Hall & Oates

Hall & Oates
Company type	Duo
Industry	Music
Founded	1970 in Philadelphia, Pennsylvania, United States
Founder	Daryl Hall, John Oates
Headquarters	Philadelphia, United States
Area served	Worldwide
Products	Music albums, singles

Daryl Hall & John Oates, commonly referred to as Hall & Oates, were a prominent American pop rock duo originating from Philadelphia, Pennsylvania in 1970. In the partnership, Daryl Hall mainly served as the lead singer, while John Oates handled electric guitar duties and contributed both backing and occasional lead vocals. Their songwriting was predominantly self-produced, either individually or jointly, with their greatest commercial impact spanning from the mid-1970s through the late 1980s, blending elements of rock, soul music, and rhythm and blues.

The duo was officially credited as Daryl Hall & John Oates on their US releases, achieving 29 Top 40 hits out of 33 singles on the Billboard Hot 100 between 1974 and 1991. They secured six number-one singles: "Rich Girl" (1977), "Kiss on My List" (1980), both "Private Eyes" and "I Can't Go for That (No Can Do)" (1981—with the latter also reaching number one on the Hot Soul chart), "Maneater" (1982), and "Out of Touch" (1984). Their catalog includes 16 US Top Ten hits such as "She's Gone", "Sara Smile", "You Make My Dreams", and "Family Man". Seven of their albums earned RIAA platinum certification, while six were certified gold. In the United Kingdom, they achieved two Top Ten albums and six singles within the Top 40, with "I Can't Go for That (No Can Do)" and "Maneater" reaching the Top Ten. Collectively, their albums spent 120 weeks on the UK Top 75 albums chart and their singles accumulated 84 weeks on the UK Top 75 singles chart.

Throughout their recordings, they collaborated with numerous session musicians, including guitarist G. E. Smith, bassist Tom "T-Bone" Wolk, drummer Mickey Curry, and multi-instrumentalist Charles DeChant. Songwriting partnerships also extended to sisters Sara Allen and Janna Allen.

In recognition of their contributions to music, Hall & Oates were inducted into the Songwriters Hall of Fame in 2003. Billboard’s Hot 100 rankings during its 60th anniversary in 2018 placed them 18th among top artists overall and sixth among duos or groups, designating them as the most successful duo in history. VH1 ranked them at number 99 on its list of greatest artists in 2010. The duo was inducted into the Rock and Roll Hall of Fame in 2014 and honored with a star on the Hollywood Walk of Fame in 2016. In April 2024, John Oates announced that Hall & Oates would no longer perform together amid ongoing legal disagreements.

1967–1972: Origins and early development

Daryl Franklin Hohl, born October 11, 1946, in Pottstown, Pennsylvania, and John William Oates, born April 7, 1948, in New York City, first crossed paths in 1967 at Philadelphia’s Adelphi Ballroom. At that time, each led separate bands—Hall fronted The Temptones while Oates led The Masters—and both were students at Temple University. Discovering mutual musical tastes sparked collaboration between them, which soon led to cohabitating in apartments marked "Hall & Oates," a name that eventually became their official duo moniker. Their professional partnership solidified by 1970 following Oates’ return from Europe, culminating in a contract with Atlantic Records and the release of their debut album three years later.

1972–1974: Initial album releases

Early in their journey, Hall & Oates experimented with various musical styles, including folk, soul, rock, and pop, as they sought to establish a definitive sound. Their first three albums—Whole Oats, Abandoned Luncheonette, and War Babies—did not gain significant commercial traction, even though notable producers such as Arif Mardin and Todd Rundgren were involved. Nevertheless, the track "She's Gone" from Abandoned Luncheonette rose to prominence after being covered by Lou Rawls and Tavares; notably, Tavares’ rendition reached the top position on the R&B chart in 1974. The song was penned by Hall for his first wife Bryna Lublin and was inspired by an incident where Oates was stood up on New Year’s Eve. Another track from the same album, "Las Vegas Turnaround," drew inspiration from Hall’s then-girlfriend and future songwriting partner Sara Allen.

1975–1977: Breakthrough Success

Following the 1974 release of War Babies, Hall & Oates transitioned from Atlantic Records to RCA Records. Their inaugural RCA project, Daryl Hall & John Oates—often referred to as the silver album due to its distinctive cover—was released in 1975 and marked their initial commercial breakthrough. The album featured the ballad "Sara Smile", written by Hall as a tribute to Sara Allen. The cover art, crafted by Pierre LaRoche—renowned for designing David Bowie’s Ziggy Stardust sleeve—depicted Hall & Oates with heavy makeup, with Hall presenting a notably feminine appearance. Hall later humorously remarked that on the cover he looked like "the girl I always wanted to go out with."

"Sara Smile" became their first Top 10 hit, peaking at number 4 on the Billboard Hot 100 in June 1976. Subsequently, Atlantic Records reissued "She's Gone," which climbed to number 7 in October 1976, while Abandoned Luncheonette reached number 33 on the album charts and remained there for 38 weeks.

Later that year, they released the more pop-driven Bigger Than Both of Us. Its lead single "Do What You Want, Be What You Are" barely made it into the Top 40; however, the follow-up single "Rich Girl" became their first chart-topping hit, reaching number one during the week ending March 26, 1977.

1977–1978: Challenging Period and Sacred Songs

After a brief period of chart success, Hall & Oates found it difficult to maintain radio airplay as disco music dominated the airwaves. Their rock-influenced albums Beauty on a Back Street (1977) and Along the Red Ledge (1978) encountered limited mainstream success due to disco’s overwhelming popularity. Still, singles such as "Back Together Again" and "It's a Laugh" managed to reach the Top 40 and Top 20 respectively.

In 1977, RCA sought to highlight Hall’s solo potential with the release of his album Sacred Songs, produced by Robert Fripp. However, its experimental style caused RCA to postpone its release until 1980, considering it commercially unviable at the time.

1979–1981: X-Static and Voices Era

Towards the end of 1979, Hall & Oates unveiled X-Static, produced by David Foster, which combined elements of rock and disco but failed to perform strongly overall despite featuring the Top 20 single "Wait for Me." Aiming for increased artistic autonomy, they brought on guitarist G. E. Smith, drummer Mickey Curry, and bassist Tom "T-Bone" Wolk, while continuing collaboration with songwriter Sara Allen and co-producer Neil Kernon.

Returning focus to their New York origins, they recorded at Electric Lady Studios and completed Voices within a month. This album generated multiple hits including "How Does It Feel to Be Back" (No. 30), a rendition of "You've Lost That Lovin' Feelin'" (No. 12), along with chart-toppers "Kiss on My List" (No. 1) and "You Make My Dreams" (No. 5). After this release, Oates contributed fewer lead vocals.

An important note is Hall’s ballad "Everytime You Go Away", which became highly regarded among fans despite not being issued as a single; it later achieved number one status on Billboard through Paul Young’s cover version in 1985.

1981–1982: Private Eyes

After the popularity of "You Make My Dreams," Hall & Oates unveiled Private Eyes, an album that fused their foundational doo-wop and soul influences with New Wave and hard rock sounds. This release became a defining pop record of the 1980s and marked their initial Top 10 placement on the Billboard 200 chart, featuring four singles that entered the Top 40.

Both the title track and "I Can't Go for That (No Can Do)" reached Number 1, briefly interrupted only by Olivia Newton-John's hit "Physical." Remarkably, "I Can't Go for That (No Can Do)" was one of the rare tracks by a white artist to top both the R&B and pop charts. In spring 1982, "Did It in a Minute" climbed to Number 9, while "Your Imagination" peaked at number 33.

1982–1983: H₂O and lineup adjustments

Their subsequent album, H₂O, showcased a refined, synth-heavy sound and became their most commercially triumphant record, selling nearly four million copies in the United States. It maintained the number 3 position on the Billboard charts for 15 consecutive weeks and generated three Top 10 hits. "Maneater," their most significant career success, dominated the charts for four weeks starting December 18, 1982.

Other notable singles included the ballad "One on One" and a rendition of Mike Oldfield's "Family Man," reaching numbers 7 and 6 in early and mid-1983 respectively. Daryl Hall described "Maneater" as a deliberate effort to craft a distinctive sound that stood out in the market.

Oates revealed they recorded approximately twenty tracks for H₂O, with nine tracks omitted from the final cut—a practice consistent with their tendency to have surplus material after each album session.

During this era, permanent changes were made to their touring band: Mickey Curry replaced Jerry Marotta as drummer full-time, while Tom Wolk succeeded John Siegler on bass. They joined forces with lead guitarist G.E. Smith and saxophonist Charles DeChant. Wolk remained a key member until his passing in 2010, and Curry returned for later projects such as Do It for Love and Laughing Down Crying.

1983–1984: Rock 'n Soul Part 1

By late 1983, Hall & Oates ranked among America’s leading pop performers, boasting five Number 1 hits along with two back-to-back Top 10 albums, supported by substantial airplay on MTV. For Christmas 1983, they released two versions of Bobby Helms’ 1957 classic "Jingle Bell Rock," accompanied by a well-received music video. Their inaugural greatest hits compilation, Rock 'n Soul Part 1, reached Number 7 on the charts and included two fresh Top 10 singles.

The first single, "Say It Isn't So," held strong at Number 2 for six weeks, competing against Paul McCartney and Michael Jackson’s "Say Say Say" amid the peak of the Thriller phenomenon. The next single, "Adult Education," gained extensive rotation on both pop and urban radio stations, climbing to Number 8 on the Billboard Hot 100 by April 1984, supported by a visually striking music video set in New York City.

1984–1985: Big Bam Boom

In 1984, Hall & Oates returned to recording with Big Bam Boom, an album characterized by its electronic and urban influences that incorporated cutting-edge technology such as Synclavier II and Fairlight CMI synthesizers. Esteemed producer Arthur Baker worked closely with them, crafting dance remixes for four of the album’s singles.

Released toward the end of 1984, the lead single "Out of Touch" secured their sixth Number 1 hit by December. Following singles—"Method of Modern Love," "Some Things Are Better Left Unsaid," and "Possession Obsession"—achieved chart positions of numbers 5, 18, and 30 respectively in early 1985. To support this release, they embarked on the "Live Thru '85" tour starting in November, sponsored by Pontiac’s Fiero sports car. Additionally, Oates took part as a driver in Pontiac’s IMSA GTU racing program. In April 1984, Hall & Oates were officially recognized by the Recording Industry Association of America as the most successful rock duo ever.

1985–1988: Live at the Apollo and Additional Endeavors

While Hall & Oates were known for extensive touring following each album release, they took a break in 1985 after issuing Live at the Apollo. This RCA album, featuring legendary voices David Ruffin and Eddie Kendricks from The Temptations, served to complete their contractual obligations. It included a Grammy-nominated medley combining "The Way You Do the Things You Do" and "My Girl", which reached the Top 20.

Both artists contributed to the USA for Africa initiative, with Hall performing as a soloist and Oates joining the chorus on "We Are the World". They also took part in the Live Aid concert held in Philadelphia, sharing the stage with Ruffin and Kendricks. Additionally, their band backed Mick Jagger during his Live Aid set.

Later that same year, Hall, Oates, Ruffin, and Kendricks appeared together at the MTV Video Music Awards in New York City, where the stage design incorporated an Apollo Theater marquee.

In May 1985, they played at Nashville Municipal Auditorium. On July 4, they performed at the Liberty Concert held at Liberty State Park, Jersey City, a significant fundraiser for restoring the Statue of Liberty that attracted over 60,000 attendees and was broadcast by HBO.

In 1986, Hall scored a Top 5 solo hit in the US with "Dreamtime" from his album Three Hearts in the Happy Ending Machine. This album also spawned the Top 40 single "Foolish Pride" and "Someone Like You," which peaked within the Top 100 and was later performed live by both members. Meanwhile, Oates did not chart as a solo artist but contributed a track to the soundtrack of About Last Night. He also co-wrote and provided backing vocals on Icehouse's 1987 US Top 10 hit "Electric Blue" and played a significant role as producer, co-writer, and co-lead vocalist on The Parachute Club’s Canadian Top 40 single "Love Is Fire".

1988–1990: The Arista Era

In 1987, Hall & Oates signed with Arista Records, shortly before their run of Top 10 hits concluded. This move was part of Tommy Mottola's strategy to keep them after their RCA contract ended. Their debut release on Arista was Ooh Yeah!, which included tracks such as "Everything Your Heart Desires"—peaking at Number 3 in May 1988 and marking their final Top 10 entry—alongside "Missed Opportunity" and "Downtown Life". From this point forward, their releases were credited to Daryl Hall John Oates, eliminating the '&' or 'and' conjunction. Ooh Yeah! became their last studio album to receive platinum certification.

They followed up with one more Arista album titled Change of Season. Its leading single "So Close", co-produced by Jon Bon Jovi, reached Number 11 on the charts, representing their last significant hit. Another notable song from this album, "Don't Hold Back Your Love," emerged as one of Canada's most-played songs in 1992 and became a regular feature of their live performances. Musically, Change of Season embraced more mainstream rock elements. Although both Ooh Yeah! and Change of Season achieved platinum and gold certifications respectively, they were regarded as underperforming commercially. In 1989, they recorded a cover version of the O'Jays' classic "Love Train" for the soundtrack of Earth Girls Are Easy.

1991–2006: Do It for Love and Holiday Release

After the passing of their longtime collaborator Janna Allen in 1993, Hall & Oates returned with Marigold Sky in 1997, marking their first studio album of original material in seven years. The album featured the Adult Contemporary hit "Promise Ain't Enough". Following their 2002 appearance on VH1's Behind the Music, they released a Greatest Hits compilation tied to the program. Their 2003 studio effort, Do It for Love, included a chart-topping Adult Contemporary single of the same name and represented the inaugural success under their joint label U-Watch Records. Additionally, they issued the Hall & Oates Live DVD, which captured their performance on an A&E Live by Request special.

During this period, both artists pursued solo projects: Hall produced albums such as Soul Alone (1993), Can't Stop Dreaming (1996), and the live recording Live in Philadelphia (2004). Oates released his solo album Phunk Shui in 2002, accompanied by a live concert DVD. Notably, Hall & Oates contributed a rendition of Elton John's "Philadelphia Freedom" for the 1991 tribute compilation "Two Rooms", underscoring their Philadelphia roots.

In 2004, they issued Our Kind of Soul, an album dedicated to R&B cover versions including classics like "I'll Be Around", "Love T.K.O.", and "I Can Dream About You". The duo sustained an active touring itinerary and released a live DVD connected to this project in 2005.

Their 2006 holiday-themed release, Home for Christmas, featured two original compositions alongside traditional covers such as "It Came Upon a Midnight Clear", which became their second number one hit on the Adult Contemporary charts.

2007–2013: Individual Endeavors and Hiatus

In September 2007, Montreal-based electro-funk group Chromeo announced a collaboration with Hall & Oates for an upcoming project that would later be released under the title Live from Daryl's House. On May 20, 2008, Hall & Oates received the prestigious BMI Icons award at the 56th annual BMI Pop Awards ceremony, having accumulated a total of 24 BMI Pop Awards and 14 BMI Million-Air honors by that date.

Oates performed the national anthem at Game 5 of the 2008 World Series held in Philadelphia later that year. Both members appeared on The Daily Show in December 2008, delivering a humorous tribute performance. In March 2009, they took part in a live performance on Dancing with the Stars. Additionally, that year saw them make a cameo appearance in the film You Again, where they performed "Kiss On My List".

On May 22–23, 2008, Hall & Oates celebrated their 35th anniversary since their debut at the Troubadour venue in West Hollywood with special concerts. These shows were recorded and later released as a double CD/DVD package on November 25, 2008. Their live rendition of "Sara Smile" from this release garnered a Grammy nomination in 2009—their third nomination overall following earlier nods for "Private Eyes" (1981) and "Maneater" (1983).

The duo unveiled an extensive four-disc box set titled Do What You Want, Be What You Are: The Music of Daryl Hall and John Oates on October 13, 2009. The collection sold approximately 15,000 units and reached number 89 on the Billboard 200 chart. Among their final performances at Philadelphia’s Wachovia Spectrum arena, Hall & Oates headlined alongside local acts The Hooters and Todd Rundgren.

In 2010, they embarked on the "Do What You Want, Be What You Are" tour across the United States and appeared on the finale of American Idol. They also participated in an artist-led boycott against Arizona in response to contentious immigration legislation.

On May 8, 2012, Hall & Oates performed live on NBC’s reality competition series The Voice.

2013–2023: Hall of Fame Induction and Unfinished 19th Album

On October 16, 2013, Hall & Oates were announced as nominees for the Rock and Roll Hall of Fame Class of 2014, with their official induction taking place on December 16, 2013.

Since 2007, Hall has hosted a monthly online series titled Live from Daryl's House, showcasing collaborations with a wide range of guest artists including Smokey Robinson, Robby Krieger, Nick Lowe, and CeeLo Green. This series earned a Webby Award in 2010 in the Variety category.

In May 2014, Hall debuted the home improvement program Daryl's Restoration Over-Hall on the DIY Network. On July 15 of the same year, Hall & Oates performed together as a duo in Ireland for the first time at Dublin’s Olympia Theatre. This performance was later issued as Live in Dublin on CD and DVD in March 2015 and was also shown in cinemas nationwide.

The pair made an appearance in the 2015 movie Pixels. On September 2, 2016, they were honored with a star on the Hollywood Walk of Fame located at 6752 Hollywood Boulevard.

In March 2017, Hall & Oates announced a U.S. arena tour scheduled from May through July, co-headlining with Tears for Fears. This tour included their Philadelphia-born HoagieNation festival—a tribute to their hometown—which was held again in 2018 and 2021. Additionally, they headlined London’s BluesFest at the O2 Arena in October 2017 and returned to perform once more in Dublin.

From May to June 2019, the duo embarked on their inaugural Latin American tour, performing in Argentina, Chile, and Brazil, followed by their first concert in Spain.

By January 2020, Hall disclosed that new material was being developed for an upcoming album. However, by mid-2021, he expressed doubts about releasing fresh music due to evolving circumstances related to the COVID-19 pandemic, commenting that "things have changed." In March 2022, Hall remained noncommittal regarding the likelihood of a new album’s release.

On April 17, 2023, Eliot Lewis, who had been the longtime keyboardist for Hall & Oates and involved in their associated projects, announced his departure to concentrate on his solo career.

Hall & Oates were also inducted into the National Rhythm & Blues Hall of Fame Class of 2023.

2023–2024: Legal Dispute and Separation

In November 2023, Hall initiated a confidential contract lawsuit aimed at preventing Oates from transferring their publishing rights—managed through Whole Oats Enterprises—to Primary Wave Music without Hall’s approval. A court-issued restraining order was granted to halt the transaction until both parties engaged in arbitration to resolve the matter.

By April 2024, Oates revealed in Rolling Stone that he had "moved on" from the partnership and indicated that Hall & Oates would no longer perform together. Hall confirmed this stance a month later during an interview with Variety. On August 11, 2025, reports surfaced that the two had reached an arbitration settlement and filed for dismissal of the lawsuit; however, details of their agreement were not made public.

Musical Style

Hall & Oates’ sound is characterized by a fusion of blue-eyed soul, Philadelphia soul, pop rock, power pop, soft rock, and elements of R&B. Their output during the 1980s is particularly recognized for incorporating influences from new wave.

Songwriting

During a 1983 interview with Juke Magazine, Oates admitted that creative disagreements occurred but highlighted that they resolved these by experimenting with both concepts and selecting the superior one.

In a September 2022 appearance on Club Random with Bill Maher, Hall referred to Oates exclusively as his business associate rather than a creative collaborator, also mentioning several Hall & Oates tracks he had recorded independently.

Name

The pair consistently chose to use their full names. In an Esquire interview, Oates clarified that no album is credited simply as "Hall and Oates"—the billing always reads "Daryl Hall and John Oates." They rejected the "Hall & Oates" moniker, deliberately avoiding the typical duo image associated with acts like the Everly Brothers or Loggins & Messina. In 2015, Oates described the name as "terrible," explaining it was an intentional move to highlight their identities as two separate songwriters collaborating rather than a conventional duo.

Hall echoed this sentiment in a 2017 interview with The Mercury News, stating they regard themselves as distinct solo artists rather than a traditional pair. Despite their dislike for the name, in 2015 they initiated legal action against a Brooklyn-based granola company over its "Haulin' Oats" product, claiming it infringed upon their recognizable trademark.

Core duo

Daryl Hall – vocals, keyboards, mandolin, guitars, vibraphone
John Oates – vocals, guitars, keyboards

Supporting musicians

Johnny Ripp – guitars (1972) (credited as Whole Oats)
Mike McCarthy – bass (1972) (credited as Whole Oats)
Jim Helmer – drums, percussion (1972) (credited as Whole Oats)
Bill Keith – pedal steel guitar (1972) (credited as Whole Oats)
Neal Rosengarden – mellotron, saxophone (1972)
Paul Ians – guitars (1973)
Brad Fiedel – synthesizers, mellotron (1973–1975)
Kenny Aaronson – bass guitar (1973–1974)
Willie Wilcox – drums (1973–1974)
Richie Cerniglia – guitars (1974)
Don Muir – synthesizers, mellotron (1974)
Eddie Zyne – drums (Dec 1974–Jul 1977)
David Kent – keyboards, synthesizers (1975–1978)
Todd Sharp – guitars, backing vocals (1975–Jun 1977)
Stephen Dees – bass guitar, backing vocals (1976–Feb 1977)
Charles DeChant – saxophone, keyboards, synthesizers, lyricon, flute, percussion, backing vocals (1976–1985, 1986, 1990–2024)
Caleb Quaye – guitars (1977–1979)
Kenny Passarelli – bass guitar (Jun 1977–Sep 1980)
Roger Pope – drums (1977–1979)
G. E. Smith – lead guitar, keyboards, backing vocals (1979–1980, 1981–1985, 1986)
Jerry Marotta – drums (1979–Feb 1980)
Chuck Burgi – drums (1980)
Jeff Southworth – guitars (1980)
John Siegler – bass guitar (1979–Dec 1981)
Larry Fast – synthesizers, programming (1981–1982)
Tom "T-Bone" Wolk – bass guitar, guitar, accordion, keyboards, mandolin, harmonica, backing vocals, musical director (1981–2010; deceased)
Mickey Curry – drums (1981–1985, 1986)
Mike Klvana – keyboards, synthesizers (1983–1990)
Wells Christy – synthesizers, synclavier (1984–85)
Robbie Kilgore – keyboards (1985)
Jimmy Maelen – percussion (1985)
Lenny Pickett – tenor saxophone (1985)
Steve Elson – baritone saxophone (1985) (featured only on Live at the Apollo)
Mac Gollehon – trumpet (1985)
"Hollywood" Paul Litteral – trumpet (1985) (featured only on Live at the Apollo)
Ray Anderson – trombone (1985) (featured only on Live at the Apollo)
Keith O'Quinn – trombone (1985)
Tony Beard – drums (1988)
Pat Buchanan – guitars (1988)
Bob Mayo – keyboards, synthesizers, guitars, backing vocals (1988–1994, 1996–1998)
Mark Rivera – saxophone, percussion, keyboards, backing vocals (1988–1989)
Mike Braun – drums and percussion (Dec 1988–Sep 2010)
Larry Tagg – bass guitar and backing vocals (1990)
Jimmy Rip – guitars (1990)
Kasim Sulton – bass guitar and backing vocals (1991–1992)
Lisa Haney – cello (1991–1992)
Eileen Ivers – violin (1991–1992)
Susie Davis – keyboards and backing vocals during 'Soul Alone' tour (1993–1994)
Alan Gorrie – bass guitar and backing vocals during 'Soul Alone' tour (1993–1994)
Rocky Bryant – drums during 'Soul Alone' tour (1993–1994)
Bill White – guitars during 'Soul Alone' tour (1993–1994)
Norman Hedman – percussion and backing vocals during 'Soul Alone' tour (1993–1994)
Kia Jeffries – backing vocals during 'Soul Alone' tour (1993–1994)
Jeff Levine – keyboards for Japan tour in 1995 and from 1999 to 2001
Everett Bradley – percussion and backing vocals (1996; 2006–2010)
Paul Pesco – guitar (1997–2001; 2010–2013)
Jeff Catania – guitars (2001–2006)
John Korba – keyboards, guitar and backing vocals (2002–2003)
Eliot Lewis – keyboards and backing vocals (2003–2023)
Zev Katz – bass guitar (2006–2011)
Brian Dunne – drums (2009–2024)
Klyde Jones – bass guitar and backing vocals (2011–2024)
Porter Carroll – percussion and backing vocals (2011–2024)
Shane Theriot – guitars and backing vocals (2013–2024)

Timeline

<timeline> ImageSize = width:900 height:auto barincrement:18 PlotArea = left:115 bottom:160 top:05 right:0 Alignbars = justify DateFormat = dd/mm/yyyy Period = from:01/01/1970 till:01/04/2024 TimeAxis = orientation:horizontal format:yyyy Legend = orientation:vertical position:bottom columns:3 ScaleMajor = increment:5 start:1970 ScaleMinor = increment:1 start:1970

Colors =

id:vocals  value:red          legend:Vocals
id:guitar  value:green        legend:Guitar
id:pedal   value:teal         legend:Pedal_steel
id:keys    value:purple       legend:Keyboards
id:bass    value:blue         legend:Bass
id:drums   value:orange       legend:Drums
id:perc    value:claret       legend:Percussion
id:sax     value:tan2         legend:Saxophone
id:trump   value:skyblue      legend:Trumpet
id:tromb   value:coral        legend:Trombone
id:violin  value:drabgreen    legend:Violin
id:cello   value:darkblue     legend:Cello
id:bvocals value:pink         legend:Backing_vocals
id:studio  value:black        legend:Studio_albums
id:live    value:gray(0.73)   legend:Live_release_recordings
id:bars    value:gray(0.93)

BackgroundColors = bars:bars

BarData =

bar:Hall       text:Daryl Hall
bar:Oates      text:John Oates
bar:Ripp1      text:Johnny Ripp
bar:Ians       text:Paul Ians
bar:Sharp      text:Todd Sharp 
bar:Quaye      text:Caleb Quaye
bar:Smith      text:G. E. Smith
bar:South      text:Jeff Southworth 
bar:Ripp2      text:Jimmy Ripp
bar:White      text:Bill White
bar:Pesco      text:Paul Pesco
bar:Catania    text:Jeff Catania
bar:Theriot    text:Shane Theriot
bar:Keith      text:Bill Keith
bar:Kent       text:David Kent 
bar:Fast       text:Larry Fast
bar:Klvana     text:Mike Klvana
bar:Kilgore    text:Robbie Kilgore
bar:Christy    text:Wells Christy
bar:Mayo       text:Bob Mayo 
bar:Davis      text:Susie Davis 
bar:Levine     text:Jeff Levine
bar:Korba      text:John Korba 
bar:Lewis      text:Eliot Lewis
bar:McCarthy   text:Mike McCarthy 
bar:Sklar      text:Leland Sklar
bar:Aaronson   text:Kenny Aaronson 
bar:Laird      text:Rick Laird
bar:Dees       text:Stephen Dees
bar:Pass       text:Kenny Passarelli 
bar:Siegler    text:John Siegler 
barWolk       textTom T-Bone Wolk 
barTagg       textLarry Tagg 
bar:Sulton     textKasim Sulton
bar:Gorrie     textAlan Gorrie 
barKatz       textZev Katz 
barJones      textKlyde Jones 
barHelmer     textJim Helmer 
barWilcox     textWillie Wilcox 
barZyne       textEddie Zyne
barPorcaro    textJeff Porcaro 
barPope       textRoger Pope
barMarotta    textJerry Marotta 
barBurgi      textChuck Burgi 
barCurry      textMickey Curry 
barBeard      textTony Beard
barBraun      textMike Braun
barBryant     textRocky Bryant 
barDunne      textBrian Dunne 
barMerritt    textKeith Merritt 
barMaelen     textJimmy Maelen
barHedman     textNorman Hedman  
barBradley    textEverett Bradley
barCarroll    textPorter Carroll
barRosen      textNeal Rosengarden 
barDeChant    textCharles DeChant
barPickett    text:Lenny Pickett
barElson      textSteve Elson
barRivera     textMark Rivera 
barGollehon   textMac Gollehon 
barLitteral   text"Hollywood" Paul Litteral 
barAnderson   textRay Anderson
barHaney      textLisa Haney
barIvers      text:Eileen Ivers
barJeffries   texKia Jeffries

PlotData =

color:vocals width=11  
 barHall from:start till:end  
 barOates from:start till:end width=3

color:guitar  
 barHall from:start till:end width=7  
 barOates from:start till:end  
 barRipp1 from01/01/1972 till31/12/1972  
 barSharp from01/01/1975 till14/06/1977  
 barQuaye from15/06/1977 till14/06/1979  
 barSmith from15/06/1979 till14/06/1980  
 barSouth from15/06/1980 till31/12/1980  
 barSmith from01/01/1981 till31/12/1985  
 barSmith from01/05/1986 till29/10/1986  
 barMayo from01/01/1988 till31/12/1994 width=7  
 barRipp2 from01/01/1990 till31/12/1990  
 barWolk from01/01/1991 till30/04/1992  
 barWolk from30/04/1992 till14/06/2006 width=7  
 barWhite from01/01/1993 till31/12/1994 width=7  
 barMayo from01/01/1996 till31/12/1998 width=7  
 barPesco from01/01/1997 till14/06/2001  
 barCatania from15/06/2001 till14/06/2006  
 barWolk from15/06/2006 till28/02/2010  
 barKorba from01/01/2002 till14/06/2003 width=7  
 barPesco from01/01/2010 till14/06/2013  
 barTheriot from15/06/2013 till:end

color:pedaL  
 barKeith from01 /01 /1972 till31 /12 /1972

color:keyS   
 barHall from:start till:end width=3   
 barOates from:start till:end width=7   
 barKent from01 /01 /1975 till31 /12 /1978   
 barDeChant from01 /01 /1976 till31 /12 /1985 width=5   
 barSmith from15 /06 /1979 till14 /06 /1980 width=7   
 barFast from01 /01 /1980 till31 /12 /1982   
 barSmith from01 /01 /1981 till31 /12 /1983 width=7   
 barKlvana from01 /01 /1983 till20 /07 /1990   
 barWolk from01 /01 /1983 till31 /12 /1984 width=7   
 barKilgore from01 /01 /1985 till14 /06 /1985   
 barChristy from15 /06 /1985 till31 /12 /1985   
 barDeChant from01 /05 /1986 till31 /05 /1986 width=5   
 barMayo from01 /01 /1988 till31 /12 /1994   
 barRivera from01 /01 /1988 till31 /12 /1989 width=5   
 barDeChant from01 /01 /1990 till:end width=5   
 barWolk from01 /01 /1991 till31 /12 /1992 width=5   
 barSulton from01 /01 /1991 till30 /04 /1992 width=7   
 barDavis from01 /01 /1993 till31 /12 /1994 width=7   
 barLevine from01 /12 /1995 till31 /12 /1995   
 barMayo from01 /01 /1996 till31 /12 /1998   
 barLevine from01 /01 /1999 till31 /12 /2001   
 barKorba from01 /01 /2002 till14 /06 /

2003

color:bass

barMcCarthy from 1 1 1972 till 31 12 1972 barSklar from 1 1 1973 till 14 6 1973 barAaronson from 15 6 1973 till 14 6 1974 barLaird from 15 6 1974 till 31 12 1974 barDees from 1 1 1976 till 28 2 1977 barSklar from color drums barHelmer from start till end barWilcox from start till end barZyne from start till end barPope from start till end barPorcaro from start till end width=3 barMarotta from start till end barBurgi from start till end barCurry from start till end barBeard from start till end barBraun from start till end barBryant from start till end width=7 barDunne from start till end

color percussion barDeChant from start till end width=7 barMerritt from start till end barMaelen from start till end barDeChant from start till end width=7 barRivera from start till end width=7 barDeChant from start till end width=7 barHedman from start till end width=7 barBradley from start till end barBradley from start till:end barDunne from start till:end width=3 barCarroll from start till:end

color saxophone barRosen from:start till:end barDeChant from:start till:end barPickett from:start till:end barElson from:start till:end barDeChant from:start till:end barRivera from:start till:end barDeChant from:start:till:end

color trumpet barGollehon from:start:till:end barLitteral from:start:till:end

color trombone barAnderson from:start:till:end

color string_violin_cello barIvers from start to end barHaney from start to end

color backing_vocals width=3 barSharp from start to end barDees from start to end barDeChant from start to end barSmith from start to end barWolk from start to end barDeChant From start to end barSmith From start to end barMayo From start to end barRivera From start to End </timeline>

Discography

Whole Oats (1972)
Abandoned Luncheonette (1973)
War Babies (1974)
Daryl Hall & John Oates (1975)
Bigger Than Both of Us (1976)
Beauty on a Back Street (1977)
Along the Red Ledge (1978)
X-Static (1979)
Voices (1980)
Private Eyes (1981)
H₂O (1982)
Big Bam Boom (1984)
Ooh Yeah! (1988)
Change of Season (1990)
Marigold Sky (1997)
Do It for Love (2003)
Our Kind of Soul (2004)
Home for Christmas (2006)

External links

Official website
"Hall & Oates" — Featured on VH1's Behind the Music: Remastered

Hall & Oates

1967–1972: Origins and early development

1972–1974: Initial album releases

1975–1977: Breakthrough Success

1977–1978: Challenging Period and Sacred Songs

1979–1981: X-Static and Voices Era

1981–1982: Private Eyes

1982–1983: H₂O and lineup adjustments

1983–1984: Rock 'n Soul Part 1

1984–1985: Big Bam Boom

1985–1988: Live at the Apollo and Additional Endeavors

1988–1990: The Arista Era

1991–2006: Do It for Love and Holiday Release

2007–2013: Individual Endeavors and Hiatus

2013–2023: Hall of Fame Induction and Unfinished 19th Album

2023–2024: Legal Dispute and Separation

Musical Style

Songwriting

Name

Core duo

Supporting musicians

Timeline

Discography

See also

Further reading

External links

1967–1972: Origins and early development

1972–1974: Initial album releases

1975–1977: Breakthrough Success

1977–1978: Challenging Period and Sacred Songs

1979–1981: X-Static and Voices Era

1981–1982: Private Eyes

1982–1983: H2O and lineup adjustments

1983–1984: Rock 'n Soul Part 1

1984–1985: Big Bam Boom

1985–1988: Live at the Apollo and Additional Endeavors

1988–1990: The Arista Era

1991–2006: Do It for Love and Holiday Release

2007–2013: Individual Endeavors and Hiatus

2013–2023: Hall of Fame Induction and Unfinished 19th Album

2023–2024: Legal Dispute and Separation

Musical Style

Songwriting

Name

Core duo

Supporting musicians

Timeline

Discography

See also

Further reading

External links

1982–1983: H₂O and lineup adjustments