Slade

Slade

Company type	Band
Industry	Music
Founded	1963 in Wolverhampton, England
Headquarters	Wolverhampton , England
Area served	United Kingdom, Europe, United States
Products	Music albums, singles, live performances

Slade is a rock band from England, originating in Wolverhampton in 1963. They gained widespread recognition during the early 1970s glam rock movement, securing 17 consecutive Top 20 singles and six chart-toppers on the UK Singles Chart. According to British Hit Singles & Albums, they are regarded as the most commercially successful British band of the 1970s based on single sales. Slade made history as the first group to debut three singles at number one, all six of their number-one hits penned by Noddy Holder and Jim Lea. By 2006, their UK sales had surpassed 6.5 million copies, with their best-selling track, "Merry Xmas Everybody", exceeding one million units sold. A 1999 BBC documentary reported that Slade had sold over 50 million records worldwide.

All four founding members hail from England's Black Country. After playing in several bands, they came together by 1966 under the name 'N Betweens and released a few singles that did not achieve commercial success. In 1969, Jack Baverstock of Philips Records signed the band, overseeing their first album and prompting a name change to "Ambrose Slade," inspired by Baverstock’s secretary’s handbag and shoes. Throughout the early 1970s, Slade dominated the UK singles charts with twelve Top 5 hits between 1971 and 1974, including three number ones. Between 1971 and 1976, they scored 17 Top 20 hits: six reached number one, three peaked at number two, and two climbed to number three. No other UK act during that era matched this level of consistent chart performance or single sales. In 1973 alone, "Merry Xmas Everybody" sold over one million copies worldwide and earned a gold disc. The band toured Europe in 1973 and ventured to the US in 1974. Over their career, Slade have released more than 30 albums, with three reaching number one on the UK Albums Chart. Their records have accumulated a total of 315 weeks on UK charts and produced 24 Top 30 singles.

Following an unsuccessful attempt to break into the US market in 1975, Slade’s popularity in the UK waned but was revitalized in 1980 when they stepped in for Ozzy Osbourne at the Reading Rock Festival, marking a significant moment in their career. In the subsequent two years, they crafted music targeting the heavy metal audience and achieved American chart success by 1984 with hits like "Run Runaway" and "My Oh My." This resurgence was brief; despite scoring a Top 25 UK hit in the early 1990s, the band disbanded in 1992. Later that year, the original members regrouped as Slade II, continuing with lineup changes up to the present day before eventually reverting to simply Slade.

Musicians from various genres have cited Slade as an influence. The Illustrated Encyclopaedia of Music emphasizes Holder’s commanding vocal delivery, guitarist Dave Hill’s unique playing style, and their characteristic intentional misspellings in song titles such as "Cum On Feel the Noize" and "Mama Weer All Crazee Now".

Early years (1966–1970)

All members of Slade come from England’s Black Country. Drummer Don Powell and bassist Jim Lea were both born in Wolverhampton, lead vocalist Noddy Holder originated from nearby Caldmore, Walsall, while lead guitarist Dave Hill relocated to Wolverhampton from Holbeton, Devon during childhood.

In 1963, Powell and Hill performed with the Midland group known as The Vendors, who released a privately pressed four-track EP. At that time, Holder was part of Steve Brett & the Mavericks, signed to Columbia Records, releasing three singles in 1964. Influenced by American blues artists, The Vendors later changed their name to 'N Betweens and gained attention by supporting prominent acts such as the Hollies, the Yardbirds, and Spencer Davis.

In 1965, Powell and Hill invited Holder to join 'N Betweens; although initially hesitant, Holder agreed after reuniting with them in Wolverhampton. Jim Lea, a classically trained bassist with considerable skill, also joined around this period. Lea and Holder replaced former members John Howells, Mick Marson, and Cass Jones; Holder took on vocal duties along with guitar.

By 1966, this lineup recorded a promotional single featuring Otis Redding's "Security" alongside their own composition "Evil Witchman," released on Highland Records. Their next single "You Better Run," produced by Kim Fowley for Columbia Records, topped regional charts but failed to achieve national success. Between 1966 and 1967, their sound leaned heavily on R&B and Tamla Motown influences while Holder developed his dynamic stage presence. They recorded "Delighted to See You" in 1967; however, it remained unreleased until 1994. Although they did not record for two years afterward, they cultivated a strong reputation through live performances.

In 1969, promoter Roger Allen introduced them to Jack Baverstock of Philips Records. After recording an album at Philips Studio, Baverstock offered them a contract contingent upon changing their name and securing London-based management. They adopted "Ambrose Slade," a name inspired by Baverstock’s secretary’s handbag and shoes. Baverstock also arranged for agent John Gunnel to represent them.

Their debut album Beginnings (1969), along with singles "Genesis" and "Wild Winds Are Blowing," failed to achieve commercial success. During these sessions, Gunnel introduced them to Chas Chandler—former bassist of The Animals and experienced manager of Jimi Hendrix—who took over managing duties and encouraged them toward original songwriting and image transformation.

The band adopted a skinhead appearance aiming to tap into youth culture trends but encountered negative associations due to links with football hooliganism. In 1970 they shortened their name to Slade and released a cover of "Shape of Things to Come"; although it was featured on Top of the Pops, it did not enter the charts.

Chandler shifted Slade’s contract to Polydor Records for greater exposure. The instrumental "Genesis" was reworked into "Know Who You Are" by adding lyrics; however both this single and the album Play It Loud (1970), produced by Chandler, failed commercially at first but later earned critical praise and achieved silver certification for sales.

Glam rock era, breakthrough, and peak period (1971–1974)

After experiencing a two-year hit drought, manager Chas Chandler recommended releasing a rendition of Bobby Marchan's "Get Down and Get With It", a popular number during their live performances. Upon its mid-1971 release, the single climbed to number 16 on the UK charts.

Embracing the glam rock trend, Slade adopted longer hairstyles and eye-catching outfits, particularly designed by Hill. Chandler encouraged the band to focus on original compositions, which led Lea and Holder to write "Coz I Luv You" in just thirty minutes. Although initially hesitant about the song's softer tone, the addition of hand claps and foot stomps enhanced its appeal. The intentionally misspelled title became a recognizable Slade signature. Their appearance on Top of the Pops broadened their fan base, pushing the single to reach number one in the UK charts. In November 1971, Slade turned down a lucrative US promotional campaign to honor prior commitments.

In early 1972, the release of "Look Wot You Dun" achieved a peak position of number four, followed by the live album Slade Alive! in March. This album remained on the UK Albums Chart for an entire year, peaking at number two, topping Australian charts, and marking Slade’s first entry into the US market. Recorded over three nights before an audience of 300 fan-club members, it is now regarded as one of the premier live albums in rock history.

Two months later came "Take Me Bak 'Ome", which became Slade’s second UK chart-topper and enjoyed international recognition, including reaching number 97 on the US Billboard Hot 100. Later that year, "Mama Weer All Crazee Now" secured their third number one spot in the UK.

The album Slayed?, released in November 1972, topped charts in both the UK and Australia while peaking at number 69 in the US. Both Slade Alive! and Slayed? are widely regarded as iconic albums within glam rock. Following these releases, "Gudbuy T' Jane" reached number two in the UK and achieved moderate success stateside.

At the start of 1973, "Cum on Feel the Noize" debuted at number one—the first single to do so since The Beatles' "Get Back" in 1969—and gained worldwide acclaim despite limited impact in America. Its successor "Skweeze Me, Pleeze Me" also reached number one but was not performed on Top of the Pops due to restrictions on band formats. In July 1973, drummer Powell suffered a severe car accident that left him unconscious; his recovery spanned ten weeks during which his brother Frank temporarily took over at festival appearances. Powell returned to record "Merry Xmas Everybody" during a summer heatwave but continues to experience lingering effects from the incident. To sustain their momentum while Powell recuperated, Slade issued the compilation album Sladest, which immediately topped charts in both the UK and Australia. The piano-driven track "My Friend Stan" peaked at number two in the UK and reached number one in Ireland; Powell recorded this single while still convalescing.

The festive track "Merry Xmas Everybody" closed out 1973 as their final UK chart-topper and remains their highest-selling single. Inspired by Lea’s mother-in-law and based on an earlier melody by Holder, it has been reissued repeatedly and continues to enjoy enduring popularity.

In early 1974, Slade altered their musical direction with Old, New, Borrowed and Blue, which reached number one in the UK but failed to enter the US top 100 under its alternate title Stomp Your Hands, Clap Your Feet. The singles "Everyday" and "The Bangin' Man" marked a return to piano-led ballads and guitar-driven rock respectively; both singles attained number three positions on UK charts.

Decline in popularity (1974–1975)

Toward the end of 1974, Slade ventured into filmmaking with Slade in Flame, a raw narrative drawing from authentic 1960s music industry experiences. The film's single "Far Far Away" climbed to number two on the UK charts and reached number one across Scandinavia; Holder has identified it as his preferred Slade track.

The accompanying soundtrack, released in November, garnered critical acclaim but achieved a modest peak at number six, indicating a downturn in the band's commercial appeal. Directed by Richard Loncraine and penned by Andrew Birkin, the January 1975 film received mixed reviews—critics valued its noir atmosphere, yet fans expecting Slade’s signature energetic style found it perplexing. The lead single, "How Does It Feel", only reached number 15, reflecting audience reluctance toward its brass and flute-infused ballad arrangement. Interestingly, Noel Gallagher of Oasis later lauded this track as one of pop music's finest.

The follow-up single in May, "Thanks for the Memory (Wham Bam Thank You Mam)", fared better by peaking at number seven in the UK and securing solid positions throughout Europe. This release marked Slade’s final top 10 entry in the UK during the 1970s.

Stateside (1975–1977)

By mid-1975, disheartened by limited success in the United States and feeling stagnant within Europe, Slade permanently relocated to America to enhance their reputation through live performances. They transported twelve tons of equipment worth roughly £45,000. From 1975 to 1976, Slade extensively toured the US alongside bands such as Aerosmith, ZZ Top, and Black Sabbath, returning to the UK solely for television appearances.

During this timeframe, Holder and Lea composed material specifically aimed at the American audience. They recorded Nobody's Fools at New York’s Record Plant Studios in mid-1975, blending elements of soul, country, and funk with backing vocals provided by Tasha Thomas. The singles "In For a Penny" and "Let's Call It Quits" both reached number 11 in the UK but failed to chart in the US. Released in March 1976, the album underachieved commercially on both sides of the Atlantic, peaking at number 14 in the UK before rapidly descending. The final single from this album, "Nobody's Fool", issued in April, did not chart—marking their first such failure since their breakthrough in 1971. UK followers accused the band of 'selling out' and abandoning their home fanbase.

Wilderness years (1977–1980)

Although Slade felt revitalized by their American efforts, their venture was largely regarded as unsuccessful. Despite strong live show receptions in cities like St. Louis and New York, radio airplay eluded them. Returning to Britain in early 1977, they found that punk rock had overtaken their prominence. Manager Chas Chandler opted against renewing their Polydor deal and instead signed them to his Barn Records label.

Their initial release on Barn Records was the single "Gypsy Roadhog" (January 1977), which was banned by the BBC over alleged drug references and stalled at number 48 on UK charts. The album Whatever Happened to Slade, titled after graffiti symbolizing their waning public image, came out in March but failed to enter the charts. Chandler criticized Holder and Lea’s songwriting for lacking commercial appeal; nevertheless, critics praised the album and it gained support from punk audiences. The band continued touring smaller venues such as university halls and clubs.

Subsequent singles "Burning in the Heat of Love" and "Give Us a Goal" (March 1978), inspired by football chants, also did not achieve commercial success despite some radio play. In October 1978, their tribute single "My Baby Left Me/ That's All Right" reached number 32 on UK charts.

In August 1978, Holder sustained a broken nose during an altercation backstage at The Stoneleigh Club in Porthcawl; this event inspired the later single "Knuckle Sandwich Nancy," which was released on Cheapskate Records after RCA and Chandler opposed it. Another late 1978 single, "Rock 'n' Roll Bolero," also failed commercially. Leveraging their strong live reputation and building on their successful 1972 live album, Slade issued Slade Alive, Vol. 2, featuring performances from tours across both the US and UK.

In 1979, singles "Ginny, Ginny," "Sign of the Times," and a rendition of "Okey Cokey" all failed to chart. Their October 1979 studio album Return to Base was their first without Chandler producing due to creative differences; he remained involved as manager. Although unsuccessful domestically, it topped Belgium’s album charts in 1980, with its cover of Chuck Berry's "I'm a Rocker" reaching number one there.

Amid ongoing commercial difficulties, Lea initiated a side project called The Dummies with his brother Frank late in 1979; despite receiving radio airplay, sales were hampered by poor distribution. Early in 1980, Holder declined an invitation to replace AC/DC’s late vocalist Bon Scott out of loyalty to Slade. Mid-1980 saw the release of their first extended play record, "Six of the Best," which combined tracks from Return to Base with new material; priced at £1.49, it nonetheless failed to chart. Afterward, the band temporarily ceased working together; Hill briefly pursued driving wedding parties in his Rolls-Royce.

Hill later reflected that despite playing challenging gigs with indifferent audiences, Slade’s robust catalogue helped sustain them through this difficult phase.

Revival and Heavy Metal Era (1980–1982)

Ozzy Osbourne was originally booked to perform at the Reading Festival in August 1980 but withdrew at the last moment, prompting organisers to find a substitute act. Although Slade was proposed as a replacement, Hill initially declined due to low morale. Ultimately, Chandler convinced him to take part in what was supposed to be a farewell performance before an audience of 65,000. Contrary to expectations, Slade captured the audience’s attention and earned praise from both media outlets and radio stations. Key moments from their set were broadcast on BBC Radio 1's Friday Rock Show Reading special. Following this success, the band signed with Cheapskate Records—a label owned by Chandler, Lea, and Lea’s brother Frank—giving them enhanced creative control over their releases.

Riding the wave of their comeback, Slade promptly issued the EP Alive at Reading, which climbed to number 44 on the UK charts, marking their first chart appearance since 1977. This was followed by another EP, Xmas Ear Bender, released in November and peaking at number 70. Additionally, Polydor Records put out the compilation Slade Smashes! that same month; it remained on the UK chart for 15 weeks, reaching number 21 and achieving UK Gold status by December with sales surpassing 200,000 copies.

To maintain their renewed momentum, the band composed "We'll Bring the House Down" after hearing a fervent chant from fans during a show at Amsterdam's Paradiso. Aimed at appealing to heavy metal enthusiasts, the single was released in January 1981 and reached number 10 in the UK—their first top ten hit since 1976. The album bearing the same title followed in March, featuring four new songs alongside six tracks from Return to Base, and peaked at number 25.

The March single "Wheels Ain't Coming Down", taken from Return to Base, reached number 60 in the UK charts, helping maintain their presence while they prepared new material and planned a European tour. Their success at Reading Festival contributed to filling larger venues and earned them an invitation back in 1981; however, they opted instead to perform at the Monsters of Rock festival held at Castle Donington.

In May, they released "Knuckle Sandwich Nancy", inspired by an incident where Holder was assaulted in a nightclub in Wales. Despite its release, the single failed to chart due to limited promotion from Chandler, whose enthusiasm for managing had diminished. As a result, the band took over their management duties themselves. Chandler sold his share in Cheapskate Records and negotiated a favorable worldwide contract with RCA Records, excluding only the US and Canadian markets. Early RCA releases were pressed and distributed by RCA but still carried Cheapskate branding until RCA fully took over distribution.

Their first full RCA release was "Lock Up Your Daughters" in late 1981, which became a European hit and continued their heavy metal style, reaching number 29 on the UK charts. The album Till Deaf Do Us Part followed in November 1981; it peaked at number 68 and is considered their most heavy metal-oriented record. The original album cover featured an image of a nail piercing an eardrum, which sparked controversy leading many retailers to refuse stocking it. This cover was later altered for CD reissues. In December of that year, RCA reissued "Merry Xmas Everybody", though it only managed to reach number 32.

By early 1982, the single "Ruby Red" from Till Deaf Do Us Part peaked at number 51 despite being released as a gatefold edition including live tracks. The album’s opening track "Rock and Roll Preacher" was released exclusively as a single in Germany in April with a 12" version, reaching number 49; it also became their new concert opener.

In November, "(And Now the Waltz) C'est La Vie" targeted the holiday market but only attained number 50 in the UK charts; however, it reached number two in Poland. Their festive song "Okey Cokey" was reissued without notable success. Another re-release of "Merry Xmas Everybody" later peaked only at number 67. December saw their third live album Slade on Stage come out; it reached number 58 and garnered favorable critical reviews. Throughout this period of revived commercial activity for Slade, Lea continued pursuing solo projects alongside his work with the band.

American breakthrough (1983–1984)

After experiencing limited success earlier, RCA Records encouraged Slade to create new singles in 1983, leading to the release of "My Oh My" and "Run Runaway." Impressed by a rough demo of "My Oh My," RCA brought in producer John Punter to oversee both tracks, marking the first time since Chandler that an outside producer worked with Slade. Punter’s method of recording individual parts separately sparked initial resistance, particularly from Holder, who worried this might undermine the band’s dynamic. Upon its November 1983 release, the power ballad "My Oh My" rose to number 2 on the UK charts and topped charts in Norway and Sweden. That same year, a reissue of "Merry Xmas Everybody" reached number 20.

The Amazing Kamikaze Syndrome, co-produced by Lea and Punter, was released in December but stalled at number 74 by the end of the year. To increase album sales, "Run Runaway," distinguished by Lea’s fiddle and a Celtic rock influence, was issued in January 1984 and climbed to number seven in the UK while gaining popularity across Europe. This single helped lift the album to number 49 in the UK and secured top chart positions in Sweden and Norway. By late 1983, Slade had completed their final tour within the UK.

Expanding their roles into production, Holder and Lea worked on Girlschool’s cover of T-Rex’s "20th Century Boy" as well as producing the album Play Dirty, which included two tracks written by Slade. Simultaneously, American glam metal band Quiet Riot covered Slade’s "Cum on Feel the Noize," reaching number five on the Billboard Hot 100 and driving their album Metal Health to seven million sales. This American success resulted in CBS Records signing Slade to their CBS Associated label.

In mid-1984, Slade introduced "Run Runaway" to the US market, where it peaked at number 20 on the Billboard Hot 100 and topped the Mainstream Rock chart—becoming Slade’s sole top 20 hit in America. The song's popularity was boosted by frequent airplay of its video filmed at Eastnor Castle on MTV. The follow-up single "My Oh My" reached number 37 with similar support from MTV. Quiet Riot also charted with another Slade cover, "Mama Weer All Crazee Now," which peaked at number 51.

For North America, The Amazing Kamikaze Syndrome was retitled Keep Your Hands Off My Power Supply, featuring altered track listings and new artwork. The album achieved commercial success, reaching number 33 in the US and number 26 in Canada. The final single from this edition, "Slam the Hammer Down," peaked at number 92. A planned tour with Ozzy Osbourne was canceled after Lea suffered a collapse due to hepatitis C; combined with internal band tensions and Holder’s family difficulties, no further tours followed.

Second decline in popularity (1985–1990)

In mid-1984, Polydor released the compilation Slade's Greats, which reached number 89 on the charts. A scheduled European tour intended to promote this collection was canceled after Holder objected to arrangements made without his approval amid his divorce proceedings. Later that year, the UK single "All Join Hands" climbed to number 15, while another re-release of "Merry Xmas Everybody" peaked at number 47.

Early in 1985 saw the single "7 Year Bitch" stall at number 60 in the UK but achieve a better position of number 39 in Germany. The March release "Myzsterious Mizster Jones" reached number 50 in the UK charts. The American single "Little Sheila" attained number 86 on Billboard and climbed to number 13 on the US mainstream rock chart; it also charted in Canada and Germany.

The album Rogues Gallery, released in March in the UK and May in the US, prominently featured Lea’s synthesizer work with an aim for every track to be a potential hit. Despite positive critical reception, it underperformed commercially—peaking at number 60 in the UK and number 132 in the US—but found greater success in Norway where it reached number five.

November brought Crackers – The Christmas Party Album, which peaked at number 34 and earned a UK gold certification. Holder penned "Do You Believe in Miracles", with proceeds directed to charity; this single reached number 54. Another reissue of "Merry Xmas Everybody" attained position 48.

In 1986, Slade contributed two songs for the soundtrack of Knights & Emeralds. The Redbeards From Texas recorded a cover of "Gudbuy T'Jane." Re-releases of "Okey Cokey" and "Merry Xmas Everybody" failed to make significant chart impact. That year also saw Slade host their inaugural official fan convention in London.

To avoid being pigeonholed as solely a 'Christmas' band, Slade postponed releasing "Still the Same" until February 1987; it peaked at number 73. April’s release "That's What Friends Are For" only reached number 95. Their final studio effort, You Boyz Make Big Noize, produced by Roy Thomas Baker alongside Lea and Punter, suffered from inadequate promotion without any supporting tour or videos; it peaked at a lowly number 98 in the UK but fared better at number 12 in Norway.

Following this disappointment, RCA allowed Slade to return to Cheapskate Records while continuing distribution arrangements. The August single "You Boyz Make Big Noize", inspired by Beastie Boys’ style and notably free of synthesizers, charted at number 94 but was omitted from the European album version; it served as the title track for the US release. Neither this album nor singles like "Ooh La La in L.A." found success stateside despite radio airplay. In late 1987, "We Won't Give In" peaked at No.121 on UK charts; that year also featured Slade’s third official fan convention held in London.

In 1988, Slade issued a remix of Chris Montez’s "Let's Dance" from Crackers – The Christmas Party Album and hosted their third official fan club gathering. Although plans for a new album were announced for 1990, they never materialized nor was there a supporting tour. Following a sample by Jive Bunny and the Mastermixers, "Merry Xmas Everybody" re-entered charts at number 99.

In 1989, Hill formed Blessings in Disguise alongside former Wizzard keyboardist Bill Hunt and others. Lea released his own version of "We'll Bring the House Down" under The Clout name in 1990. That same year witnessed another reissue of "Merry Xmas Everybody," which peaked at number 93.

Late in 1990 saw Holder and Lea produce a cover version of "Merry Xmas Everybody" by The Metal Gurus (The Mission), which reached number 55 on UK charts; both appeared prominently in its video. Holder provided lead vocals on its B-side cover of "Gudbuy T'Jane." All proceeds from this release were donated to Childline.

Brief reunion and disbandment (1991–1992)

In April 1991, Slade delivered their last live performance by playing Chuck Berry's "Johnny B. Goode" during their fan club's 25th anniversary celebration. That same year, Lea produced the single "Where Have All the Good Girls Gone" for the Crybabys, which did not achieve commercial success. Polydor Records then suggested releasing a new compilation album, anticipating that Slade would support it with two fresh singles and possibly record a new studio album. The initial single, "Radio Wall of Sound," penned by Lea, was issued in October. The compilation album, titled Wall of Hits, was released in November alongside a video collection bearing the same name. Both attained moderate chart positions, reaching number 21 and number 34 on the UK charts respectively, with the album eventually earning a UK silver certification. A follow-up single, "Universe," came out in December but failed to break into the UK top 100 despite television promotion. As a result, Polydor abandoned plans for additional albums or singles in January 1992.

In March 1992, the band recorded a house/dance remix of "We'll Bring the House Down" at Rich Bitch Studios. By the end of that month, Holder departed after 26 years due to persistent internal disagreements and management difficulties, seeking new professional opportunities. Lea briefly contemplated continuing with a new frontman, possibly Ian Hunter, but ultimately chose to retire from the group. Powell supported his partner’s hotel venture before reuniting with Hill later that year to form Slade II.

Subsequent developments and recent times (1993–present)

Formed in 1992 by Hill alongside Powell and three additional musicians—Craig Fenney (bass), Steve Makin (guitar), and Steve Whalley (lead vocals and guitar)—Slade II emerged as a continuation of the band. Although Holder proposed the name Slade II, Lea opposed using the original name. A decade later, the group reverted to simply Slade. They toured UK theatres during winter and performed across Europe throughout the remainder of the year, releasing one studio album in 1994 titled Keep on Rockin' featuring Whalley on vocals. Neither the album nor its singles "Hot Luv" and "Black and White World" achieved commercial success. The lineup saw frequent changes over time, with Hill and Powell remaining as consistent members.

In 1996, Slade reunited for manager Chas Chandler’s funeral and appeared on a This Is Your Life episode spotlighting Holder. That year also saw the release of The Genesis of Slade, a compilation containing rare early recordings. The 1997 compilation Feel the Noize – Greatest Hits climbed to number 19 in the UK charts; meanwhile, a remixed version of "Merry Xmas Everybody" reached number 30 in 1998.

BBC One broadcasted the documentary It's Slade in 1999 featuring interviews with band members and artists such as Ozzy Osbourne, narrated by Mark Radcliffe. Holder received an MBE in 2000 for his contributions to music; his voice was used for announcements at Walsall New Art Gallery.

In 2002, Slade II abbreviated their name back to Slade and reissued Keep on Rockin' as Cum on Let's Party with additional tracks. They released singles "Some Exercise" and "Take Me Home" in Belgium through Virgin Records. In 2003, bassist Dave Glover was dismissed by Hill following news of his engagement to serial killer Rosemary West. Shout! Factory issued the US compilation Get Yer Boots On: The Best of Slade in 2004.

Steve Whalley departed in 2005; Mal McNulty succeeded him until Russell Keefe took over vocals in 2019. Polydor’s 2005 compilation The Very Best of Slade peaked at number 39 on UK charts and was accompanied by a DVD featuring videos and promotional material. Between 2006 and 2007, Salvo remastered Slade’s catalogue including a four-disc anthology The Slade Box (Anthology 1969–1991), collections of live albums Slade Alive! - The Live Anthology, and B-sides compilations. Shout! Factory released In for a Penny: Raves & Faves in 2007.

Following changes to UK chart rules in late 2006 that incorporated downloads, "Merry Xmas Everybody" began re-entering the charts annually, peaking at number 20 in 2007 and reaching number 16 in 2018. In 2009, Live at the BBC, featuring sessions from 1969–72 along with live performances, was released. Universal’s compilation Merry Xmas Everybody: Party Hits reached number 151 on UK charts that November. Plans for an original four-member reunion tour fell apart by 2010 amid ongoing disputes.

In 2011, Salvo remastered Sladest including a previously unreleased studio version of "Hear Me Calling". BBC Four dedicated a "Slade Night" in December 2012 showcasing the documentary It's Slade, archive footage from Slade at the BBC, and their film Slade in Flame. Both programs attracted strong viewership.

Powell’s autobiography, titled Look Wot I Dun – My Life in Slade, co-authored with Lise Lyng Falkenberg, was published in October 2013 by Omnibus Press. Drawing from extensive interviews and Powell’s personal diaries following memory difficulties after a 1973 accident, it includes contributions from friends and family while detailing Powell's career including collaborations with Ozzy Osbourne. He promoted the book through signings and charity events supporting the National Autistic Society. The box set When Slade Rocked the World was released in 2015.

On February 3, 2020, Powell announced via his website that Hill had informed him by email that he was no longer part of Slade; Hill contested this claim. Powell revealed intentions to establish "Don Powell's Slade" with former bassist Craig Fenney; Alex Bines replaced Powell within Slade. Powell’s statement was later removed from his website.

Between 2020 and 2021, extensive Zoom interviews involving Powell, Holder, and Lea were conducted for www.slayed.co.uk and www.sladeforum.co.uk; these discussions contributed to an expanded edition of their unauthorized discography titled The Noize.

In late 2022, Lea and Powell reunited in studio with Johnny Howells and Mick Marson from The 'N Betweens to record tracks for a Lea-led project. A limited CD single of "Train Kept A-Rollin'" was issued on Noize Recordings accompanied by a video; this track reached number three on the Heritage Chart in May 2023.

Looking ahead to 2025, Slade announced their final UK tour named "Slade - The Final Tour," scheduled during the Christmas season with performances planned across key cities including Hastings, Liverpool, Bournemouth, London, Birmingham, and Manchester. Former vocalist/guitarist Steve Whalley passed away from a heart attack in September 2025.

Musical style

A significant number of Slade's tracks were intentionally designed to encourage crowd engagement, examples being "Get Down and Get With It", "Mama Weer All Crazee Now", "Cum on Feel the Noize", "Give Us a Goal", and "We'll Bring The House Down". Prior to Slade’s formation, members Holder, Lea, Hill, and Powell were inspired by American blues legends such as Sonny Boy Williamson II and Howlin' Wolf. Their sound later absorbed influences from artists like Little Richard and leading rock groups of the era including the Beatles, Chuck Berry, Cream, the Kinks, Otis Redding, the Rolling Stones, and the Who. The band’s sonic development was also shaped by Chas Chandler’s associations with The Animals and Jimi Hendrix.

The 1969 release Beginnings, issued under the name Ambrose Slade, showcased psychedelic rock alongside covers from 1960s icons like Steppenwolf, Ted Nugent, Frank Zappa, the Moody Blues, the Beatles, and Marvin Gaye. Their debut album as Slade, Play It Loud (1970), leaned towards progressive rock.

Their live album Slade Alive! (1972) featured renditions of songs by Ten Years After and Steppenwolf and signified a transition toward their signature sound coupled with the flourishing Holder/Lea songwriting collaboration.

The 1971 hit single "Coz I Luv You" and the 1973 B-side "Kill 'Em At The Hot Club Tonite" reflected gypsy swing influences inspired by Django Reinhardt and Stéphane Grappelli.

Combining glam rock with traditional rock elements, Slayed? (1972) set a precedent continued by Old New Borrowed and Blue (1974), which incorporated pop-rock and ballads. The 1974 soundtrack Slade in Flame revisited classic 1960s rock styles to complement its cinematic theme. Tracks such as "Far Far Away" embraced acoustic rock foundations while "How Does It Feel?" integrated brass and woodwind instruments.

In 1975, during their time in the United States, Southern boogie rock influenced Nobody's Fools, an album blending soul, country, rock, funk, folk, and blues enriched with female backing vocals. Upon their return to the UK in 1977, Slade merged American musical elements with hard rock on Return to Base (1979), featuring both classic rock tracks and ballads.

Following their resurgence among heavy metal audiences after success at the Reading Festival, the 1981 albums We'll Bring the House Down and Till Deaf Do Us Part adopted hard rock and heavy metal styles.

The 1983 release The Amazing Kamikaze Syndrome embraced a more commercial rock approach infused with hard rock and glam metal; singles like "My Oh My" were power ballads whereas "Run Runaway" incorporated a Scottish jig rhythm. Subsequent albums Rogues Gallery and You Boyz Make Big Noize incorporated synthesizers popular in late 1980s music alongside a tougher hard rock edge.

Legacy and influence

Slade’s impact extends across a broad spectrum of artists including Nirvana, the Smashing Pumpkins, the Ramones, Sex Pistols, the Clash, Kiss, Mötley Crüe, Quiet Riot, Poison, Def Leppard, Cheap Trick, Twisted Sister, the Undertones, the Replacements, and the Runaways. Additional admirers include Hanoi Rocks, Queen, Kirka, Hot Leg, Candlebox, Cock Sparrer, and Girlschool. Their rebellious spirit influenced bands such as the Damned, the Wonder Stuff, and Oasis—the latter famously covering "Cum on Feel the Noize". In early 1990s television comedy, Vic Reeves and Bob Mortimer parodied Slade on The Smell of Reeves and Mortimer.

Joey Ramone cited Slade's Slade Alive! as a pivotal influence on his early 1970s style. Steve Jones of the Sex Pistols commended Slade for their uncompromising attitude. NME recognized Slade as a straightforward yet effective counterbalance to the extravagances of progressive rock. Marco Pirroni of Adam and the Ants acknowledged Slade’s 1973 Wembley Pool performance as profoundly influential.

Television presenter Gareth Jones hosted the 1986 documentary "Slade Perseverance" and participated in official fan club events. Noteworthy fans also include former footballers Gary Lineker and Nigel Vaughan.

Ozzy Osbourne praised Noddy Holder’s vocal abilities. Alice Cooper credited Slade for their memorable songwriting style and acknowledged their influence on bands like Twisted Sister and Quiet Riot. Nikki Sixx from Mötley Crüe highlighted their dedication to fashion, musical innovation, and performance. John "Rhino" Edwards of Status Quo admired Jimmy Lea’s musicianship while noting that Slade’s originality was often underrated. Ritchie Blackmore of Deep Purple expressed admiration for their uninhibited performance style.

Dee Snider of Twisted Sister described their music as a fusion of Slade’s energy with that of the Sex Pistols; guitarist Jay Jay French cited both Slade and Alice Cooper as direct inspirations. Nicky Wire from Manic Street Preachers regarded Slade’s post-Reading Festival output as undervalued.

Gene Simmons from Kiss acknowledged in his book Kiss and Make-Up that Slade influenced their songwriting philosophy and stage presentation. Tom Petersson of Cheap Trick named Slade as an inspiration behind their band name; Cheap Trick covered "When the Lights Are Out" on their 2009 album The Latest. Quiet Riot gained American chart success with covers of "Cum on Feel the Noize" and "Mama Weer All Crazee Now". Their association with Slade dates back to Kevin DuBrow photographing them at Whisky a Go Go in the early 1970s; however, drummer Frankie Banali noted DuBrow preferred Queen and Humble Pie over Slade.

Throughout the early to mid-1970s, Slade garnered extensive recognition within the music industry: they were ranked top UK group by Record Mirror in 1971; awarded "Group of the Year" by teen magazine Fab 208 in 1972; secured multiple top positions in NME polls for best live band, recording act, and overall group; Radio Luxembourg named them "Britain's act/group of the year" in 1973. They won Best Live Band at the Disc Music Awards in February 1973, topped global group polls conducted by NME and BBC World Service that same year, achieving high placements in UK album and singles charts. The Carl-Alan award for Top Group was bestowed upon them consecutively in 1973 and 1974.

On an international scale, Spain's leading music magazine voted Slade as number one foreign group in early 1974; they also earned best overseas group accolades in Finland, Belgium, and Ireland. Disc Music Awards recognized them as best live group as well as top British group; individual members received honors for vocals, songwriting skills, musicianship, and percussion performance. In Belgium during 1974 they received Best World Group honors.

By February 1976, Record Mirror ranked Slade third among UK groups with Noddy Holder listed among top male vocalists and songwriters. In 1980 they were voted most inspired comeback act by Record Mirror.

Current

Image	Name	Tenure	Roles	Release involvement
Template:CSS image crop	Dave Hill	1963–present	guitar vocals	all releases
Template:CSS image crop	John Berry	2003–present	bass guitar violin backing vocals lead vocals (from 2019)	no releases so far
	Russell Keefe	2019–present	lead and backing vocals keyboards
	Alex Bines	2020–present	drums

Former

Template:CSS image crop

Image	Name	Tenure	Roles	Release involvement
Template:CSS image crop	Don Powell	1963–2020	drums
	John Howells	1963–1966	lead vocals	no releases recorded
	Mick Marson		guitar
	Bill Diffey	1963–1964	bass guitar
	Dave "Cass" Jones	1964–1966
Jim Lea	1966–1992	bass guitar keyboards violin vocals	all albums from Beginnings (1969) through to You Boyz Make Big Noize (1987) Slade Alive! – The Live Anthology (2006) Live at the BBC (2009)

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Discography

• Beginnings (as Ambrose Slade, 1969)
• Play It Loud (1970)
• Slayed? (1972)
• Old New Borrowed and Blue (1974)
• Slade in Flame (1974)
• Nobody's Fools (1976)
• Whatever Happened to Slade (1977)
• Return to Base (1979)
• We'll Bring the House Down (1981)
• Till Deaf Do Us Part (1981)
• The Amazing Kamikaze Syndrome (1983), reissued in 1984 as Keep Your Hands Off My Power Supply
• Rogues Gallery (1985)
• Crackers - The Christmas Party Album (1985)
• You Boyz Make Big Noize (1987)
• Keep on Rockin' (1994) (credited as Slade II), later re-released in 2002 under the title Cum on Let's Party

Biographies

• The Slade Story by George Tremlett. London: Futura Publications, 1975.
• Slade, Feel the Noize!: An Illustrated Biography by Chris Charlesworth. London: Omnibus Press, 1984.
• Slade – Perseverance: 25 Years of Noize: A Discography compiled by Morten Langkilde Rasmussen. Hvidovre: M. Langkilde Rasmussen, 1996.
• Who's Crazee Now?: My Autobiography by Noddy Holder with Lisa Verrico. London: Ebury Press, 2000.
• Cum On Feel the Noize! The Story of Slade by Alan Parker & Steve Grantley. London: Carlton Books, 2006.
• Look Wot I Dun: My Life in Slade by Don Powell and Lise Lyng Falkenberg. London: Omnibus Press, 2013.
• So Here It Is: The Autobiography by Dave Hill. Unbound, 2017.
• WHATEVER HAPPENED TO SLADE by Daryl Easlea, Omnibus, 2023.
• Wild! Wild Wild!: A People's History of Slade by Malcolm Wyatt, Spenwood, 2023.

See also

• List of songs by Slade
• List of glam rock artists
• List of artists by total number of UK number one singles
• List of performers on Top of the Pops

External links

• Slade Are For Life – Beyond the Holiday Season Facebook Page
• The Slade Archive Website
• Jim Lea Music Official Facebook