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The Angels (Australian band)

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The Angels
Company typeBand
IndustryMusic
Founded1974 in Adelaide, Australia
FounderBernard "Doc" Neeson, John Brewster, Rick Brewster, Peter "Charlie" King
Headquarters
Sydney
,
Australia
ProductsRock music albums and singles

The Angels originated as an Australian rock ensemble established in 1974 in Adelaide under the name the Keystone Angels. The founding lineup comprised Bernard "Doc" Neeson (lead vocals and bass), John Brewster (rhythm guitar and vocals), Rick Brewster (lead guitar and backing vocals), along with Peter "Charlie" King on drums. By 1976, King was succeeded by Graham "Buzz" Bidstrup, Chris Bailey assumed bass duties allowing Neeson to concentrate solely on singing, and the band abbreviated their name to 'the Angels'. Their discography includes several Australian top 10 studio albums such as No Exit (1979), Dark Room (1980), Night Attack (1981), Two Minute Warning (1984), Howling (1986), and Beyond Salvation (1990). Among their singles reaching the top 20 were "No Secrets" (1980), "Into the Heat" (1981), "We Gotta Get Out of This Place" (1987), the live version of "Am I Ever Gonna See Your Face Again" (1988), as well as "Let the Night Roll On" and "Dogs Are Talking" both released in 1990.

To circumvent international legal conflicts, the band issued records under the names Angel City and later the Angels from Angel City, although these titles were not favored by the group. The Angels have been influential on notable rock acts like Guns N' Roses, Cheap Trick, Great White, and Pearl Jam, leaving a lasting imprint on global rock music. After sustaining spinal injuries in a car accident, Neeson departed in 1999, leading to the band's dissolution in 2000. Various rival lineups continued performing under the band's name until April 2008 when the original 1970s formation reunited for touring until 2011, after which Neeson and Bidstrup exited once more. Presently, the group features founding members John and Rick Brewster, John's sons Sam on bass and Tom on drums, alongside lead singer Nick Norton.

In October 1998, The Angels were inducted into the ARIA Hall of Fame, recognizing members Bailey, John and Rick Brewster, Eccles, and Neeson for their pivotal role in shaping Australian pub rock. Musicologist Ian McFarlane highlighted their contribution to elevating live performance standards through a vigorous boogie rock approach that attracted unprecedented crowds at pubs. Chris Bailey passed away from throat cancer on 4 April 2013 at age 62; Doc Neeson succumbed to a brain tumour on 4 June 2014 aged 67.

Early 1970s

In November 1970, brothers John Brewster (guitar, banjo, backing vocals) and Rick Brewster (violin, percussion, backing vocals) formed an acoustic ensemble called the Moonshine Jug and String Band in Adelaide. The group also included Craig Holden on guitar, Bob Petchell playing banjo and harp, and Pete Thorpe handling bass guitar, wash tub, and backing vocals. Bernard "Doc" Neeson, originally from Belfast, joined as guitarist and lead vocalist in 1971. The folk-oriented band performed regularly at local university venues and cafes. Holden departed in 1972.

By 1973, Spencer Tregloan became part of the lineup playing banjo, kazoo, jug, and tuba. That year they launched their initial four-track EP titled Keep You on the Move, which climbed into Adelaide's top five charts. The release featured a cover of a Canned Heat song alongside original compositions by John Brewster, Rick Brewster, and Neeson. In 1974 they issued the single "That's All Right with Me" through Sphere Organisation—owned by John Woodruff who would later manage the Angels for twenty years. The band was honored with induction into the Adelaide Music Collective Hall of Fame in 2015.

By mid-1974, they had adopted the name Keystone Angels with John Brewster taking lead vocals and bass guitar duties, Rick handling guitar work, Neeson contributing bass and vocals, Peter Christopolous (aka Charlie King) on drums, and Laurie Lever playing keyboards. Transitioning towards electric instruments allowed them to focus on delivering 1950s rock and roll tailored for pub audiences. Rick recalled moving from washboard to lead guitar despite lacking prior experience with electric instruments as a means to pursue wider success.

Between July and August 1974 they promoted themselves via advertisements in Go-Set magazine announcing "The Keystone Angels are coming". Lever exited later that year. In January 1975 as a quartet they appeared at the Sunbury Pop Festival, supported AC/DC during their South Australian tour dates, and backed Chuck Berry later that same year. The Keystone Angels released their single "Keep on Dancin'" on Sphere Records in 1975.

Late 1970s: Initial Three Albums

In 1976, the Angels secured a contract with Albert Productions after receiving endorsements from Bon Scott and Malcolm Young of AC/DC. They dropped "Keystone" from their name, relocated to Sydney, and finalized their lineup with Neeson handling lead vocals and bass, King on drums, Rick on lead guitar, and John Brewster providing lead vocals alongside rhythm guitar.[1][2] According to musicologist Ian McFarlane, the group cultivated a unique and powerful hard rock style.[1]

Their first single, "Am I Ever Gonna See Your Face Again", launched in March 1976 and produced by Vanda & Young, was co-written by the Brewster brothers and Neeson.[1][3] Shortly after, drummer King was replaced by Graham "Buzz Throckman" Bidstrup, while Chris Bailey joined on bass, enabling Neeson to concentrate exclusively on vocals.[1][3]

The follow-up single, "You're a Lady Now," came before their self-titled debut album released in August 1977. This album, also produced by Vanda & Young at Albert Studios, included a re-recorded version of "Am I Ever Gonna See Your Face Again" and featured songwriting mainly from Neeson and the Brewster brothers.[4] On stage, Neeson's energetic presence contrasted with Rick Brewster's more reserved demeanor.

Their sophomore album, Face to Face, arrived in June 1978, reaching No. 16 on the Kent Music Report Albums Chart and remaining there for 79 weeks. It achieved quadruple platinum status with shipments totaling 280,000 copies.[1] Co-produced alongside Mark Opitz, this release represented a significant milestone for both the band and Opitz.[1] The album's cover won acclaim at the 1978 TV Week King of Pop awards and was later included in the 100 Best Australian Albums list.[5]

By 1978, the Angels had become Australia's top-earning band, renowned for their high-energy concerts fueled by Neeson's dramatic performance style combined with forceful guitar work and a robust rhythm section.[1] Critics noted their fusion of punk and metal elements alongside extensive touring that cultivated a loyal following.[2]

Face to Face yielded their inaugural top 50 hit with "Take a Long Line," which peaked at No. 29.[6] Later that year, they supported David Bowie during his Australian tour. Although reviews of their shows were mixed, the tour significantly increased their visibility.[7] In conjunction with this tour, they issued the EP After the Rain – The Tour, featuring three tracks.[1]

June 1979 marked the release of their third studio album, No Exit, which climbed to No. 8 on the charts. Once again co-produced with Opitz,[3] it featured backing vocals from George Young on the track "Out of the Blue."[8] Critics lauded the band's consistently energetic rock style and precise musicianship.[9] The single "Shadow Boxer" reached No. 25.[6]

On 29 September 1979, Alberts released the EP Out of the Blue, which included a third studio rendition of "Am I Ever Gonna See Your Face Again," peaking at No. 29 on the singles chart.[6] During their New Year's Eve concert before an audience nearing 60,000 at the Sydney Opera House, a riot forced an early end to the performance; both Neeson and Bailey suffered injuries requiring hospitalization.[1][2]

1980s: From the international Face to Face to Beyond Salvation

The Angels secured a global deal with CBS Records, leading to the March 1980 release of an international edition of Face to Face through Epic Records. This compilation combined selections from the Australian releases of Face to Face and No Exit, alongside a shortened 1979 studio cut of "Am I Ever Gonna See Your Face Again" taken from Out of the Blue. To circumvent legal conflicts with the American glam rock group Angel, they adopted the name Angel City for overseas markets, a title they found unfavorable. Throughout 1980, the band toured extensively across the United States and Canada in support of this album. Music critic John Floyd from AllMusic commended their formidable American debut.

Their international touring schedule included six weeks in the US followed by a month-long European stint. A New York show earned them acclaim from prominent figures in rock despite a challenging crowd. In Los Angeles, their high-energy performance attracted members of new wave groups such as UFO and Pretenders, culminating in three encores.

June 1980 saw the release of their fourth studio album, Dark Room, produced by the Brewster brothers. It reached No. 5 on Australian charts and No. 37 in New Zealand. The international version featured re-recorded tracks substituting some original recordings. The American band Great White later covered "Face the Day" and "Can't Shake It". The album’s single "No Secrets", co-written by Bidstrup and Neeson, climbed to No. 8 in Australia. Additional singles "Poor Baby" and "Face the Day" also made chart appearances.

Their August 1980 appearance performing "No Secrets" on Countdown showcased Doc Neeson’s commanding stage presence. Later that year, they supported the Kinks on a US tour characterized as an energetic double headline. John Brewster reflected positively on their national tour promoting Dark Room.

In March 1981, drummer Graham Bidstrup departed due to issues unrelated to music; New Zealander Brent Eccles took over drumming duties. Bidstrup subsequently joined bands like the Swingers and Party Boys and founded GANGgajang. In May 1981, they released the non-album single "Into the Heat", which peaked at No. 14, followed by the live EP Never So Live, reaching No. 17, driven by the track "Fashion and Fame".

November 1981 brought their fifth studio album, Night Attack, produced by Ed Thacker alongside the Brewsters. This record marked a shift towards heavier metal sounds, peaking at No. 11 in Australia and No. 14 in New Zealand. The international edition included a remixed track previously released as a B-side. Early 1982 saw bassist Chris Bailey exit due to visa complications; session musician Jim Hilbun joined on bass along with vocals, saxophone, and organ contributions. Bailey went on to join Gotham City and co-found GANGgajang.

In January 1983, The Angels headlined the first Narara Music Festival; Doc Neeson arranged for this concert to be recorded as his intended final performance with the group before pursuing acting ambitions. The footage was later released on VHS in 1988 as Live at Narara, capturing a dynamic live set.

May 1983’s sixth studio album, Watch the Red, self-produced by The Angels with engineering by Andrew Scott and Al Wright, reached No. 6 in Australia and entered New Zealand’s top 50 chart. This release fulfilled their CBS/Epic contract before signing with Mushroom Records for domestic distribution and MCA for international markets. Praised for its creative musical approach, it featured Hilbun’s saxophone leads and diverse instrumentation developed from extensive jam sessions. A fire at the studio nearly destroyed master recordings during production. Lead single "Stand Up", penned by Hilbun, peaked at No. 21; follow-up "Eat City" reached No. 22. During this period, they toured the US again supporting the Kinks.

Their seventh album, Two Minute Warning, recorded over three months in Los Angeles with producer Ashley Howe, was released in January 1985. It achieved a peak position of No. 5 in Australia and entered New Zealand’s top 40. The single "Underground" reached Australia’s top 60 and attained No. 35 on Billboard’s Mainstream Rock chart earlier that year in the US. Changes within MCA's staff resulted in limited promotional support for this album and rejection of their subsequent project.

Performing under Angel City at July 1985’s Oz for Africa concert (part of Live Aid), they played four songs broadcast across Australian networks and MTV in America.

John Brewster departed in February 1986 following final shows in Melbourne; former Skyhooks guitarist Bob Spencer joined in March. Brewster later played with Party Boys until 1989.

October 1986 saw their eighth studio album, Howling, recorded at Sydney’s Rhinoceros Studios with producer Steve Brown, reach No. 6 in Australia and No. 10 in New Zealand. Eccles noted that Brewster’s exit encouraged experimentation with new instruments and backing vocals, reflecting an evolved sound beyond their pub rock origins. The album included a cover of The Animals’ "We Gotta Get out of This Place", which became their highest-charting Australian single at No. 7 and peaked at No. 13 in New Zealand.

The December 1987 double live album Live Line reached No. 3 in Australia and No. 13 in New Zealand, encompassing a decade’s worth of material primarily recorded live at Sydney’s Bankstown RSL Club with some earlier tracks featuring Brewster. Its CD edition contained additional songs. A live rendition of "Am I Ever Gonna See Your Face Again" released as a single peaked at No. 11 in Australia and introduced the now-iconic audience chant.

In May 1988, Spencer suffered a wrist fracture after colliding onstage with Neeson; Jimi Hocking filled in on guitar for the national tour before Spencer returned post-tour.

Chrysalis Records released their ninth studio album, Beyond Salvation, internationally under The Angels from Angel City name in November 1989. Recorded in Memphis with producer Terry Manning (known for work with ZZ Top and Led Zeppelin), it featured re-recorded versions of earlier tracks not previously available domestically. During these sessions, Hilbun was replaced by James Morley on bass and backing vocals; Hilbun moved on to collaborate with Richard Clapton and Angry Anderson. Alan Niven briefly managed their US affairs before departing soon after.

1990s: From Beyond Salvation to Doc Neeson's Exit

The international edition of Beyond Salvation featured four additional songs, three of which were included on the Australian release in February 1990 through Mushroom Records.[10] The Australian version contained eight extra tracks, all produced by Manning.[1][3][10] In June 1990, this album became The Angels' sole No. 1 record in Australia, remaining in the top 100 for 38 weeks and earning platinum certification for shipping 70,000 copies.[1][6] It also achieved their highest New Zealand chart position at No. 3.[11]

According to McFarlane, it stands as one of their finest works, with Manning simplifying the sound to highlight the guitar elements.[1] Although legal complications limited their exposure in the US market, the magazine Musician gave favorable reviews to the album.[12] Nimmervoll remarked that this was their last attempt at international breakthrough, as they never established a lasting global fanbase.[2]

In Australia, five singles were released from the album. "Let the Night Roll On" climbed to No. 17,[1][6] and was characterized by The Canberra Times as "hard rock, as straightforward as a scream and as forceful as a punch."[13] "Dogs are Talking" reached No. 11 and received gold certification for shipping 35,000 units.[1][6] Co-written by Rick Brewster, Eccles, Hilbun, Neeson, and Spencer, it also attained No. 12 on New Zealand charts.[11][14]

The Beyond Salvation Tour featured Cheap Trick as opening act. The Australian B-side for "Dogs are Talking" included demo recordings from supporting local bands Desert Cats, Hurricanes, and Baby Animals.[1] In New Zealand, the B-side presented debut tracks from local openers Nine Livez and Shihad.

The single "Back Street Pickup" entered the top 30 in both Australia and New Zealand,[1][6][11] with its music video shot on the day the album reached No. 1.

Released in November 1991, Red Back Fever, their tenth studio album, was partly recorded in Memphis with Terry Manning producing foundational tracks during the sessions for Beyond Salvation.[1] Co-produced alongside Steve James, it peaked at No. 14 in Australia and made it into New Zealand's top 50.[3][6][11] The band supported the album with a two-year tour. Its third single, "Tear Me Apart," was featured in a government campaign addressing alcohol-related violence and reached the top 40.[15][16][6] Mushroom later reissued Red Back Fever as a two-disc set combined with Left Hand Drive, which contained previously unreleased material.[1][3] They also embarked on the Alcohol and Violence Tears You Apart tour.[1]

In 1992, Spencer and Morley left the band; John Brewster and Hilbun rejoined.[1][3] Following his departure, Spencer became part of Black Cat Moan and The Choirboys (1992–2004), while Morley joined various cover bands.[3][17] In 1993, The Angels co-headlined a concert at University of Western Sydney alongside The Screaming Jets.

In 1994, after an invitation from New Zealand's Hells Angels chapter, they released a compilation titled Evidence, which included two new songs: "Don't Need Mercy" and "Turn It On".[1][3] This was followed by the Hard Evidence Tour E.P. in April 1995 featuring those tracks along with "Spinning My Wheels" and "Blue Light".[1][3]

April 1995 saw them headline the Barbed Wire Ball tour together with The Screaming Jets, The Poor, and Who's Guilty. Subsequently, they took a break from recording and touring to begin sessions for their eleventh studio album Skin & Bone starting mid-1996.[1][3]

The Lounge Lizard Tour in July 1997 included guest vocalists Angry Anderson (Rose Tattoo) and Ross Wilson (Daddy Cool, Mondo Rock), with The Angels providing acoustic accompaniment.[1] On 13 August 1997 they secured a recording contract with Shock Records in Australia.

In October 1997 they released the single "Caught in the Night," penned by Jim Hilbun with input from Neeson and Rick Brewster. This preceded the release of Skin & Bone, which reached No. 29 on ARIA charts. On 20 October 1998, the lineup consisting of Chris Bailey, Jim Hilbun, John and Rick Brewster, Brent Eccles and Doc Neeson was inducted into the ARIA Hall of Fame by Angry Anderson.[18] That November they performed a short set at Mushroom Records' 25th anniversary Concert of the Century. Their final show of the decade took place on New Year's Eve 1999 at MGM Grand Darwin Millennium Concert. Soon after this event, Neeson announced an indefinite break following a serious car accident that caused neck and spinal injuries.[19]

2000s: Spinoff Groups and Reunion

After Neeson left, the Angels essentially ceased to exist as a band, although Rick and John Brewster considered bringing in a new lead vocalist. In November 2000, Shock Records re-released Left Hand Drive. The Australian Broadcasting Corporation showcased the group in its music documentary series Long Way to the Top, specifically in "Episode 4: Berserk Warriors," which aired on 5 September 2001. This episode, along with two others, was made available on video as Long Way to the Top: Stories of Australian and New Zealand Rock and Roll: Episodes 4-6: Disc 2. Neeson reminisced about their early pub performances, emphasizing the raw energy and intensity of those venues.

Throughout the 2000s, two competing incarnations of the band existed: one led by the Brewster brothers and another fronted by Neeson. In March 2001, a group called Members of the Angels—comprising Bailey, Bidstrup, John and Rick Brewster, with Hilbun on vocals—performed at a Ted Mulry Benefit Concert; this event was later released as Gimme Ted in 2003. On 24 June 2002, Shock Records issued a comprehensive 4-CD box set titled The Complete Sessions 1980–1983, featuring recordings from Dark Room through to Watch the Red. Around this period, Bailey, Bidstrup, and the Brewsters toured under the name Original Angels Band. Neeson recalled an understanding regarding the use of the band's name following his car accident that restricted his mobility.

Concurrently, Neeson teamed up with Hilbun and Westfield CEO David Lowy to form Red Phoenix, releasing an album produced by Terry Manning and embarking on a brief tour in 2005. In July 2006, Liberation Records reissued much of the Angels' discography, including major albums such as Dark Room, Night Attack, and Beyond Salvation.

On 4 December 2006, Bailey, Bidstrup, and the Brewsters released Live at the Basement under the Angels banner. However, in September 2007, Neeson secured a legal injunction barring them from using that name. As part of the Countdown Spectacular 2, he toured major Australian cities from August to September 2007 as Doc Neeson's Angels with Hilbun, Lowy, Dave Leslie (formerly of Baby Animals), and Paul Wheeler (ex-Icehouse), who was later replaced by Mick Skelton. This lineup released Acoustic Sessions on 1 September 2007 through Liberation Blue. Meanwhile, the Brewster-led group issued an EP titled Ivory Stairs.

In October 2007, Neeson's ensemble participated in Tour de Force, performing thirteen concerts over sixteen days in conflict zones across the Middle East to entertain Australian troops. His lineup featured Leslie, Skelton, Sarah Graye (formerly of Nitocris) on bass, and guitarist Mitch Hutchinson. During this tour, Major General Mark Evans awarded Neeson both the National Service Medal and Australian Defence Medal in Baghdad. On 11 July 2007, a DVD titled Wasted Sleepless Nights: The Definitive Greatest Hits was released featuring previously unseen live footage.

In April 2008, Paul Cashmere announced that Neeson would reunite with Bailey, Bidstrup, and the Brewster brothers under The Angels name. They embarked on a tour from June to August marking the 30th anniversary of their album Face to Face. This "tense reconciliation" was captured in the documentary No Way, Get F*#ked, F*#k Off! (October 2008), directed by Ben Ulm and distributed on DVD via Beyond Home Entertainment.

On 17 April 2010, The Angels collaborated with The Adelaide Art Orchestra led by Rob John to present "A Symphony of Angels" at Adelaide Festival Theatre.[20]

2010s: Transition from Neeson to Gleeson as Lead Vocalist

Towards the end of 2010, Neeson reignited his solo endeavors and established Angels 100%, collaborating with Bidstrup, Hilbun, Morley, and Spencer. In late 2012, this ensemble performed an exclusive event for approximately 1,000 attendees at a mining facility in Western Australia.

By May 2011, Bailey and the Brewsters brought drummer Nick Norton and Screaming Jets’ frontman and DJ, Dave Gleeson, on board as lead singer. Bidstrup and Neeson contended that the inclusion of new members under The Angels’ name violated prior agreements. Nonetheless, this revamped lineup proceeded to produce their first recordings since the late 1990s. Their EP Waiting for the Sun was released in June 2011, followed by an Australian tour throughout 2012. In January 2012, they captured a live performance at Brisbane’s QPAC theatre—their first live album release in twenty years.

On 31 August 2012, with Gleeson as the lead vocalist, The Angels unveiled Take It to the Streets, marking their first studio album in fourteen years. The album attained No. 24 on the ARIA charts. Concurrently, they issued "Live at QPAC," their first live album since 1988's "Liveline," briefly available as a double CD set.

Later in 2012, The Angels co-headlined the national A Day on the Green tour alongside Baby Animals and Hoodoo Gurus, drawing a crowd of 8,500 in Perth. They commenced work on a new studio album and announced a Take It to the Streets national tour scheduled from February to April 2013. In January 2013, Bailey was diagnosed with throat cancer; his bass duties were taken over by Sam Brewster, John Brewster’s son, who subsequently became the official bassist following Bailey’s passing on 4 April 2013 at age 62. February 2014 saw the release of their second album featuring Gleeson, Talk the Talk, which secured a position within the ARIA top 50.

Beginning in November 2019, The Angels embarked on a co-headlining tour titled "They Who Rock 2019" with Baby Animals. To promote this tour, The Angels recorded a cover of Baby Animals’ "One Word," while Baby Animals reciprocated by covering The Angels’ "Marseilles"; both tracks were released on 1 October 2019.

2020s: Fresh Releases and Vocalist Change

In June 2020, The Angels introduced the EP Under the Stone, marking their first new material in six years. That same year, they were ranked number 45 in Rolling Stone Australia's list of the "50 Greatest Australian Artists of All Time."

December 2021 featured a collaborative performance with the Adelaide Symphony Orchestra during the "Symphony of Angels" concert. In the subsequent year, the Brewster brothers teamed up with Dune Rats at ABC studios to record a rendition of "Am I Ever Gonna See Your Face Again" for triple j's Like a Version segment.

In May 2023, Dave Gleeson stepped down from his role as lead vocalist and was succeeded by drummer Nick Norton. Additionally, Tom Brewster—John Brewster’s son and Sam Brewster’s brother—joined as drummer.

By May 2024, the band announced Ninety Nine, their first studio album in a decade.

Health Issues and Passings

Chris Bailey received a throat cancer diagnosis in January 2013; Sam Brewster assumed bass responsibilities during his illness. Bailey passed away on 4 April 2013 at age 62. A commemorative concert honoring his impact on Australian music took place at Thebarton Theatre on 17 April.

On 10 January 2013, Doc Neeson revealed he had been diagnosed with a brain tumour and commenced treatment. Despite a bleak prognosis, he performed at an April benefit event called Rock for Doc alongside artists from Midnight Oil, Rose Tattoo, Noiseworks, Cold Chisel, Dragon, and Mi-Sex. Neeson succumbed to the tumour on 4 June 2014 at age 67.

Band Members

Template:Col-begin Template:Col-2

Current lineup
  • Rick Brewster – lead guitar, backing vocals, keyboards (1974–2000, 2008–present)
  • John Brewster – rhythm guitar, backing vocals, harmonica, bass (1974–1986, 1992–2000, 2008–present), lead vocals (1974–1976), lead guitar (2023–present)
  • Nick Norton – lead vocals, rhythm guitar (2023–present), drums and backing vocals (2011–2023)
  • Sam Brewster – bass guitar and occasional lead guitar (2013–present), backing vocals (2023–present)
  • Tom Brewster – drums (2023–present)

Template:Col-2

Former members
  • Doc Neeson – lead vocals (1974–2000, 2008–2011; deceased 2014), bass guitar and backing vocals (1974–1976)
  • Charlie King – drums (1974–1976)
  • Graham Bidstrup – drums and backing vocals (1976–1981, 2008–2011)
  • Chris Bailey – bass guitar and backing vocals (1976–1982, 2008–2013; deceased 2013)
  • Brent Eccles – drums (1981–2000)
  • Jim Hilbun – bass guitar, saxophone, backing vocals, organ (1982–1989, 1992–2000)
  • Bob Spencer – rhythm guitar and backing vocals (1985–1992)
  • James Morley – bass guitar and backing vocals (1989–1992)
  • Dave Gleeson – lead vocals (2011–2023)

Template:Col-end

Timeline

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Colors = 

 id:lvocals   value:red            legend:Lead_vocals
 id:bvocals   value:pink           legend:Backing_vocals
 id:lguitar   value:teal           legend:Lead_guitar,_keyboards
 id:rguitar   value:brightgreen    legend:Rhythm_guitar
 id:bass      value:blue           legend:Bass
 id:drums     value:orange         legend:Drums
 id:sax       value:skyblue        legend:Saxophone,_organ
 id:harm      value:tan2           legend:Harmonica
 id:album     value:black          legend:Studio_album

BarData = 

 bar:Doc      text:"Doc Neeson"
 bar:Dave     text:"Dave Gleeson"
 bar:Rick     text:"Rick Brewster"
 bar:John     text:"John Brewster"
 bar:Bob      text:"Bob Spencer"
 bar:Chris    text:"Chris Bailey"
 bar:Jim      text:"Jim Hilbun"
 bar:James    text:"James Morley"
 bar:Sam      text:"Sam Brewster"
 bar:Charlie  text:"Charlie King"
 bar:Buzz     text:"Graham Bidstrup"
 bar:Brent    text:"Brent Eccles"
 bar:Nick     text:"Nick Norton"
 bar:Tom      text:"Tom Brewster"

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 at:08/01/1977 color:album layer:back
 at:06/01/1978 color:album layer:back
 at:06/01/1979 color:album layer:back
 at:06/01/1980 color:album layer:back
 at:11/01/1981 color:album layer:back
 at:05/01/1983 color:album layer:back
 at:11/28/1984 color:album layer:back
 at:10/01/1986 color:album layer:back
 at:02/01/1990 color:album layer:back
 at:11/01/1991 color:album layer:back
 at:03/01/1998 color:album layer:back
 at:08/31/2012 color:album layer:back
 at:02/01/2014 color:album layer:back
 at:06/28/2024 color:album layer:back

PlotData = 

width:11
bar:Doc       from:start till:03/01/2000 color:red
bar:Doc       from:start till:07/01/1976 color=blue width:3
bar:Doc       from:04/01/2008 till:end color:red 
bar:Dave      from:05/01/2011 till:end color:red 
bar:Rick      from:start till:end color=teal 
bar:Rick      from:start till:end color:pink width=3 
bar:JJohn     from:start till:end color=brightgreen 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=tan2 width=7 
bar:JJohn     from:start till:end color=blue width=5 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=tan2 width=7 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=blue width=5 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=tan2 width=7 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=blue width=5 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=tan2 width=7 
bar:JJohn     from:start till:end color=pink width=3 
bar:JJohn     from:start till:end color=blue width=5

</timeline>

External links

  1. ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20 1.21 1.22 1.23 Cite error: Invalid <ref> tag; no text was provided for refs named McFarlane
  2. ↑ 2.0 2.1 2.2 2.3 Cite error: Invalid <ref> tag; no text was provided for refs named Nimmervoll
  3. ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 Cite error: Invalid <ref> tag; no text was provided for refs named Holmgren
  4. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named The Angels debut
  5. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named ODonnell
  6. ↑ 6.0 6.1 6.2 6.3 6.4 6.5 6.6 6.7 6.8 Cite error: Invalid <ref> tag; no text was provided for refs named aus
  7. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Bowie Tour
  8. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named No Exit Extended
  9. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Falk
  10. ↑ 10.0 10.1 Cite error: Invalid <ref> tag; no text was provided for refs named NLA Salvation Aus
  11. ↑ 11.0 11.1 11.2 11.3 Cite error: Invalid <ref> tag; no text was provided for refs named nz
  12. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named NLA US Rev
  13. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Night Roll
  14. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named APRA Dogs
  15. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named NLA Tear Me
  16. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Angels Tear
  17. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Guppy
  18. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named ARIA HoF
  19. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Donovan
  20. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named Postcards
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