Kweku Aacht
Kweku Aacht | |
|---|---|
| Other names | Awotwi |
| Occupation(s) | Singer-songwriter, composer, musician, dancer |
| Years active | 1990s–present |
| Known for | Vocal partnerships with avant-garde electronic musicians; pioneering soundtracks and performances in dance theatre |
Kweku Aacht, who performs under the name Awotwi, is a British-Ghanaian artist known for his roles as a singer-songwriter, composer, musician, and dancer. He has gained recognition through vocal partnerships with avant-garde electronic musicians and for developing pioneering soundtracks and performances in dance theatre.
Music and Performance Career
During the early 1990s, Aacht drew inspiration from the UK's underground club culture, open-air raves, and music festivals, absorbing a wide range of styles from artists including Prodigy, Darren Emerson, Björk, and Tricky.
His recording journey commenced in 1999 when he co-wrote and performed on two tracks for Zan Lyons' debut album Desolate, and contributed to Damian Lazarus' Mind Horizon Records compilation Different Noise. While attending London College of Fashion, Aacht moved to Hackney, a dynamic artistic district in London. There, he collaborated with Young British Artists (Y.B.As) on sound installations and gallery-based performances. In 2004, he partnered with electronic musician Leila Arab on a performance at the V&A museum, which was later featured on her album Blood Looms and Blooms.
A significant musculoskeletal injury in 2002 forced him to pause his dance career for more than three years. During this period, he concentrated on social development work, spearheading art-centered projects designed to empower youth and foster community change. His efforts included co-creating a national conflict resolution initiative for The Tutu Foundation UK.
In 2006, Aacht re-entered the music scene after engaging with the contemporary dance company C-12 Dance Theatre at Stratford Circus. He took on a sustained role as composer and musical director for cutting-edge dance theatre productions. By 2008, he resumed performing original choreography that integrated music production with dance, earning acclaim within the UK's hip-hop and contemporary dance communities. In 2013, he relocated to Ghana.
Kindred Tribe
In 2012, Aacht initiated his first music performance project since the mid-2000s by collaborating with African contemporary dance artist and Vocab Dance Company director Alesandra Seutin alongside dancer, actress, and singer Nandi Bhebhe. Together, they established the Kindred Tribe collective, merging their varied influences into a unique ensemble. They created original compositions and performed at Ghana's Asa Baako festival.
Productions
External links
| Project | Client | Description | Date |
|---|---|---|---|
| Condition:Humanoid | Two Son's and a Ton of Man Theatre Company | Composed score | 1999 |
| Desolate | Zan Lyons/Foundry Records | Lyricist and vocalist on two album tracks | 2000 |
| A Different Noise | Mind Horizon Recordings | Featured track on compilation | 2000 |
| Visions and Aspirations Shoreditch Electricity Showrooms | Gloria Muikira | Sound installation accompanying photographic exhibition | 2000 |
| Spring Heeled Jack Sessions at the Strong Rooms | Spring Heeled Jack | Songwriting, composition, vocal sessions | 2001 |
| Playgroup | Output Records | Songwriting, composition, vocal sessions | 2002 |
| One Night Only Islington College | C-12 Dance Theatre | Remixes, narration, special effects for contemporary dance piece | 2007 |
| Resolution! The Place | C-12 Dance Theatre | Remix for contemporary dance production | 2008 |
| Two's a Company Stratford Circus | C-12 Dance Theatre | Remix for contemporary dance performance | 2008 |
| Fast 4wrd Hackney Museum | Deep:Black | Electronic sound installation for public exhibition | 2008 |
| Big Dance Holland Park and Potters Field Park | C-12 Dance Theatre | Two musical compositions for outdoor site-specific dance events | 2008 |
| Dance Umbrella Purcell Room | C-12 Dance Theatre | Remix for contemporary dance piece | 2008 |
| R3 City & Islington College | C-12 Dance Theatre | Musical composition for contemporary dance performance | 2008 |
| The Chair Edinburgh Festival | C-12 Dance Theatre | Mix for contemporary dance theatre score | 2009 |
| Skin Deep Space @ Clarence Mews | Lerato Lipere | Soundtrack composition for contemporary dance work | 2009 |
| Synthes:s London Week of Peace, Hackney Wick Festival | Deep:Black/Arcola Theatre | Operatic vocal recording | 2009 |
| The Last Supper Royal Opera House | Juwon Ogungbe/Larry Coke | Operatic vocal recordings including solos and chorus | 2010 |
| Synthes:s 2 Arcola Theatre | Deep:Black/Arcola Theatre | Electronic sound installation | 2010 |
| Live @ Audio Underground | Juwon Ogungbe Trio | Live session recording, engineering, mixing, mastering | 2010 |
| Temps Mort Cultural Explosion Rich Mix | Vocab Dance Company | Remix for contemporary dance production | 2010 |
| Word! Stratford Circus | Vocab Dance Company | Composition, sound editing, ensemble dancer role during national tour | 2011 |
| Loving You | New World Dance Company | Soundtrack creation for short film | 2011 |
| Voices in the Alleyway Cochrane Theatre London | Spread Expression Dance Company/Faith Drama Productions | Score for full-length hip-hop theatre production | 2011 |
| Unrecognisable Venus Hates Mars: Stratford Circus London | Vocab Dance Company/Natalie James: Broken Doll Dance Company | Soundtrack and score composition | 2011 |
| Loneliness Venus Hates Mars: Stratford Circus London | Odilia Egyiawan | Sound piece for contemporary dance performance | 2011 |
| Physionix Rich Mix London | Paradigmz | Score for contemporary dance theatre production | 2012 |
| The Van Man Albany Theatre London | C-12 Dance Theatre | Musical composition for outdoor site-specific dance piece | 2012 |
| Let's Dance: Big Dance Canary Wharf London | C-12 Dance Theatre | Soundtrack for large-scale outdoor participatory dance event | 2012 |
| Scorned | C-12 Dance Theatre | Compilation soundtrack editing for contemporary dance performance | 2012 |
| Kindred Tribe Asabaako Festival Busua Beach | Asabaako Festival | Music production, songwriting, choreography, vocals, live programming, community workshops with three-member ensemble | 2012 |
| Our Mighty Groove Version 1 Sadler's Wells London | Uchenna Dance Company | Composer of interactive dance theatre production set in New York house club (35 min) | 2013 |
| Our Mighty Groove Version 2 Stratford Theatre Royal London | Uchenna Dance Company | Composer for expanded interactive dance theatre work (50 min) | 2015 |
| Afro Dance Promo Video | Noir Dance Company | Composer of soundtrack for promotional video (3 min) | 2016 |
| Movement is Life | Awotwi Movement | Composer and choreographer for promotional dance video directed by Oskhari | 2016 |
| Head Wrap Diaries 2016 | Uchenna Dance Company | Composer of full-length interactive dance theatre exploring African women's narratives | 2016 |
| Obatala | Kemi Durosinmi | Composer of soundtrack for Yoruba Orisha-inspired short dance film | 2017 |
| Giant | Alesandra Seutin | Composer of track and ambient soundscape for solo dance theatre piece in Belgium | 2017 |
| Your Love is Enough | John Thomas | Producer and songwriter creating two gospel tracks alongside artist John Thomas | 2017 |
| Free & Unashamed October | Ebein Studios/GH1 Ghana talk show theme song composer, engineer, mastering engineer | 2017 | |
| Across the Souvenir | Alesandra Seutin | Composer of soundtrack for solo dance performance (30 min) | 2017 |
- Individuals born in the 20th century
- Currently living individuals
- English nationals with Ghanaian heritage
- English artists in electronic music
- English male vocalists and songwriters
- English vocalists and songwriters
- English music producers
- English male music composers
- English male performers in dance
- Year of birth not specified (living individuals)
- Living people