 million from EMI. Although initially reluctant, the NFFC eventually supported the film partly because of Parsons’ persistence and because the script’s provocative elements had lessened over time. The film was acknowledged as a daring and darkly comedic endeavor.
Shooting
Production commenced in August 1981 at Shepperton Studios, with exterior scenes filmed at Friern Hospital in Barnet during October. The cast included 81 speaking parts, and the shooting schedule was planned for 12 weeks.
Due to financial limitations, actors such as McDowell and Mark Hamill agreed to work for expenses only, motivated by their enthusiasm to collaborate with Anderson. During filming, Anderson requested an additional $1 million and extended the schedule by two weeks to complete production.
Anderson characterized the film’s ambiguous conclusion as challenging for viewers, highlighting that resolutions depend on human intellect rather than divine or political solutions.
Release
The film premiered in the United Kingdom on 27 May 1982.
Critical reception
Upon release, most British reviewers were critical of the film; however, Dilys Powell offered a favorable assessment, David Robinson placed it among his top ten films of the year, and Geoff Daniel selected it as his film of the year. Critic Ian Haydn Smith regarded Britannia Hospital as the "lowest point" in Anderson's career, criticizing its inability to effectively satirize the National Health Service.
Conversely, American critic Vincent Canby from The New York Times lauded it as Anderson’s finest work to date, praising its cohesive execution and invigorating impact despite addressing themes of national fatigue.
Subsequent analyses have explored the film’s exploration of themes such as spectatorship, political dynamics, and authoritarianism within the context of Anderson’s wider oeuvre.
The film received the 1982 Audience Jury Award at Fantasporto.
Home media
On 29 June 2020, Britannia Hospital was released on Blu-ray in the UK for the first time by Powerhouse Films. The release includes special features such as an audio interview with Anderson, new interviews with actors Pettifer and Askwith, a discussion with editor Michael Ellis, and theatrical trailers.
External links
- Articles with short description
- 1982 films
- 1982 black comedy films
- 1982 comedy-drama films
- 1980s satirical films
- British black comedy films
- British comedy-drama films
- British satirical films
- British sequel films
- 1980s English-language films
- Films about artificial intelligence
- Films directed by Lindsay Anderson
- Films set in London
- Films set in hospitals
- EMI Films films
- 1980s British films
- Films about journalists
- English-language black comedy films
- British Lion Films films
- Columbia Pictures films