Dead Man's Shoes (1940 film)
| Company type | Film |
|---|---|
| Industry | Film industry |
| Founded | 1940 |
| Founder | Thomas Bentley (director), Nina Jarvis and John H. Kafka (screenwriters) |
| Products | British mystery drama film |
| Parent | Associated British Picture Corporation |
Dead Man's Shoes is a British mystery drama released in 1940, directed by Thomas Bentley and featuring performances by Leslie Banks, Joan Marion, and Wilfrid Lawson. The screenplay, penned by Nina Jarvis and John H. Kafka, positions the film as an early representation of British Film Noir cinema.
Plot
After suffering from amnesia, the criminal Jean Pelletier rises to a status of respect and influence. His forgotten past comes back to light when an individual confronts him, asserting they share a significant history.
Cast
- Leslie Banks as Roger de Vetheuil
- Joan Marion as Viola de Vetheuil
- Geoffrey Atkins as Paul de Vetheuil
- Wilfrid Lawson as Lucien Sarrou
- Judy Kelly as Michelle Allain
- Nancy Price as Madame Pelletier
- Walter Hudd as Gaston Alexandri
- Peter Bull as Defence Counsel
- Henry Oscar as President of the Court
- Ludwig Stössel as Doctor Breithaut
- Roddy McDowall as boy
Production
The film draws inspiration from the 1938 French movie Carrefour and was produced by the Associated British Picture Corporation at Elstree Studios. Its production costs amounted to £29,094.
Release
Although completed towards the end of 1939, the film's official release occurred in the subsequent year.
Reception
According to The Monthly Film Bulletin, the British adaptation adhered closely to its French predecessor Carrefour, which constrained the actors' opportunities and diminished the overall impact of an otherwise compelling narrative.
The Daily Film Renter commended the inventive use of a mistaken identity plot, coherent storyline progression, and authentic Parisian backdrops, while also praising the cast’s strong portrayals and the director’s fluid handling that enhanced both tension and emotional resonance.
In its review, Variety highlighted the film’s straightforward depiction of suspenseful moments without extensive exposition. Despite some unlikely elements, it lauded the surprising plot developments and captivating storytelling.