How Not to Write a Play
| Industry | Publishing |
|---|---|
| Headquarters | United States |
| Products | Books |
How Not to Write a Play is a 1955 nonfiction work authored by Walter Kerr, who previously served as the chief theatre critic for the New York Times. Released by Simon & Schuster, the book builds upon an article Kerr originally published in Harper's Magazine.
Summary
In How Not to Write a Play, Kerr analyzes detrimental patterns in modern playwriting and theatre economics, attributing shrinking audiences to uninspired offerings from both commercial ventures and institutional theatres. He condemns the long-standing emulation of Henrik Ibsen and Anton Chekhov, asserting that their approaches have become obsolete and primarily appeal to an intellectual elite, thereby limiting theatre’s wider appeal. Kerr contrasts this with the success of playwrights such as William Shakespeare, who fostered a vibrant theatrical environment.
Kerr champions works that combine high entertainment value with artistic depth, advocating for a revival of verse drama and highlighting Christopher Fry as a contemporary practitioner of compelling theatrical poetry.
Reception
Critic George David lauded the book as "pungent, revealing, brilliant," recognizing it as an insightful explanation for theatre’s waning popularity. A review in The Virginian-Pilot disagreed with Kerr’s endorsement of increased use of verse but concurred that entertainment remains essential in theatre. Elizabeth McSherry noted the decline in New York stage productions from 224 in 1929 to just 70 in 1955, echoing Kerr’s critique of modern playwrights and describing the book as "stimulating and provocative."
Noël Coward called the text "intelligent and well-written," though he ultimately found it "sterile." Time editor Henry A. Grunwald referenced the book during the creation of his own theatrical work.
Even decades after its publication, How Not to Write a Play continues to be cited within drama instruction, critical studies, and literature courses.