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Death (metal band)

From Alfawiki
Death
Company typeBand
IndustryMusic
Founded1983 in Altamonte Springs, Florida, U.S.
FounderChuck Schuldiner, Kam Lee, Rick Rozz
Defunct2001
Headquarters
Altamonte Springs
,
United States
ProductsDeath metal music

Death was an American death metal group established in Altamonte Springs, Florida, in 1983 by guitarist Chuck Schuldiner (who later took over lead vocals), drummer and vocalist Kam Lee, along with guitarist Rick Rozz. Originating from the Florida death metal movement, Death is widely recognized as a foundational act in the death metal genre. Their debut album from 1987, Scream Bloody Gore, is often cited as one of the earliest death metal albums, alongside pioneering releases by Possessed and Necrophagia.

Throughout its existence, the band underwent numerous lineup modifications, with Schuldiner remaining the sole permanent member except during a European tour.[1] Their musical direction shifted from the raw intensity of their initial two albums to a more intricate style in subsequent works.[2] The group disbanded following Schuldiner’s passing from glioma and pneumonia in December 2001 but continues to exert a significant impact on heavy metal.[3]

Early history (1983–1985)

Death was initiated in either 1983 or 1984 by Chuck Schuldiner in Altamonte Springs, Florida, emerging as a groundbreaking force within the death metal genre alongside California’s Possessed. Drawing inspiration from Nasty Savage, Death became a central figure in the Florida death metal community.

Schuldiner collaborated with Kam Lee and Rick Rozz to create tracks that were distributed on rehearsal tapes throughout 1984. These recordings, together with the Death by Metal demo, gained extensive circulation and helped build the band's early reputation. In 1984, Schuldiner changed the band’s name from Mantas to Death, intending to channel the grief over his brother’s death into something constructive. This period also saw the release of another demo titled Reign of Terror.

The Infernal Death tape was produced in 1985. Early that year, Rick Rozz departed from the band. Schuldiner and Lee briefly joined forces with Scott Carlson and Matt Olivo from Genocide (who later became part of Repulsion), but Lee’s personal difficulties caused him to exit soon after. Despite receiving an offer from Combat Records, the group was unable to fully regroup; Olivo and Carlson also left shortly thereafter. Schuldiner then moved to the San Francisco Bay Area, where he enlisted former Dirty Rotten Imbeciles drummer Eric Brecht and recorded the Back from the Dead demo. Unsatisfied with this lineup, Schuldiner returned to Florida without a band. In 1986, he had a brief stint with Canadian thrash band Slaughter, leaving after two weeks before moving back to Florida and subsequently returning once more to the Bay Area to team up with drummer Chris Reifert.

Contract signing and Scream Bloody Gore era (1986–1987)

In April 1986, Schuldiner and Reifert produced the Mutilation demo, which led to a contract with Combat Records. During the summer of that year, they initiated sessions for their debut album; however, the initial recordings were discarded after Combat rejected them, a decision Reifert linked to problems with the studio engineer. By November 1986, the band re-recorded the album at The Music Grinder in Los Angeles, working with producer Randy Burns, recognized for his production on Possessed's Seven Churches. The foundational tracks were laid down within a few days, while Schuldiner handled bass, lead guitar, and vocal recordings at Rock Steady Studios in L.A.[4]

The 1987 release of Scream Bloody Gore is often cited as a defining work that shaped the death metal genre. Although guitarist John Hand briefly joined the lineup, he did not contribute to the album despite appearing in promotional photos. Schuldiner and Reifert enlisted Steve Di Giorgio from Sadus and rehearsed in Concord[5] preparing for live performances that ultimately did not take place due to Schuldiner's return to Florida.[6] While Reifert stayed in California to establish Autopsy, Schuldiner reunited with former collaborator Rick Rozz along with Massacre members Terry Butler and Bill Andrews back in Florida.

Middle period: Leprosy, Spiritual Healing, and Human (1988–1992)

The band recorded Leprosy in 1988. After extensive touring—including a European tour marked by poor management—Rick Rozz was dismissed in 1989. Guitarist Paul Masvidal, who would later rejoin Death, filled in during a Mexico tour before James Murphy replaced Rozz for the third album, Spiritual Healing, tracked in Tampa during summer 1989. Murphy departed soon after.[1] During this timeframe, Schuldiner transitioned from gore-centric themes toward socially conscious lyrics and introduced greater melodic elements into their sound.[7]

In 1990, shortly before a planned European tour, Schuldiner withdrew due to organizational shortcomings and personal reasons. Despite his absence, Andrews and Butler proceeded with the tour under the 'Death' name, enlisting roadies Walter Trachsler and Louie Carrisalez as guitarist and vocalist respectively. This prompted Schuldiner to initiate legal proceedings against them.[8]

Subsequently, Schuldiner abandoned maintaining a permanent band lineup and opted for session musicians. He brought in Paul Masvidal and Sean Reinert from Florida's Cynic, alongside Steve Di Giorgio from California's Sadus. The 1991 release of Human showcased a more technical and progressive approach, featuring intricate rhythms and complex arrangements.[8] This album became Death's highest-selling work up to that point and received critical praise as well as MTV exposure through the "Lack of Comprehension" music video directed by David Bellino. Following recording commitments with Sadus, Di Giorgio departed; bassist Scott Carino joined for Death’s extensive global tour spanning October 1991 to March 1992 and appeared in the "Lack of Comprehension" video.[9]

Final period: Individual Thought Patterns, Symbolic, The Sound of Perseverance and Schuldiner's passing (1993–2001)

During the sessions for Individual Thought Patterns, Di Giorgio informed Reinert that Gene Hoglan had taken over his role. Hoglan had recently departed from the thrash metal group Dark Angel, while Andy LaRocque of King Diamond lent guest guitar contributions. Due to LaRocque’s scheduling conflicts, Schuldiner enlisted Ralph Santolla for a European tour in April, followed by a North American tour beginning in July. Santolla was later succeeded by Craig Locicero, guitarist of Forbidden, for another European leg starting in September in Bradford, England. This era marked a commercial high point for Death; notably, the music video for "The Philosopher" was broadcast on Beavis & Butt-head in 1994, broadening their mainstream visibility. That same year, Death concluded its eight-year tenure with Relativity and signed with Roadrunner Records, which managed their European distribution.

For the 1995 release Symbolic, Florida underground musicians Kelly Conlon and Bobby Koelble replaced LaRocque and Di Giorgio. Conlon was dismissed prior to the Symbolic tour and replaced by Brian Benson. After completing the tour cycle, Schuldiner disbanded Death amid conflicts with Roadrunner Records and redirected his creative efforts toward his new project, Control Denied. In late 1997, Schuldiner secured a deal with Nuclear Blast, which stipulated the production of another Death album before any Control Denied releases. The seventh Death album, The Sound of Perseverance, featuring Florida musicians Richard Christy, Shannon Hamm, and Scott Clendenin, was recorded at Tampa’s Morrisound Recording and released in 1998.

Following two tours supporting the album, Schuldiner temporarily halted Death activities to concentrate on Control Denied alongside Christy and Hamm. Steve Di Giorgio returned to replace Clendenin, while power metal vocalist Tim Aymar joined the lineup. Schuldiner initiated Control Denied primarily due to dissatisfaction with the abrasive vocal style on Death records, aiming to progress musically without compromising Death’s essence: "I didn't put out a Death record with this stuff on it... I made the right choice and changed the name of the band." As Control Denied’s debut neared completion, Schuldiner was diagnosed with brain cancer, necessitating cancellation of planned U.S. and Canadian tours. Although his health initially improved, he remained fragile, contracted pneumonia, and was hospitalized. He was discharged on December 13, 2001, but passed away within an hour after returning home.

Aftermath (2001–present)

The anticipated second Control Denied album was never finalized due to legal disputes involving its Dutch label, participating musicians, Schuldiner’s sister Beth, and former manager Eric Greif acting on behalf of the Estate. In 2004, Hammerheart Records issued a two-part bootleg comprising early demos and incomplete album segments under Chuck Schuldiner’s name; however, its unfinished nature and absence of vocals led to poor reception. Schuldiner’s mother Jane publicly discouraged fans from purchasing it. Legal issues were resolved by December 2009, potentially enabling other musicians to complete the Control Denied album.

Former members of Death have remained active within the music scene. Gene Hoglan (Dark Angel) and Andy LaRocque (King Diamond) sustained prominent careers; Hoglan contributed to bands such as Strapping Young Lad, Opeth, Fear Factory, and Testament. Paul Masvidal and Sean Reinert achieved success with Cynic. Richard Christy joined The Howard Stern Show before returning to metal with Charred Walls of the Damned. Ralph Santolla performed with Iced Earth, Sebastian Bach, Obituary, and Deicide; Steve DiGiorgio has been involved with Testament and Sadus. Bobby Koelble founded JunkieRush and joined the University of Central Florida’s Jazz faculty. James Murphy participated in Testament, Disincarnate, Obituary, and Cancer projects while overcoming a brain tumor and organizing a tribute album for Death. Kam Lee led Massacre and Denial Fiend alongside Terry Butler, who also played in Six Feet Under and Obituary. Scott Clendenin passed away in 2015; longtime manager Eric Greif died in 2021.

On May 12, 2010, Perseverance Holdings Ltd. partnered with Relapse Records to remaster and reissue works by Death, Control Denied, and earlier Mantas material. The Sound of Perseverance was re-released in February 2011 across various formats. Due to lost original tapes, Human was remixed before reissue. Individual Thought Patterns followed in October 2011. In February 2012, Relapse issued Vivus!, a two-CD live album featuring concerts from 1998 accompanied by liner notes from Christy and Greif. As of 2008, rights to Symbolic remain held by Roadrunner Records.

In March 2012, Sick Drummer Magazine collaborated with Perseverance Holdings to launch the "Death to All" benefit tour supporting the Sweet Relief Musicians Fund; this featured former members Gene Hoglan, Sean Reinert, Steve Di Giorgio, Scott Clendenin, Paul Masvidal, Shannon Hamm, and Bobby Koelble. Vocalist Steffen Kummerer was replaced by Matt Harvey due to visa complications. Following successful shows but ensuing disputes over unpaid fees owed by Sick Drummer Magazine’s proprietors, a second tour iteration commenced in February 2013 without Sick Drummer's involvement. Later that year saw sold-out North American and European legs under the moniker Death (DTA).

On November 3, 2021, ex-Death members announced two Florida performances commemorating the 20th anniversary of Schuldiner’s death. The lineups included James Murphy and Terry Butler performing as Living Monstrosity (playing Spiritual Healing) alongside Steve Di Giorgio, Bobby Koelble, Kelly Conlon, Dirk Verbeuren, and Max Phelps performing as Symbolic (covering material from Human through The Sound of Perseverance).

During spring 2023, Phelps, Di Giorgio, Koelble, and Hoglan toured North America as Death To All (DTA), celebrating the 30th anniversary of Individual Thought Patterns.

Rozz, Butler, Harvey, and Rios continue live performances as Left to Die in 2024—a band formed shortly after their participation in the 2021 Death tribute concert.

Musical style and instrumentation

Death are widely regarded as trailblazers in the death metal subgenre within the broader heavy metal scene. Malcolm Dome from Metal Hammer remarked that Death enhanced the existing thrash framework by integrating guttural vocal techniques, a vocal style that was largely unknown outside the tape trading community at the time. According to music historian Garry Sharpe-Young, Death was a "genre-defining group centered around frontman Chuck Schuldiner" and played a pivotal role in shaping the death metal movement. Despite this recognition, Schuldiner himself modestly described his role as simply being part of a metal band. Over time, Death’s sound progressed into more intricate and melodic territories, incorporating elements of technical death metal, progressive metal, and melodic death metal. Loudwire noted that with their 1990 release Spiritual Healing, the band transitioned into a progressive, technical death metal outfit characterized by sudden rhythmic changes and tempo variations while maintaining a strong groove. Joe DiVita from Loudwire credited Death, alongside bands like Carcass and At the Gates, for bringing memorable melodies and catchy hooks into the genre. Complex time signatures also became a distinctive feature of their later compositions.

Drummer Gene Hoglan is acknowledged for his innovative use of the double kick drum setup, elevating standards for speed and stamina in metal percussion. He praised Sean Reinert’s drumming on Human as "godly," emphasizing it showcased "the fastest double bass drumming of its era," setting a benchmark they aspired to reach on Individual Thought Patterns.

Imagery and lyrics

In their early phase, Death’s lyrics were dominated by graphic themes typical of "gorehound" content such as zombies and slasher violence. As their career advanced, the lyrical focus shifted toward subjects like religion, notorious killers, and issues related to substance abuse. Schuldiner explained his evolution in songwriting: "I grew tired of writing about fictional monsters... The true evil exists within society itself. I reached a point where I felt compelled to express my anger through these themes."

The initial Death logo was created by Kam Lee before his departure from the band. Schuldiner later revised the emblem multiple times. Prior to releasing Human in 1991, he simplified the logo by replacing the inverted cross-shaped "T" with a conventional "T" to eliminate any anti-religious connotations. Between the releases of Symbolic and The Sound of Perseverance, the logo underwent further refinement, including removal of the hooded reaper figure positioned above the "H".

Influences

Schuldiner expressed his admiration for the New Wave Of British Heavy Metal, aiming to blend their approach with the aggressive styles of bands like Slayer and Venom. His guitar playing drew inspiration from virtuosos such as Yngwie Malmsteen, Eddie Van Halen, and Iron Maiden’s Dave Murray and Adrian Smith. Additional influences encompassed groups like Black Sabbath, Kiss, Saxon, Rush, Mercyful Fate, Venom, Slayer, Metallica, and Anthrax. For Death’s later technical and progressive musical direction, Schuldiner cited bands including Queensrÿche, Dream Theater, Carcass, Coroner, and Watchtower as significant inspirations.

Legacy and Impact

Death is widely acknowledged as a foundational entity in the death metal genre and ranks among the most significant acts in the history of heavy metal. Dom Lawson from Metal Hammer emphasized that Chuck Schuldiner and his band Death were dominant figures throughout their relatively short tenure. Eli Enis of Revolver pointed out that every release, starting with the 1987 debut Scream Bloody Gore through to 1998's The Sound of Perseverance, not only helped define death metal but also expanded its boundaries into more progressive and experimental territories. According to Blabbermouth, their seven studio works serve as landmark achievements within metal, signaling shifts toward an unforeseen future. The album Scream Bloody Gore is often credited as the inaugural death metal record. Critics, fellow musicians, and fans alike regard Death as one of the most influential bands ever.

A multitude of groups acknowledge Death's influence, such as Obituary, Hail of Bullets, Meshuggah, Baroness, Cormorant, Fear Factory, Revocation, Exhumed, Obscura, Cynic, Opeth, the Dillinger Escape Plan, Suicide Silence, Mastodon, Gojira, and System of a Down. Kelly Schaefer from Atheist attributed Schuldiner’s competitive drive as a key motivator behind their own innovations within death metal. George "Corpsegrinder" Fisher of Cannibal Corpse has credited Schuldiner with inspiring his pursuit of death metal vocals.

Death’s reach goes beyond just death metal. Corey Taylor of Slipknot has acknowledged Death as a significant influence. Members of DragonForce have expressed high regard for the band, covering “Evil Dead” on their album "Reaching Into Infinity" and describing Death as “legendary.”

In January 2001, Iranian musician Mahyar Dean published Death, a bilingual volume dedicated to the band and its frontman, which received praise from Schuldiner himself for its thoroughness. The 2016 documentary Death by Metal further solidified the band’s enduring cultural significance.

Band members

Last lineup

Studio albums

External links

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