Chaplin (film)
| Company type | Film |
|---|---|
| Industry | Film industry |
| Founded | 1992 |
| Founder | Richard Attenborough (director and producer) |
| Products | Biographical comedy-drama film |
Chaplin is a 1992 biographical comedy-drama depicting the life of English comedian and filmmaker Charlie Chaplin. Directed and produced by Richard Attenborough, the film features performances by Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller, and Kevin Kline. Significantly, Chaplin’s daughter, Geraldine Chaplin, plays the role of his mother, Hannah Chaplin.
The script, written by William Boyd, Bryan Forbes, and William Goldman, is based on Chaplin’s 1964 memoir My Autobiography alongside the 1985 biography Chaplin: His Life and Art authored by critic David Robinson. Associate producer Diana Hawkins also received credit for the story. The film’s original score was composed by John Barry.
Despite a production budget of $31 million, the movie earned only $12 million at the box office, falling short commercially. Critical response was divided; however, Robert Downey Jr.’s interpretation of Chaplin garnered widespread praise, earning him the BAFTA Award for Best Actor and nominations for both the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.
Plot
In 1962 Switzerland, an aged Charlie Chaplin engages in conversation with George Hayden, a fictional editor working on his autobiography.
The story begins in London’s East End during the Victorian period, where Chaplin escapes destitution through performing in variety shows. After his mother Hannah loses her voice during a performance and is subsequently institutionalized, five-year-old Charlie steps in to perform in her stead. Alongside his brother Sydney, Chaplin secures employment with producer Fred Karno, who eventually sends him to America. He proposes marriage to dancer Hetty Kelly, who refuses; this rejection motivates Chaplin to achieve success before returning.
Once in the United States, Chaplin is hired by comedy producer Mack Sennett. He develops the legendary Tramp character and takes over directing duties due to Sennett’s girlfriend Mabel Normand’s inadequate directing skills. With Sydney managing his affairs, Chaplin departs from Sennett to gain artistic independence and aspires to establish his own studio. By 1917, he completes The Immigrant and embarks on a two-year romance with actress Edna Purviance.
At a party hosted by Douglas Fairbanks years later, Chaplin dates child actress Mildred Harris and founds his own studio, becoming "the most famous man in the world" before turning thirty. He marries Harris under false pretenses of pregnancy but later confronts J. Edgar Hoover over concerns about propaganda, igniting a long-lasting grudge.
During Harris’s divorce proceedings, lawyers assert that Chaplin’s film The Kid is marital property. The brothers flee with the film footage, finalize editing in Salt Lake City, then covertly return it to Los Angeles. They arrange for Hannah to join them, though her health declines. Chaplin attends The Kid’s UK premiere in 1921, discovers Hetty died from influenza during an epidemic, and encounters British animosity due to his failure to serve in World War I.
Back in America, Hoover investigates Chaplin for alleged communist sympathies. Despite the advent of sound films, Chaplin refuses to produce talkies featuring the Tramp character. In 1925, he releases The Gold Rush and marries minor actress Lita Grey, whom he later disparages publicly. Subsequently, he weds Paulette Goddard and addresses unemployment caused by the Wall Street Crash with Modern Times, though this dedication contributes to their separation.
At an industry gathering, Chaplin declines a Nazi official’s handshake; Douglas Fairbanks comments on Chaplin’s resemblance to Hitler, inspiring The Great Dictator. This satirical film achieves global success but intensifies Hoover’s animosity over perceived anti-American messaging.
Chaplin marries Oona O'Neill but becomes embroiled in scandal when accused of fathering Joan Barry’s child; despite blood tests disproving paternity (which were excluded as evidence), he provides financial support. The resulting damage to his reputation leads to a seven-year absence from public life until he produces Limelight. During the McCarthy era, the Chaplins leave the United States; however, his re-entry permit is revoked.
In 1972, Chaplin returns to accept a special Academy Honorary Award. Initially bitter after two decades away from America, he is deeply moved by the audience's laughter and receives the longest standing ovation in Academy Awards history.
Cast
The movie concludes with a tribute segment honoring Chaplin, featuring archival footage of the legendary figure himself.
Production
In 1988, Richard Attenborough secured the rights to Chaplin’s 1964 memoir My Autobiography, initially collaborating with Universal Pictures. He contemplated developing a miniseries format to comprehensively depict Chaplin’s life story. Attenborough initially brought on Bryan Forbes to craft the screenplay; however, after multiple drafts and creative disagreements—Forbes reportedly disagreed with aspects of Chaplin’s political views and personal conduct—he was replaced by William Boyd.
For the protagonist's role, Attenborough first considered Anthony Sher but ultimately selected Robert Downey Jr., despite the studio's preference for Robin Williams or Billy Crystal. Other contenders included Jim Carrey, Tom Hanks, and Tom Cruise, with Cruise declining the part. The film’s original version lasted four hours but was trimmed to two and a half hours before its theatrical release.
Critical reception
Reviews were mixed, with critics appreciating the film's production quality yet often regarding it as a somewhat polished and conventional biopic. Though some criticized its dramatic liberties with Chaplin’s biography, Downey’s portrayal received widespread praise. Confident in Downey's performance, Attenborough chose to append authentic historical footage of Chaplin at the conclusion. On Rotten Tomatoes, Chaplin holds a 61% approval rating from 56 critiques, averaging 5.8/10; the consensus highlights Downey’s compelling acting but notes the film adheres to a formulaic biopic structure compared to Chaplin’s own classics. Metacritic assigns a score of 47/100 based on 22 reviews, indicating average or mixed feedback. CinemaScore audiences rated it an "A–".
Vincent Canby of The New York Times lauded Downey’s work and described the film as "highly appreciative." Todd McCarthy of Variety suggested that Chaplin’s extraordinary life was too vast for the film to fully encompass, criticizing the script yet praising the casting and initial hour. Roger Ebert awarded two out of four stars, labeling it "disappointing" but commending Downey and the production design. Kenneth Turan from the Los Angeles Times felt Attenborough’s style was not entirely fitting for Chaplin’s story but emphasized Downey’s transformative acting, noting that even Chaplin’s daughter Geraldine found it both impressive and unsettling.
Box office
The movie generated £1.8 million ($2.7 million) in the UK market and earned $9.5 million in the United States.
Awards and nominations
Home media
Initially, the film became available on VHS and LaserDisc in June 1993, with a DVD release following in 1997. Subsequently, Live Home Video issued a LaserDisc version on July 5, 1998. After Lions Gate Entertainment secured distribution rights through a license from StudioCanal, they launched a 15th-anniversary DVD edition in 2008. This special edition included interviews with the producer and rare home-movie clips filmed aboard Chaplin's yacht. Although the packaging indicates a runtime of 135 minutes, the DVD preserves the original theatrical cut of 145 minutes.
The Blu-ray format of the 15th Anniversary Edition was released later on February 15, 2011.
Soundtrack
The soundtrack for Chaplin was first released on December 15, 1992. In celebration of the film’s 30th anniversary, La La Land Records issued an expanded version containing 35 tracks in 2023.
- Track listing
External links
- Articles with short description
- 1992 films
- 1990s biographical films
- 1990s historical comedy-drama films
- American biographical films
- American historical comedy-drama films
- BAFTA winners (films)
- Biographical films about actors
- British biographical films
- British historical comedy-drama films
- Carolco Pictures films
- Comedy-drama films based on actual events
- Works about Charlie Chaplin
- Cultural depictions of Laurel & Hardy
- Cultural depictions of J. Edgar Hoover
- Films scored by John Barry (composer)
- Films about comedians
- Films about filmmaking
- Films about the Hollywood blacklist
- Films based on autobiographies
- Films based on biographies
- Films based on multiple works
- Films directed by Richard Attenborough
- Films produced by Richard Attenborough
- Films set in London
- Films set in Los Angeles
- Films set in Switzerland
- Films set in the 1890s
- Films set in the 1900s
- Films set in 1917
- Films set in 1921
- Films set in 1923
- Films set in the 1930s
- Films set in the 1940s
- Films set in 1952
- Films set in the 1960s
- Films set in 1972
- Films shot in California
- Films shot in Switzerland
- Films shot in England
- Films with screenplays by William Goldman
- Films with screenplays by William Boyd (writer)
- Films with screenplays by Bryan Forbes
- StudioCanal films
- TriStar Pictures films
- 1990s English-language films
- 1990s American films
- 1990s British films
- Films produced by Mario F. Kassar
- English-language historical comedy-drama films
- English-language biographical films