Felt (band)
| Company type | Band |
|---|---|
| Industry | Music |
| Founded | 1979 in Water Orton, Warwickshire, England |
| Founder | Lawrence |
| Defunct | 1989 |
| Headquarters | Water Orton , England |
| Products | Music albums and singles |
Felt was an English jangle pop group established in 1979 in Water Orton, Warwickshire, with the band fronted by the singularly named musician Lawrence. Their activity spanned the 1980s, during which they produced ten singles and ten albums, although none managed to enter the UK singles chart or UK Albums Chart. The band's name was derived from Tom Verlaine’s emphasis on the word "felt" in the Television track "Venus".
Origins
In 1979, Lawrence initiated Felt with the release of a self-produced single titled "Index," a raw solo recording that later earned the distinction of single of the week from Dave McCullough in Sounds.
By 1980, the lineup was solidified with school friend Nick Gilbert on drums and local guitarist Maurice Deebank, whose classical-inspired jangly guitar became a defining characteristic of their early sound.
Starting as a trio, the band expanded when Gilbert transitioned to bass guitar and Tony Race joined as drummer. Race was soon succeeded by Gary Ainge, who became the sole consistent member alongside Lawrence and contributed to all ten studio albums.
Record Deal
Felt secured a contract with Cherry Red Records and debuted with the single "Something Sends Me to Sleep" in 1981. Their first album, Crumbling the Antiseptic Beauty, was released in 1982. Following internal disagreements with Lawrence, bassist Gilbert departed and Mick Lloyd took over bass duties. Deebank stepped away temporarily to produce a solo instrumental record, Inner Thought Zone, before returning for their sophomore album, The Splendour of Fear. This lineup persisted through their third release, The Strange Idols Pattern and Other Short Stories, which marked a transition toward a more pop-centric style. In 1982, their song "My Face Is on Fire" was included on the acclaimed compilation Pillows & Prayers.
In 1985, keyboardist Martin Duffy joined the ensemble, with Marco Thomas assuming bass responsibilities for their fourth album, Ignite the Seven Cannons, produced by Robin Guthrie of Cocteau Twins. The single "Primitive Painters," featuring Elizabeth Fraser, reached number one on the UK independent singles chart. After Deebank's exit, Felt's sound shifted as Duffy’s keyboards came to the forefront; meanwhile, lead guitar roles saw frequent changes.
The group transitioned to Creation Records in 1986 and released two instrumental albums beginning with Let the Snakes Crinkle Their Heads to Death. Their subsequent album, Forever Breathes the Lonely Word, garnered critical praise and is often regarded as their finest work, despite limited commercial breakthrough.
Released in 1987, Poem of the River returned to a quieter style reminiscent of their earlier material. The experimental The Pictorial Jackson Review followed in 1988, combining melodic pop songs with solo piano compositions by Duffy. Later that year came Train Above the City, highlighting Lawrence’s studio direction alongside cool jazz-inspired instrumentals performed by Duffy and Ainge.
Disbandment and Subsequent Developments
In 1989, Lawrence declared that his objective of issuing ten singles and ten albums within a decade had been fulfilled, signaling the conclusion of Felt. Following the release of their last album, Me and a Monkey on the Moon, which showcased a more intricate, layered sound alongside introspective lyrics penned by Lawrence, the group embarked on a short tour before parting ways. Subsequently, Lawrence established Denim, later progressing to Go Kart Mozart and Mozart Estate. Meanwhile, Duffy became a member of Primal Scream, and Ainge collaborated with Vic Godard. The band experienced the loss of Mick Lloyd in 2016, bassist Mick Bund in 2017, and Martin Duffy in 2022.
In 2018, Cherry Red undertook a reissue of all ten Felt albums on both CD and vinyl formats, featuring remixed tracks, altered track sequences, and refreshed packaging.
Legacy
Lawrence has reflected that Felt might have attained a higher level of success, partially attributing their modest exposure to the absence of support from John Peel.
The band has served as an inspiration for musicians such as Stuart Murdoch of Belle and Sebastian, Tim Burgess from the Charlatans, as well as groups like Manic Street Preachers, Girls, and the Tyde.
Band Members
- Lawrence – vocals, guitar (1979–1989)
- Maurice Deebank – guitar (1980–1981, 1983–1985)
- Nick Gilbert – bass, drums (1980–1981)
- Tony Race – drums (1980–1981)
- Gary Ainge – drums, percussion (1981–1989)
- Martin Duffy – keyboards (1985–1989; deceased 2022)
- Mick Lloyd – bass (1982–1984; deceased 2016)
- Marco Thomas – bass, guitar (1985–1987)
- Phil King – bass (1986–1987)
- Mick Bund – bass (1988; deceased 2017)
- Timeline
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bar:Lawrence text:"Lawrence" bar:Deebank text:"Maurice Deebank" bar:Duffy text:"Martin Duffy" bar:Lloyd text:"Mick Lloyd" bar:Thomas text:"Marco Thomas" bar:King text:"Phil King" bar:Bund text:"Mick Bund" bar:Gilbert text:"Nick Gilbert" bar:Race text:"Tony Race" bar:Ainge text:"Gary Ainge"
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</timeline>
Discography
- Crumbling the Antiseptic Beauty (1982)
- The Splendour of Fear (1984)
- The Strange Idols Pattern and Other Short Stories (1984)
- Ignite the Seven Cannons (1985)
- Let the Snakes Crinkle Their Heads to Death (1986)
- Forever Breathes the Lonely Word (1986)
- Poem of the River (1987)
- The Pictorial Jackson Review (1988)
- Train Above the City (1988)
- Me and a Monkey on the Moon (1989)
Further reading
External links
- "Felt (and related bands) Message Board"
- "Felt" – feature on Perfect Sound Forever
- "Felt Biography" at TweeNet
- Felt Discography
- Felt Discography – extensive image collection
- Felt Reviews
- Articles with short description
- 1979 establishments in England
- 1989 disestablishments in England
- British dream pop musical groups
- Cherry Red Records artists
- Creation Records artists
- English alternative rock groups
- English indie pop groups
- English jangle pop groups
- English post-punk music groups
- Musical groups disestablished in 1989
- Musical groups established in 1979
- Musical groups from Birmingham, West Midlands