Slowdive
| Company type | Band |
|---|---|
| Industry | Music |
| Founded | 1989 in Reading, Berkshire, England |
| Founder | Neil Halstead, Rachel Goswell, Adrian Sell, Nick Chaplin, Christian Savill |
| Headquarters | Reading , England |
| Products | Albums, EPs |
Slowdive (presented in lowercase) is a rock band originating from Reading, Berkshire, England, established in 1989. The group consists of Neil Halstead (vocals, guitars, keyboards), Rachel Goswell (vocals, guitars, keyboards), Christian Savill (guitars), Nick Chaplin (bass), and Simon Scott (drums, guitars, electronics). Halstead serves as the main composer for the band.
Following a series of EP releases, Slowdive launched their first full-length album Just for a Day in 1991, followed by Souvlaki in 1993, solidifying their position as prominent contributors to the UK shoegaze genre. The band dissolved after their third album, Pygmalion (1995), coinciding with the departures of Scott, Savill, and Chaplin. The remaining members then transitioned towards a folk and country style under the name Mojave 3.
In 2014, Slowdive reunited for a performance at Primavera Sound, and in 2017 they released a self-titled album—their first studio effort in over two decades. Their fifth studio release, Everything Is Alive (2023), marked their inaugural entry into the top ten charts internationally, achieving placements in Belgium, Germany, the Netherlands, New Zealand, and the UK.
1989–1991: Formation and early EPs
Slowdive came together in Reading during October 1989 through the collaboration of Neil Halstead and Rachel Goswell, longtime acquaintances who had previously performed in an indie pop outfit named the Pumpkin Fairies. The original lineup featured Adrian Sell on drums and Nick Chaplin on bass. Guitarist Christian Savill joined after replying to an advertisement seeking a female guitarist. The band's name was inspired by a dream experienced by Chaplin combined with a reference to the Siouxsie and the Banshees track "Slowdive".
After producing a demo tape and playing local shows, Slowdive secured a contract with Creation Records following interest from Steve Walters of EMI. At the time of signing, band members were approximately 19 years old. Adrian Sell departed six months later to pursue university studies.
Their self-titled EP was released in November 1990 and received positive critical attention despite being derived from earlier recordings. Subsequent EPs continued to garner acclaim and earned "Single of the Week" distinctions from outlets such as Melody Maker. Drummer Neil Carter briefly joined during the recording of the Morningrise EP but exited prior to its February 1991 release; Simon Scott then took over drumming duties after his previous band dissolved.
The June 1991 release of the Holding Our Breath EP reached number 52 on the UK Albums Chart, while the single "Catch the Breeze" achieved number one on the UK Indie Chart.
1991–1992: Just for a Day
By mid-1991, Slowdive had been categorized as part of the "shoegazing" movement—a term coined by British media to describe bands influenced by My Bloody Valentine's fusion of distorted guitars with dreamy vocals. Throughout summer 1991, Slowdive toured alongside other shoegaze bands; however, British press coverage became increasingly critical as Britpop and grunge styles gained popularity.
Work on Slowdive’s debut album commenced after Halstead persuaded Creation Records founder Alan McGee that they had sufficient material, despite needing to compose songs rapidly during studio sessions. The recording process involved experimentation with sounds and was influenced by cannabis use. Halstead reflected that they "[went] into a studio for six weeks with no songs at all and came out with an album."
Released in September 1991, Just for a Day entered the UK Indie Chart's top ten. While NME offered favorable reviews, much of the media criticized it amid growing negativity towards shoegaze music. Reviews described it as "monotonous and uninspired," with Melody Maker calling it a "major fucking letdown." This critical backlash intensified following My Bloody Valentine's Loveless release in November 1991.
Slowdive toured across the UK during autumn 1991 before embarking on their first US tour supporting alternative rock band Blur. A European tour took place in February 1992. US label SBK Records planned an early-year release for Just for a Day, backed by an unconventional marketing campaign involving stenciling the band's name across New York City—including controversial locations such as a slavery memorial statue. However, SBK postponed the album's release by three months, diminishing the campaign’s effectiveness.
1992–1994: Souvlaki
During an early 1992 tour promoting Blue Day, a reissue of their initial EP tracks, the group began composing material for their next album. Nevertheless, adverse media coverage negatively influenced their creative process. Scott reflected in 2009, "[We] were baffled by the intensity of the backlash, with people urging the NME and others that they wanted us gone!" Nearly 40 songs were recorded but ultimately discarded due to insecurities and concerns over poor reception. Producer McGee harshly criticized these recordings as "all rubbish," leading the band to abandon the work and start anew.[1] Halstead later characterized this phase as marked by both excess and dissatisfaction.
The band reached out to ambient music innovator Brian Eno to produce the album; instead, he opted to collaborate. Halstead described the sessions as "one of the most surreal, intoxicated experiences" he had ever encountered, highlighting Eno’s unorthodox methods. Two songs from this partnership, "Sing" and "Here She Comes," were included on the final album.[1]
Creation Records advocated for a more commercially viable sound.[2] Halstead concurred, aiming to craft a pop-oriented record, though the recording process extended over time.[3] During summer 1992, Halstead temporarily withdrew for solitude, leaving Savill, Chaplin, and Scott to produce informal tracks that McGee disapproved of. Upon Halstead’s return with fresh compositions such as "Dagger" and "40 Days," the band completed their work. The album was titled Souvlaki, inspired by a comedy sketch from the Jerky Boys.[4]
Released in May 1993 alongside the EP Outside Your Room, Souvlaki emerged during the ascent of Britpop following Suede's debut.[5] Reviews ranged from praise to harsh criticism; while some lauded its craftsmanship, others dismissed it unfavorably.[5] The band intended to tour the US with Catherine Wheel but encountered an eight-month postponement in the American release by SBK Records. They subsequently released the 5 EP and toured Europe with Cranes. Frustrated by these setbacks, Scott departed in 1994.[6]
In early 1994, SBK launched a US promotional campaign for Souvlaki that was widely regarded as ineffective; fans were encouraged to distribute flyers in exchange for complimentary albums.[7] Midway through their US tour, SBK ceased funding, compelling Slowdive to self-fund subsequent shows. The band supported their tours through sales of live recordings and merchandise that mocked the label.[6]
1994–1995: Pygmalion
With Scott replaced on drums by Ian McCutcheon, Slowdive’s third studio album, Pygmalion, saw Halstead steer the band’s sound away from lush guitars toward a minimalist ambient style reminiscent of groups like Seefeel, A.R. Kane, and Labradford.
Creation Records terminated their contract just one week after the album’s release.
1995–2014: Post-Slowdive endeavours
Following their departure from Creation, Halstead, Goswell, and McCutcheon formed Mojave 3, signed to 4AD, shifting toward a country-inspired sound. Mojave 3 is presently on hiatus.
Drummer Scott explored electronic and ambient genres with Televise and joined Lowgold in 1999. He has released solo projects on labels including 12k, Miasmah, Sonic Pieces, and Kompakt, and collaborated with the Sight Below.
Savill established dream pop outfit Monster Movie, issuing four albums and an EP. In 2019, he launched Beachy Head alongside Ryan Graveface and Steve Clarke, featuring contributions from Rachel Goswell.
Both Halstead and Goswell have released solo albums under 4AD; Halstead also initiated the side project Black Hearted Brother in 2013. Goswell became part of supergroup Minor Victories in 2015.
Halstead collaborated in Zurich with members of Seefeel and Knives ov Resistance, releasing one album in 2009.
2014–present: Reunion and Recent Releases
Slowdive reunited in January 2014, reestablishing their presence with a new Twitter profile and official website. They announced appearances at the 2014 Primavera Sound festival held in Barcelona and Porto.[8] The band embarked on a summer global tour comprising 20 dates, which included performances at prominent festivals such as Electric Picnic in Ireland, FYF Fest in Los Angeles, Fortress Festival in Texas, Wave-Gotik-Treffen in Germany, Roskilde Festival in Denmark, Radar Festival in Italy, and Off Festival in Poland. Later that year, in October and November, they conducted a 20-date tour across North America.[9] Simon Scott, their former drummer, rejoined for this reunion, while Ian McCutcheon did not participate.
In January 2017, Slowdive unveiled "Star Roving," marking their first single release after a 22-year hiatus, under the Dead Oceans label. This was followed by their fourth studio album, the self-titled Slowdive, released in May 2017. The album was preceded by the single "Sugar for the Pill."
By September 2020, the band had begun producing their fifth studio album. In April 2023, they announced the album's completion. The lead single "Kisses" was launched on 20 June 2023, coinciding with Slowdive’s inaugural performance at the Glastonbury Festival. Subsequent singles included "Skin in the Game" released in July, followed by "The Slab" and "Alife" in August. Their album Everything Is Alive debuted on 1 September 2023 and achieved Slowdive’s first international top ten chart placements across Belgium, Germany, the Netherlands, New Zealand, and the United Kingdom.
Influences and Style
Music critic Simon Reynolds observed that Neil Halstead drew more inspiration from Pink Floyd than from punk icons like the Sex Pistols. Early on, Slowdive’s influences encompassed post-punk acts such as the Cure and Siouxsie and the Banshees, whose artistic approach bore closer resemblance to '70s progressive rock rather than punk’s stripped-down style. Halstead sought to craft music that was "grandiose and timeless." Additional influences cited include David Bowie, the Byrds, the Rolling Stones, Cocteau Twins, My Bloody Valentine, and Psychocandy, the debut album by the Jesus and Mary Chain. Bassist Nick Chaplin also favored the Cure’s sound, which contributed to shaping Slowdive’s musical identity.
Their sound is commonly categorized within genres such as shoegaze, dream pop, and ambient music.
Legacy
Initially, Slowdive faced rejection from the British indie music media. Although their early EPs received positive feedback, their debut album Just for a Day met with lukewarm reviews from outlets like Melody Maker and Select. In 1991, Richey Edwards of Manic Street Preachers notoriously declared: "We will always hate Slowdive more than Hitler." Upon release, their follow-up album Souvlaki encountered similar unfavorable critiques; Dave Simpson of Melody Maker wrote harshly: "I would rather drown choking in a bath full of porridge than ever listen to it again," despite prior acclaim for their EPs. The band attributed this negative reception to perceptions of their music being overly gentle and overshadowed by Britpop’s rise, which they described as distinctly "laddy." Rachel Goswell reflected on frustrations within the industry due to minimal UK press support. By 2004, The Independent referred to Slowdive as a "long-forgotten indie band."
During the 2010s, critical opinion shifted significantly as Slowdive was reevaluated and acknowledged as one of shoegaze’s leading acts. After reforming in 2014, they attracted considerably larger audiences than during their initial tenure and gained enhanced recognition. Analysts have linked this renewed interest to shoegaze's revival among younger generations including Millennials and Generation Z.
Personnel
Current members
- Neil Halstead – vocals, guitar, keyboards (1989–1995, 2014–present)
- Rachel Goswell – vocals, guitar, keyboards, tambourine (1989–1995, 2014–present)
- Christian Savill – guitar (1989–1995, 2014–present)
- Nick Chaplin – bass (1989–1995, 2014–present)
- Simon Scott – drums and percussion (1991–1994, 2014–present); guitar and electronics (2014–present)
Former members
- Adrian Sell – drums and percussion (1989–1990)
- Nick Carter – drums and percussion (1990–1991)
- Ian McCutcheon – drums and percussion (1994–1995)
Touring members
- Nicholas Willes – drums and percussion (2024)
Timeline
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Discography
Studio albums
- Just for a Day (1991)
- Souvlaki (1993)
- Pygmalion (1995)
- Slowdive (2017)
- Everything Is Alive (2023)
Bibliography
External links
- Slowdive Database Concert Listings
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