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Oh... Rosalinda!!

From Alfawiki
Oh... Rosalinda!!
Company typeFilm
IndustryFilm production
Founded1955
FounderMichael Powell and Emeric Pressburger
Headquarters
United Kingdom
ProductsMusical comedy film

Oh... Rosalinda!!—also titled Die Fledermaus—is a 1955 British musical comedy film crafted by the director-writer team of Michael Powell and Emeric Pressburger. The principal cast features Michael Redgrave, Mel Ferrer, Anthony Quayle, Ludmilla Tchérina, and Anton Walbrook, with supporting roles from Anneliese Rothenberger and Dennis Price.

This production is an adaptation of the 1874 operetta Die Fledermaus by Johann Strauss II, but it relocates the narrative to Vienna in the aftermath of World War II, during its occupation by the Allied powers: the United States, United Kingdom, France, and the USSR. The musical score is performed by the Vienna Symphony Orchestra under the baton of Alois Melichar, featuring newly penned lyrics by Dennis Arundell. Several actors were dubbed by professional vocalists to enhance the musical numbers. Choreography was overseen by Alfred Rodrigues, while production design was led by Hein Heckroth.

The storyline culminates at a hotel celebration where Falke addresses the representatives from the four Allied nations, delivering an understated political commentary as the waltz "Brüderlein, Brüderlein und Schwesterlein" commences.

Filmed in Technicolor utilizing the then-cutting-edge CinemaScope technology, Oh... Rosalinda!! represents a cinematic operetta that integrates musical theatre elements with innovative filmmaking techniques rather than merely capturing a stage performance on screen.

Plot

Set in Vienna during 1955 amid its post-war occupation by Allied forces, Dr. Falke is a black-market entrepreneur who navigates between the French, British, American, and Soviet sectors, dealing in luxury items such as champagne and caviar for the Allied elite. Following a costume party prank where French Colonel Gabriel Eisenstein leaves a drunken Falke dressed as a bat asleep atop a Russian statue—nearly leading to his arrest until Soviet General Orlofsky intervenes—Falke devises an intricate scheme for revenge. This plan involves Orlofsky, British Major Frank (tasked with escorting Eisenstein to prison), Eisenstein’s wife Rosalinda, her maid Adele, and a masquerade ball rife with mistaken identities.

The plot thickens when American Captain Alfred Westerman, an old acquaintance of Rosalinda’s, rents the hotel room adjacent to hers with intentions to take advantage of Eisenstein’s absence. Major Frank discovers Alfred in Rosalinda’s quarters wearing Eisenstein’s dressing gown and mistakenly detains him as Eisenstein. To prevent scandal, Alfred chooses to remain silent. At Orlofsky’s masked ball, Adele wears one of Rosalinda’s dresses and draws attention from both Orlofsky and Frank. When Rosalinda arrives in disguise, Eisenstein pursues her but she eludes capture while taking his watch—a detail Falke later hints will reappear at Eisenstein’s residence.

At midnight, Eisenstein reaches the jail only to find Alfred still confined in his attire and realizes Alfred has been courting Rosalinda. He hurries back to confront her, followed by Alfred and Frank after the confusion over identities is cleared up. Rosalinda presents him with the watch he gave her at the ball; he pleads for forgiveness. Overhearing this exchange, Orlofsky’s guests return to the hotel where Falke confesses to masterminding the entire ruse. The film concludes with lively song and dance as Alfred voluntarily allows himself to be re-arrested in Eisenstein’s stead.

Cast

Vocal performers:

Notes on casting: Among those involved were John Schlesinger, Peter Darrell, Joyce Blair, and Jill Ireland. Some references mention Roy Kinnear without specifying his character, although his participation is not confirmed across all official cast records.

Production

Oh... Rosalinda was shot primarily at Elstree Studios located in Borehamwood, Hertfordshire, with additional scenes filmed on-site in London.

Following a series of four box office failures, filmmakers Powell and Pressburger sought to cast prominent figures such as Bing Crosby, Maurice Chevalier, and Orson Welles for Oh... Rosalinda!!, which ultimately did not achieve commercial success either. Dennis Arundell, who had previously collaborated with them on translating The Tales of Hoffmann, contributed fresh lyrics for this production. A 2019 DVD restoration emphasized Heckroth's distinctive "stage-like expressionism" and "striking cinematography," indicating that the film anticipated subsequent reinterpretations of political operettas.

Several cast members went on to perform and record selections from the operetta: Rothenberger and Barabás produced recordings for Electrola around the film's release; Rothenberger later completed full recordings under conductors Heinrich Hollreiser, Oskar Danon, and Willi Boskovsky, eventually transitioning to the role of Rosalinde in later productions. Walter Berry recorded multiple versions of Fledermaus, covering both Frank and Falke roles. Anton Walbrook had prior experience playing Strauss in German-language cinema.

Musical highlights from the soundtrack were issued on an LP by Nixa, catalog number NLP 18001. Prior to its 2019 Blu-ray and DVD reissue, a 35mm CinemaScope original negative underwent restoration, involving significant digital cleaning and correction.

Reception

The Monthly Film Bulletin critiqued the film’s intricate storyline and heavy-handed execution but acknowledged strong performances from Anton Walbrook, Anneliese Rothenberger, and Anthony Quayle, highlighting accomplished vocal work alongside quality orchestral arrangements featuring Arundell’s updated lyrics.

Kine Weekly praised the international ensemble for their flawless acting, superb singing, and opulent production design, describing the film as refined yet approachable entertainment that effectively captured an authentic Continental ambiance.

Variety drew attention to Anthony Quayle’s solemn portrayal of a Russian officer, Dennis Price’s strikingly contrasting British character, and Rothenberger’s lively performance. The review also commended the artistic cinematography and direction that complemented the film’s satirical nature.

In contrast, Leslie Halliwell dismissed it as a "clumsy effort" to modernize Die Fledermaus, criticizing its widescreen presentation and absence of the distinctive Lubitsch style, considering it a low point for its producers despite a talented cast.

References

Notes

Additional resources

  • Critical analyses and essays concerning Powell & Pressburger.
  • Examination of Oh... Rosalinda!! within the context of Powell and Pressburger’s body of work.

External links

  • . Includes a summary and film stills (clips accessible through UK libraries).