Orphan of the Wilderness
| Industry | Film production |
|---|---|
| Founded | 1930s |
| Founder | Ken G. Hall |
| Headquarters | Sydney , Australia |
Key people | Ken G. Hall (director) |
| Products | Films, including Orphan of the Wilderness |
Orphan of the Wilderness is a 1936 Australian feature directed by Ken G. Hall, centered on the exploits of a boxing kangaroo. The film featured Brian Abbot, who tragically vanished at sea soon after completing the project.
Ken Hall commended the film’s "artistic" depiction of wildlife, emphasizing the genuine and empathetic representation of animals, enhanced by George Heath’s distinguished cinematography. Despite the human cast being less engaging than the kangaroos, the movie enjoyed commercial success both within Australia and internationally.
Synopsis
Chut, a kangaroo orphaned due to hunters, is adopted by farmer Tom Henton. Years later, Tom entrusts Chut to a travelling circus managed by Shorty McGee, where Margot—Tom’s partner—performs and cares for the animal.
Shorty trains Chut as a boxing kangaroo, leading to widespread fame across Australia. Unaware of Shorty’s mistreatment of Chut prior to fights, Margot and Tom are taken aback when Chut resists and flees into the wilderness, chased by rifle-wielding men and dogs. Tom and his station workers come to Chut’s aid, and Tom confronts Shorty McGee.
Ultimately, Chut returns to live peacefully on Tom’s land.
Cast
- Brian Abbot as Tom Henton
- Gwen Munro as Margot
- Ethel Saker as Mrs Henton
- Harry Abdy as Shorty McGee
- Ronald Whelan as Mel
- Joe Valli as Andrew McMeeker
- Sylvia Kellaway as Jill
- June Munro as June
- Edna Montgomery as Nell
- Claude Turton as Dan
- Arthur Connell as circus watchman
- Leo Cracknell as Otto Ambergres
- Sid Knowles as Beller
- Jack Souter as grocer
- Victor Fitzherbert
- Jack Solomon
- Captain A.C. Stevens as Burke
- George Scott as the strong man
- Dick Ryan as the kid
Production
Following his return from Hollywood in 1935, Ken Hall revealed plans for three films: Thoroughbred, Big Timber, and Robbery Under Arms. Stuart F. Doyle initially requested a 50-minute short to accompany Thoroughbred, mirroring how Cinesound Varieties supported The Silence of Dean Maitland (1934). However, Hall and writer Edmond Seward, inspired by a tale from Cosmopolitan magazine, expanded it into a full-length feature incorporating a romantic storyline.
Harry Abdy, owner of the kangaroo used in the film, had prior experience touring Australia and the United States with it performing as a boxing kangaroo.
Hall cast newcomers Brian Abbot and Gwen Munro in leading roles. Production took place during May and June 1936 at Burragorang Valley, Camden, and Cinesound’s Bondi studios. J Alan Kenyon constructed an extensive 140 by 70-foot bush set within studio grounds.
The production encountered difficulties managing animals unfamiliar with studio lighting and direction, particularly the kangaroos. Filming was delayed due to Gwen Munro’s illness, Harry Abdy sustaining an injury while sparring with a kangaroo, and a vehicle accident involving cast and crew returning from location shoots. Hall observed that working with numerous inexperienced actors slowed progress but praised Munro’s and Abdy’s performances.
To address animal welfare concerns common in Hollywood productions, Hall arranged for RSPCA oversight during shooting. He also offered free entry to circus scenes to avoid hiring extras.
Release
Doyle opted to independently distribute the film during the Christmas season instead of pairing it as a secondary feature. Critical reception was mostly favorable. While domestic box office earnings were limited—partly because many tickets were sold at concession prices to children—the movie achieved strong results in overseas markets.
British release
This production was the first Australian picture to be sold to the United Kingdom prior to its completion. Known as Wild Innocence in the United States, it enjoyed extensive screenings throughout Europe. The film encountered a temporary prohibition in England due to scenes involving animal cruelty and was only permitted for release there in 1938 following modifications. In 1936, it earned the distinction of being named film of the year by Australia's Film Critics Guild.
Cinesound had intended to produce another animal-centered film with Frank Hurley and Kenneth Wilkinson, but these plans were scrapped before starting work on Orphan of the Wilderness.
References
- Hall, Ken G., Directed by Ken G. Hall, Lansdowne Press, 1977
External links
- Orphan of the Wilderness on the Internet Movie Database
- Orphan of the Wilderness at Australian Screen Online
- Orphan of the Wilderness at Oz Movies
- Orphan of the Wilderness at National Film and Sound Archive
- Newspaper serialisation of original story – Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9
- Articles with short description
- 1936 films
- Films directed by Ken G. Hall
- Films based on Australian novels
- Australian black-and-white films
- Australian adventure drama films
- 1930s adventure drama films
- 1936 drama films
- Films about kangaroos and wallabies
- Australian boxing films
- 1930s Australian films
- 1930s English-language films
- Cinesound Productions films
- Australian films based on novels
- English-language adventure drama films