Tehanu
| Company type | Novel |
|---|---|
| Industry | Fantasy literature |
| Founded | February 1990 |
| Founder | Ursula K. Le Guin |
| Products | Fantasy novel |
Tehanu—originally subtitled The Last Book of Earthsea—is a fantasy novel authored by Ursula K. Le Guin and released by Atheneum in February 1990. This work represents the fourth installment in the Earthsea series, arriving nearly two decades after the initial three novels. Although its subtitle implies finality, it was succeeded by further Earthsea narratives.[lower-alpha 1]
Building upon the foundation laid by the earlier trilogy—primarily targeted at young adult readers—this novel centers on mature characters such as Ged, a prominent figure throughout the preceding books, and Tenar, who was the protagonist of The Tombs of Atuan. Tehanu earned the 1990 Nebula Award for Best Novel and the 1991 Locus Award for Best Fantasy Novel.
Celebrated as one of Le Guin's finest achievements, Tehanu delves deeper into character complexity than its predecessors. Critics highlight its transition from traditional male-dominated high fantasy toward a feminist perspective emphasizing "immanence," portraying a woman’s lived experience in the world, echoing themes explored by Simone de Beauvoir.
Background
As the fourth entry in the Earthsea saga, Tehanu follows Le Guin’s 1968 debut novel A Wizard of Earthsea, which introduced the protagonist Sparrowhawk (Ged). In a 2016 audiobook afterword, Le Guin explained that approximately twenty-five years elapse between the conclusion of The Tombs of Atuan and the opening of Tehanu, allowing Tenar to become widowed with adult offspring. Moreover, only a brief interval—"a day or two"—occurs between the ending of The Farthest Shore and Chapter 4 of Tehanu, when Ged is transported by the dragon Kalessin from Roke to Gont.
Plot
After her husband Flint’s passing, Goha lives alone on Gont; her children Apple and Spark are now adults. She takes in a severely burned girl whom she names Therru ("flame") after rescuing her. When Ogion summons Goha (revealed to be Tenar) to his deathbed in Re Albi, she journeys there accompanied by Therru. Before dying, Ogion charges Tenar with educating Therru.
Ged (Sparrowhawk) arrives unconscious atop Kalessin, having depleted his magic sealing a breach between life and death created by the sorcerer Cob. Tenar tends to his recovery. When emissaries from King Lebannen request Ged’s presence for the coronation, he refuses and returns to life as a goatherd at Oak Farm. Tenar encounters danger from Aspen, a hostile local mage, and Handy, who claims familial ties to Therru. Seeking safety, she escapes with Therru to Gont Port and finds shelter aboard the king’s vessel.
Lebannen escorts Tenar and Therru to Valmouth; subsequently, Tenar goes back to Oak Farm where Ged cares for goats in nearby mountains. Following an attempted intrusion by Handy and accomplices, Ged nearly kills one attacker. Tenar and Ged revive their enduring affection and opt for a tranquil existence managing the farm while raising Therru. Spark, Tenar’s son, returns from sea demanding legal ownership of the farm according to Gontish customs.
When Moss, a local witch rumored to be dying, becomes ill, Tenar, Ged, and Therru travel to Re Albi—only to fall victim to Aspen’s ambush. Aspen reveals his allegiance to Cob and uses sorcery to dominate them. Therru escapes to a cliff where she summons Kalessin and discloses her nature as "a double being," part human and part dragon. Under Aspen’s enchantment, Tenar and Ged are coerced toward suicide; however, Kalessin intervenes, annihilating Aspen and his followers. Recognizing Therru by her true name—Tehanu—Kalessin offers her freedom; she chooses instead to remain with Tenar and Ged at Ogion’s cottage, embracing a simple life together.
Principal Characters
The central figures include:[1]
- Goha, known both locally and by her spouse as Tenar, formerly a priestess of the Tombs of Atuan and the White Lady of Gont
- Ged, also referred to as Sparrowhawk, the Archmage of Roke
- Aspen, later identified as Erisen, a corrupted sorcerer and adherent of Cob
- Kalessin, recognized as the eldest dragon
- Therru, a scarred child unveiled as Tehanu, a woman-dragon
Publication Background
Tehanu stands as the fourth installment in the Earthsea saga, released almost two decades after the initial trilogy (1968–1972). Although its original subtitle implied a conclusion, it was not the final entry.[2]
- ; concurrently issued by Gollancz in London. Paperback versions were produced by Bantam Books.
- Features an extensive author’s note titled "An Afterward From the Author".
This novel has seen multiple reprints through various publishers and imprints such as Atheneum, Simon & Schuster, Pocket Books, Simon Pulse, and Penguin Books.
Critical Reception
Michael Dirda of The Washington Post observes that although Tehanu may be "less purely thrilling" than the original trilogy, it arguably stands as "the most poignant," concentrating on Ged and Tenar facing the challenges of aging.[3] The book revisits fundamental Earthsea motifs—such as equilibrium, embracing one’s shadow self, and trust—with a more somber and realistic tone. It shifts narrative focus to a female perspective within a society that sidelines women while tackling themes involving flawed men and child abuse. This lends the story a reflective and grave quality.[3] Dirda highlights that Tehanu broadens the scope of the original trilogy by delving into the protagonists’ later years.[4]
According to Kirkus Reviews, despite the presence of dragons, human elements dominate the storyline. With Ged and Tenar beyond middle age, the pace slows but the writing remains elegant and lyrical. Its philosophical depth and richly constructed world appeal even to younger audiences.[5] The Science Fiction Review praises it as "an excellent narrative and a fitting culmination to Earthsea," emphasizing its wide-reaching resonance across social classes.[6]
Scholarly Analysis
While the original trilogy centers mainly on Ged—with Tenar featured prominently in the second volume—Sean Guynes in Reactor Magazine regards Tehanu as Le Guin’s finest work, citing its profound examination of characters’ darker aspects as they age. Similar to The Farthest Shore, it contemplates "power and its decline"; akin to The Tombs of Atuan, it addresses gender issues; however, unlike them, it introduces a new "reflective distance," revisiting earlier shortcomings and prioritizing a female lead.[7] Jo Walton describes Tehanu as "problematic" due to its slower pacing but acknowledges its successful integration of plot with attention to "women's domestic lives".[8]
Sharada Bhanu’s doctoral research classifies Tehanu, alongside Tales from Earthsea and The Other Wind, as constituting a second trilogy separate from the first. Whereas the initial trilogy explores maturation, this subsequent set focuses on sexual maturity and middle-aged characters, shifting emotional emphasis toward feminism. Bhanu highlights how Tehanu compensates for earlier male-centric narratives by offering a female viewpoint through Tenar’s experiences and portraying women across various ages and societal roles alongside "weak and limited" men.[9]
Richard D. Erlich dedicates an entire chapter in his book Coyote's Song exclusively to Tehanu. He offers an annotated synopsis linking it to Le Guin’s wider oeuvre and other literary figures such as Rilke, Shakespeare, and texts like the Tao te Ching. Erlich argues that Tehanu redefines Earthsea by incorporating Le Guin’s essay "Is Gender Necessary? Redux" into fictional form. He characterizes the novel as "Janus"-like—looking back at earlier male-focused tales while advancing feminist themes—emphasizing liminality and protagonists marked by physical scars. He concludes it is "undeniably feminist," completing a trajectory toward a definitive female protagonist while maintaining openness.[10]
Erlich draws parallels between Le Guin’s portrayal of immanence in Tehanu and Simone de Beauvoir’s treatment in The Second Sex, though with reversed valuations. Whereas de Beauvoir considered immanence (associated with domestic life) negatively, Le Guin presents it positively, valuing both masculine power forms and "the other room where women dwell," exemplified through Tenar and Ged’s domestic relationship.[10]
A noteworthy point Erlich raises concerns the novel’s deliberate "silences," which compel readers to deduce characters’ motivations—particularly those of antagonists whose reasons remain unexplored. He suggests that comprehending Aspen’s misogyny requires recognizing its roots in patriarchal societal structures rather than conventional high fantasy stereotypes.[10]
| A Wizard of Earthsea 1968 |
The Tombs of Atuan 1970 |
The Farthest Shore 1972 |
Tehanu 1990 | |
|---|---|---|---|---|
| Main Character | Ged | Tenar (and Ged) | Ged | Therru/Tehanu |
| Gender of Main Character | Male | Female (and male) | Male | Female |
| Genre | High fantasy | Fantasy / philosophical novel | ||
Awards
Tehanu secured the 1990 Nebula Award, establishing Ursula K. Le Guin as the first writer to earn three Nebulas for Best Novel. Subsequently, she achieved a fourth Nebula for Powers, maintaining the distinction for the highest number of Best Novel Nebulas as of 2021. Additionally, the novel received the Locus Award for Best Fantasy Novel and was a contender for both the Mythopoeic Fantasy Award and the Homer Award.
See also
- Tales from Earthsea, which contains "Dragonfly", a postscript to Tehanu
Sources
Further reading
- Bernardo, Susan M.; Murphy, Graham J. Ursula K. Le Guin: A Critical Companion. Greenwood Press, Westport, Connecticut, 1st edition, 2006. ISBN 0313332258
- Cadden, Mike. Ursula K. Le Guin Beyond Genre: Fiction for Children and Adults. Routledge, New York, 1st edition, 2005. ISBN 0415995272
- Drout, Michael D. C. Of Sorcerers and Men: Tolkien and the Roots of Modern Fantasy Literature. Barnes & Noble, China, 1st edition, 2006. ISBN 978-0760785232
- Martin, Philip. A Guide to Fantasy Literature: Thoughts on Stories of Wonder & Enchantment. Crickhollow Books, Milwaukee, Wisconsin, 1st edition, 2009. ISBN 978-1933987040
- Mathews, Richard. Fantasy: The Liberation of Imagination. Routledge, New York, 1st edition, 2002. ISBN 0415938902
External links
- Wikiquote
- Tehanu: The Last Book of Earthsea at Worlds Without End
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- ↑ Petty, Anne C. Dragons of Fantasy: The Scaly Villains & Heroes of Tolkien, Rowling, McCaffrey, Pratchett & Other Fantasy Greats, (Cold Spring Harbor, New York: Cold Spring Press, 2004)
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