High Fidelity (film)
| Company type | Film |
|---|---|
| Industry | Entertainment |
| Founded | 2000 |
Key people | Stephen Frears (director), John Cusack (actor), Jack Black (actor), Iben Hjejle (actress) |
| Products | Romantic comedy-drama film |
High Fidelity is a romantic comedy-drama from the year 2000, directed by Stephen Frears and featuring performances by John Cusack, Jack Black, and Iben Hjejle. Adapted from the 1995 British novel by Nick Hornby, the film shifts the setting from London to Chicago and alters the main character’s name. Hornby commended the adaptation’s accuracy, remarking that Cusack’s portrayal often felt like a direct reading of his novel.
The movie received both critical acclaim and box office success, with Cusack securing a nomination for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
Plot
Rob Gordon, an avid music lover who runs the Championship Vinyl record shop in Chicago, faces emotional turmoil after his girlfriend Laura unexpectedly ends their two-year relationship. At the store, Rob and his coworkers, Dick and Barry, possess extensive musical expertise but struggle with low sales. The breakup with Laura ranks as one of Rob’s most painful experiences.
Their troubled relationship was marked by financial reliance and a concealed abortion following Rob’s infidelity during Laura’s pregnancy. Encouraged by friends and family to examine his past relationships, Rob reaches out to former girlfriends listed in his "Top 5" breakups.
At number one is Allison, a childhood crush from middle school who married another man, leading Rob to accept they were not meant to be together. Number two is Penny Hardwick, a high school girlfriend he ended things with due to intimacy issues; she reveals her post-breakup affair wasn’t with him, alleviating some of Rob’s guilt. Number three is Charlie Nicholson, his most serious ex who left him for someone else; encountering her again exposes her vanity and aids Rob in moving forward. Number four is Sarah Kendrew, who struggles with mental health issues that undermine her relationships; Rob ends their meeting feeling pity.
Meanwhile, adolescent skateboarders Vince and Justin create disturbances but impress Rob with their band, The Kinky Wizards. He offers them a contract on his new label, Top 5 Records.
Rob remains obsessed with Laura, now cohabiting with Ian—unknown to him, their former upstairs neighbor "Ray." This situation intensifies Rob’s insecurity and leads to stalking behavior until Ian confronts him.
At Laura’s father’s funeral, Rob comes to understand his lack of dedication and neglect toward both Laura and himself. This realization prompts their reconciliation and decision to live together again.
Rob develops feelings for a music journalist but acknowledges during a conversation with Laura that she represents his true reality. He proposes marriage; she expresses gratitude but encourages him to resume his DJ career.
At Vince and Justin’s album launch party hosted by Laura, Rob enjoys Barry’s band performing and feels relieved when they select the name "Barry Jive and the Uptown Five" instead of more eccentric alternatives. Confident he has learned how to make Laura happy, Rob compiles a mixtape for her.
Cast
- John Cusack as Rob Gordon
- Iben Hjejle as Laura
- Jack Black as Barry Judd
- Todd Louiso as Dick
- Catherine Zeta-Jones as Charlie Nicholson
- Lisa Bonet as Marie DeSalle
- Sara Gilbert as Anaugh Moss
- Chris Bauer as Paul
- Lili Taylor as Sarah Kendrew
- Joan Cusack as Liz
- Tim Robbins as Ian "Ray" Raymond
- Joelle Carter as Penny Hardwick
- Chris Rehmann as Vince
- Ben Carr as Justin
- Natasha Gregson Wagner as Caroline Fortis
- Drake Bell as young Rob Gordon
- Bruce Springsteen as himself
- Ian Williams as a guy in record store
- Al Johnson as a record store geek
Development
In 1995, Disney's Touchstone Pictures acquired the rights to Nick Hornby's novel, initiating a development phase that lasted three years. Initially, Mike Newell was attached as director, with a screenplay penned by Scott Rosenberg, known for his work on Con Air. Joe Roth, a Disney executive, sought advice from recording executive Kathy Nelson, who recommended John Cusack along with his writing and producing collaborators D. V. DeVincentis and Steve Pink, citing their previous work on Grosse Pointe Blank and their compatibility with the story's tone. DeVincentis, an avid collector of music, played a key role in shaping the characters' obsession with records. Roth quickly approved their script treatment.
Screenplay
The film adaptation shifted the setting from London to Chicago to capitalize on both the city's vibrant alternative music culture and its familiarity. Cusack remarked that his own experiences with Chicago record stores closely resembled those of the novel's protagonists. Charlotte Tudor from Buena Vista emphasized Chicago's cultural similarities to London and its broad appeal. Principal photography occurred in Chicago locations including Wicker Park and Lane Tech High School.
A significant hurdle involved translating Rob Gordon's frequent direct addresses to the audience, used to express his inner thoughts. Inspired by Alfie, this narrative device was initially met with resistance from Cusack but was embraced once Stephen Frears replaced Newell as director.
The screenplay featured an invented dialogue between Rob and Bruce Springsteen, inspired by Hornby's mention of Springsteen's song "Bobby Jean". Although initially uncertain about involving Springsteen, Cusack successfully pitched the idea by leveraging a personal connection.
Close to completion, Scott Rosenberg received screenplay credit despite his draft being notably different and set in Boston. The original writing team attempted to remove his credit but were overruled due to an outdated Writers Guild of America regulation that awards full credit to the first screenwriter attached to an adaptation.
Casting
Stephen Frears discovered Iben Hjejle for the female lead after viewing Mifune's Last Song at the Berlin International Film Festival. While he appreciated Hornby's novel, he did not fully identify with it as it did not reflect his generation. He accepted the project partly to collaborate again with Cusack (after The Grifters) and to relocate the story from London to Chicago. Frears also insisted on retaining Jack Black as Barry; originally, Black had declined the role and had not auditioned until Frears persuaded him otherwise. Studio executives frequently reviewed Frears' daily footage. The role of Dick was initially offered to David Arquette, while Artie Lange auditioned for Barry. After Arquette declined, Todd Louiso was cast as Dick. Liz Phair was considered for Marie DeSalle before the role ultimately went to Lisa Bonet.
Filming
The production kicked off on April 26, 1999, in Chicago, Illinois, utilizing locations such as Wicker Park, the Biograph Theater, and various authentic music venues.
Release
High Fidelity had its debut at the El Capitan Theater in Hollywood, followed by a post-premiere event featuring Tenacious D. The film opened widely across the United States on March 31, 2000, earning $6.4 million during its opening weekend and securing the fifth spot at the box office. Its UK release occurred on July 21, 2000, across 227 screens, where it generated $1.1 million and placed fourth for that weekend. Globally, the movie accumulated a total gross of $47.1 million, with $27.3 million coming from the US and Canadian markets.
Reception
High Fidelity was met with considerable critical praise, holding a 91% approval rating on Rotten Tomatoes based on 165 reviews and achieving a Metacritic score of 79 from 35 critics. Reviewers commended director Stephen Frears along with the ensemble cast for crafting an engaging narrative complemented by an impressive soundtrack. Despite this, audience feedback collected by CinemaScore resulted in an average grade of "C+".
Among prominent critiques, Roger Ebert awarded the film a flawless four-star rating, emphasizing its relatable characters. Desson Howe of the Washington Post lauded Jack Black’s lively performance, while Stephen Holden of the New York Times praised John Cusack’s authentic acting. Conversely, some reviews were less positive; USA Today suggested Cusack was ill-suited for his role, and Entertainment Weekly assigned a "B−" grade, citing the film’s somewhat shallow romantic elements.
Peter Travers from Rolling Stone applauded the screenplay for effectively translating Nick Hornby’s tone with witty humor. Philip French of The Observer described it as an exceptionally funny and expertly crafted movie. Stephanie Zacharek of Salon.com underscored Iben Hjejle’s grounded portrayal as vital to the film’s overall dynamic.
Legacy
In a poll conducted by Empire, readers placed High Fidelity at number 446 in their list of the "500 Greatest Movies of All Time." It also ranks #14 on Rotten Tomatoes' compilation of the 25 Best Romantic Comedies and holds the top spot in Chicago magazine's list of the 40 best films shot in Chicago.
Singer-songwriter Regina Spektor composed her 2006 track "Fidelity" inspired by viewing the film; it marked her first appearance on the Billboard charts. That same year saw a musical version debuting on Broadway, though it lasted only 13 performances. In 2010, Donwill of Tanya Morgan released a solo album titled Don Cusack In High Fidelity, drawing inspiration from the movie's protagonist.
Television series
In April 2018, ABC Signature Studios revealed plans for a television adaptation of High Fidelity, produced by Midnight Radio (Scott Rosenberg, Jeff Pinkner, Josh Appelbaum, and Andre Nemec). Scott Rosenberg returned to write the series script featuring a female protagonist replacing John Cusack’s original character. The project was developed by Veronica West and Sarah Kucserka, with Zoë Kravitz cast as the lead across ten episodes for its initial season.
Originally intended for Disney+, the show transitioned to Hulu in April 2019 after Disney+ SVP Agnes Chu explained that Hulu’s audience was a better fit. The series premiered on February 14, 2020, but was canceled after just one season in August 2020.
Additional reading
- "The Cusacks" authored by Scott Tobias. The Onion A.V. Club. March 29, 2000.
External links
- Articles with short description
- 2000s American films
- 2000s British films
- 2000s English-language films
- 2000 films
- 2000 romantic comedy-drama films
- American rock music films
- American romantic comedy-drama films
- British rock music films
- British romantic comedy-drama films
- English-language romantic comedy-drama films
- Films based on British novels
- Films adapted into television shows
- Films based on works by Nick Hornby
- Films directed by Stephen Frears
- Films produced by Tim Bevan
- Films scored by Howard Shore
- Films set in the 1980s
- Films set in the 1990s
- Films set in Chicago
- Films set in stores
- Films set in record stores
- Films shot in Chicago
- Films with screenplays by Scott Rosenberg
- Touchstone Pictures films
- Working Title Films films