Robert Aaron
Robert Aaron | |
|---|---|
| Born | Robert Arron Vineberg November 13, 1955 Montreal, Canada |
| Occupation(s) | Musician, composer |
| Years active | 1970s–present |
| Known for | Multi-instrumentalist in jazz music; collaborations with David Bowie, Wyclef Jean, and others |
Robert Aaron (originally named Robert Arron Vineberg; born November 13, 1955) is a Canadian artist known for his contributions to jazz music. John Leland from the New York Times highlighted Aaron's multi-instrumental talents, noting that he "mastered flute, saxophone, clarinet, and piano before teaching himself guitar, trumpet, bassoon, French horn, and several other instruments." Between 1998 and 2008, he was a member of rapper Wyclef Jean's ensemble. According to Robin Caulden of the Press-Republican, "His collaborations span a wide range of artists — including Afrika Bambataa, B52s, Blondie, Chic, David Bowie, Heavy D, James Chance and The Contortions, RZA, Stetsasonic, William Vivanco, and the Wu-Tang Clan."
Aaron’s professional journey included joining forces with James Chance in 1981 as part of the group James White and the Blacks, with whom he toured across Europe and Japan. He contributed saxophone performances to David Bowie's 1983 chart-topper "Let's Dance." In 2010, Aaron introduced his album Trouble Man, which Michael Daly from the Daily Beast described as "creatively bold but commercially unsuccessful." Folk musician Eric Andersen, who worked alongside Aaron as both producer and collaborator on multiple projects, praised him as "utterly committed. He lived for his craft."
Early life
Born in Montreal in 1955, Aaron faced discouragement from his father, a piano instructor, regarding a career in music. Nonetheless, during his teenage years in the 1970s, he relocated to New York City to perform and record with his own band.
Death of Philip Seymour Hoffman
In February 2014, Aaron was detained under suspicion of supplying the heroin that led to Philip Seymour Hoffman's fatal overdose. The prosecution later withdrew the most severe charge of intent to distribute heroin; Aaron admitted guilt to felony possession of drugs and was sentenced to five years probation.
Notable credits
Details from AllMusic list his contributions as follows:
| Year | Album | Artist | Role |
|---|---|---|---|
| 1982 | The Hunter | Blondie | Horn Arrangements, Saxophone |
| 1982 | Sax Maniac | James White and The Blacks | Drums, Percussion, Piano, Tenor Saxophone |
| 1983 | Let's Dance | David Bowie | Flute, Tenor Vocals |
| 1983 | James White's Flaming Demonics | James Chance | Tenor Saxophone, Featured Artist |
| 1986 | L Is for Lover | Al Jarreau | Reeds Performer |
| 1988 | In Full Gear | Stetsasonic | Saxophone |
| 1992 | Nubian M.O.B. | Nubian M.O.B. | Bass, Flute, Guitar, Hammond Organ, Piano, Programming, Saxophone |
| 1993 | The Album | Masters at Work | Keyboards, Saxophone |
| 1995 | Run Away | Robert Aaron | Lead Artist |
| 1996 | Sax in the Ozone | Robert Aaron | Lead Artist |
| 1997 | Nightbird Inventions | Dominic Duval | Tray Card |
| 1998 | Memory of the Future | Eric Andersen | Composer; Flute; Keyboard Bass; Keyboards; Hammond Organ; Producer; Baritone, Soprano & Tenor Saxophones; Trumpet |
| 1999 | No Exit | Blondie | Additional Personnel; Flute; Baritone & Tenor Saxophones |
| 1999 | Electric Honey | Luscious Jackson | Flute; Horns |
| 2000 | You Can't Relive the Past | Eric Andersen | Clarinet; Flute; Piano |
| 2000 | Fear of Flying | Mýa | Horn Section |
| 2000 | It Doesn't Matter | Wyclef Jean | Horn Section |
| 2000 | The Ecleftic: 2 Sides II a Book | Wyclef Jean | Horn Section |
| 2001 | Goddess in the Doorway | Mick Jagger | Flute; Horns; Keyboards |
| 2002 | Mr. Jones | Tom Jones | Horn Arrangements; Baritone & Tenor Saxophones |
| 2002 | Masquerade | Wyclef Jean | Keyboards; Saxophone |
| 2003 | Frank | Amy Winehouse | Flute; Saxophone |
| 2003 | Beat Avenue | Eric Andersen | Bass; Electric Bass; Composer; Flute; Guitar; Keyboards; Melodica; Mixing; Organ; Piano; Producer; Baritone & Tenor Saxophones; Trumpet |
| 2003 | Live and Kickin' | Willie Nelson | Keyboards |
| 2003 | Greatest Hits | Wyclef Jean | Horn Section |
| 2003 | The Preacher's Son | Wyclef Jean | Flute; Guitar; Melodica; Piano; Saxophone |
| 2004 | The Street Was Always There | Eric Andersen | Arranger; Audio Production; Bass; Clarinet; Composer; Cuatro; Editing; Flute; Bass Guitar; Electric Guitar; Keyboards; Liner Notes; Main Personnel; Melodica; Organ; Piano; Producer; Saxophone; Synthesizer |
| 2004 | Self Explanatory | I-20 | Keyboards |
| 2004 | Same Girl | Trina Broussard | Flute; Keyboards; Saxophone |
| 2004 | Welcome to Haiti: Creole 101 | Wyclef Jean | Keyboards; Saxophone |
| 2005 | Waves | Eric Andersen | Arranger; Bass; Congas; Fender Rhodes Piano; Flute; Acoustic Guitar; Melodica; Oboe; Hammond Organ; Piano; Producer; Quatro Guitar; Alto & Tenor Saxophones |
| 2005 | Odyssey | Fischerspooner | Flute |
| 2006 | Bole2Harlem, Vol. 1 | Bole2Harlem | Horn Section |
| 2007 | City Beach | Jill Cunniff | Saxophone; Wurlitzer Keyboard |
| 2009 | Entertainment | Fischerspooner | Flute, Saxophones, Trumpet |
| 2010 | Stolen Car | Certain General | Saxophone |
| 2010 | The Saddest Kiss | Robert Aaron | Lead Artist |
| 2010 | Trouble Man | Robert Aaron | Lead Artist |
| 2010 | Zaz | Zaz | Brass Instruments |
| 2010 | Like a Radio | Charles Schillings | Additional Production, Keyboards, Saxophone |
External links
- Pages with script errors
- Articles with short description
- Articles with hCards
- No local image but image on Wikidata
- Living people
- Canadian jazz saxophonists
- Canadian male saxophonists
- Musicians from Montreal
- 1955 births
- 21st-century Canadian saxophonists
- 21st-century Canadian male musicians
- Canadian male jazz musicians