The Libertines

The Libertines
Company type	Band
Industry	Music
Founded	1997
Headquarters	London, England
Products	Music albums, singles

The Libertines are a London-based English rock group established in 1997 by lead vocalists and guitarists Carl Barât and Pete Doherty. The band's principal members have also featured John Hassall on bass and Gary Powell on drums. They played a pivotal role in the resurgence of UK garage rock, rising to prominence in the early 2000s.

Although their early mainstream impact was modest, The Libertines eventually secured a No. 2 single and reached No. 1 on the UK Albums Chart. Their second album, self-titled and released in 2004, was produced by Mick Jones of The Clash and ranked as NME’s second-best album of that year. However, internal disputes—primarily stemming from Doherty’s struggles with drug addiction—cast a shadow over their progress and culminated in the band’s dissolution. Doherty later clarified that personal disagreements with Barât, rather than his substance abuse, were the main cause of the split. Following the breakup, members engaged in various other musical ventures with differing degrees of success.

In August 2010, the original members reunited for a series of performances, including appearances at the Reading and Leeds Festivals, which were met with enthusiastic reviews from critics and fans alike. The band came together once more in April 2014 for a concert at Hyde Park. Later that year, they signed with Virgin EMI Records and released their third studio album, Anthems for Doomed Youth, on 11 September 2015. Their fourth studio release, All Quiet on the Eastern Esplanade, followed on 5 April 2024.

Early years (1997–2001)

Peter Doherty and Carl Barât first crossed paths while Barât was studying drama at Brunel University of London and living with Doherty’s sister in Richmond, London. Both musicians left university prematurely—Barât after two years, Doherty after one year at Queen Mary University of London—and relocated to a flat on Camden Road in North London, which they named "The Albion Rooms."

Initially calling themselves "the Strand," the group later adopted the name "the Libertines," inspired by Marquis de Sade's unfinished work Lusts of the Libertines. Early contributors included neighbor Steve Bedlow ("Scarborough Steve"), bassist John Hassall, and briefly Johnny Borrell. Their initial performances frequently took place at Doherty and Barât’s residence. After an unsuccessful management stint with Roger Morton ended, they connected with Warner Chappell attorney Banny Poostchi in March 2000, who then assumed an active managerial role.

Despite having recorded an early collection titled "Legs XI," the band remained unsigned by the end of 2000, prompting departures from Dufour, Hassall, and Poostchi. Inspired by the breakthrough of peers like The Strokes, Poostchi developed "Plan A," aiming to secure a contract with Rough Trade Records within six months. During this time frame, Barât and Doherty penned many tracks destined for their debut album. Drummer Gary Powell was brought onboard as a replacement for Paul Dufour.

On 1 October 2001, Barât and Doherty performed for Rough Trade’s James Endeacott; although bassist Johnny Borrell was absent due to touring commitments, Endeacott offered his support. They later played for Rough Trade executives Geoff Travis and Jeanette Lee on 11 December, leading to a contract signed on 21 December. Bassist Hassall returned but was positioned more peripherally as attention centered primarily on the Doherty-Barât duo. Following their signing, Doherty and Barât rented a flat at 112a Teesdale Street in Bethnal Green, naming it "The Albion Rooms," which became a focal point for their informal performances.

Success (2002–2003)

With a consistent lineup, the band rapidly built momentum, performing alongside The Strokes and Australia's The Vines. Their reputation grew within the music press, receiving notable endorsement from NME. Their first single, a double A-side featuring "What a Waster" and "I Get Along", was produced by ex-Suede guitarist Bernard Butler and released on 3 June 2002. Although explicit content limited its radio play, a sanitized version earned DJs Mark and Lard the distinction of single of the week on BBC Radio 1. The single peaked at No. 37 on the UK Singles Chart, coinciding with their inaugural NME cover story.

Their debut album, Up the Bracket, produced by Mick Jones of the Clash and Big Audio Dynamite, was recorded at London’s RAK studios. Throughout 2002, the band played over 100 shows, supporting acts such as the Sex Pistols and Morrissey. The album’s title track, released as a single on 30 September, reached No. 29, followed by the album’s release on 21 October, which charted at No. 35. They were awarded Best New Band at the 2002 NME Awards.

Problems (2003)

During the creation and touring of Up the Bracket, Doherty’s drug use intensified, causing strain within the group. His unpredictable conduct was mirrored in his personal writings and online communications. In May 2003, while in New York City, they recorded the Babyshambles Sessions, containing early versions of songs by Libertines and Babyshambles. Both Doherty and Barât tattooed "Libertine" on their arms as a sign of dedication. However, Barât became disillusioned with Doherty’s circle and substance abuse, leaving the sessions prematurely. These recordings were subsequently leaked online.

Back in Britain, Doherty arranged unsanctioned gigs without Barât. Their single "Don't Look Back into the Sun", again produced by Bernard Butler, demonstrated their songwriting skills but was assembled with limited studio time from Doherty. Attempting to mend relations, Doherty organized a birthday concert for Barât, who declined to attend. Soon after, Doherty missed a European tour date; the band proceeded without him, with a guitar technician stepping in.

Tensions culminated when Barât refused to reinstate Doherty unless he addressed his drug problems. Doherty concentrated on his Babyshambles project while Libertines toured Japan without him. Following this period, Doherty burglarized Barât's flat and was arrested, pleading guilty on 11 August 2003.

Despite internal conflicts, "Don't Look Back into the Sun" reached No. 11 on UK charts—their highest position at that point. The Libertines performed at the Carling Weekend festival with substitute guitarist Anthony Rossomando. On 7 September, Doherty was sentenced to six months in Wandsworth prison; this was later reduced to two months upon appeal.

Second studio album and initial break-up (2003–2004)

Waiting for Doherty's release from prison in October 2003 led to an emotional reunion with a show at Chatham's Tap'n'Tin nightclub that unexpectedly included Hassall and Powell. This performance was named NME's Gig of the Year. The Libertines then played three sold-out nights at London Forum in December 2003, recognized among Q magazine’s top 100 gigs. A UK tour followed in March 2004, featuring three sold-out Brixton Academy concerts.

Manager Banny Pootschi resigned and was succeeded by Alan McGee, founder of Creation Records and future manager of Dirty Pretty Things. Recording began on their second album with Bernard Butler; however, tensions—particularly between Doherty and Butler—halted progress. Despite few releases—only "Don't Look Back into The Sun"—the Libertines secured Best Band at the 2004 NME Awards. Doherty also appeared on Peter "Wolfman" Wolfe's single "For Lovers," which reached No. 7, surpassing previous band chart achievements.

Mick Jones returned to produce another attempt at their second album amid worsening drug problems for Doherty that strained relationships and required security presence to prevent altercations. Doherty delegated mixing responsibilities and entered rehab at The Priory in May 2004 but left prematurely twice. Meanwhile, Barât initiated a weekly club night initially called Dirty Pretty Things.

After his second departure from The Priory, Doherty announced plans for detoxification in Thailand. That night marked their last performance together for over six years with Doherty present. Although promises were made for his return after sobriety, his success with Babyshambles reduced reunion chances.

In August 2004, The Libertines released "Can't Stand Me Now", which reached No. 2 on UK charts and reflected the fractured relationship between Doherty and Barât. Their self-titled second album topped UK charts later that month; its final single "What Became of the Likely Lads" peaked at No. 9. Their final show for more than five years took place in December 2004 in Paris without Doherty; Barât subsequently disbanded the group unwilling to continue without him.

Reunion (2010)

After years apart due to Doherty’s substance issues and both pursuing solo ventures—Babyshambles and Dirty Pretty Things—the Libertines reunited for Reading and Leeds Festivals in August 2010. A press conference transformed into an impromptu guerrilla gig that reignited public interest. Prior to these festival appearances, they held two London shows: a private rehearsal followed by a sold-out fan event.

Their festival performance received positive acclaim; however, further plans remained uncertain as both frontmen continued solo tours. Offers for additional concerts emerged but by mid-2011 Barât stated no immediate intentions for further band activity. In 2012, Barât suggested possible future projects while focusing on acting; Doherty expressed optimism about the band's continued potential.

Reformation and Anthems for Doomed Youth (2014–2024)

In April 2014, The Libertines confirmed a reunion concert at London's Hyde Park scheduled for July as part of British Summer Time events alongside acts like The Pogues and Maxïmo Park. Additional September performances were announced at Alexandra Palace.

By January 2015, following rehab completion in Thailand, Doherty rejoined recording sessions for their third studio album. That year they headlined major festivals including Scotland’s T in the Park as well as Reading and Leeds Festivals plus Mexico City's Corona Capital Music Festival. In June 2015 they debuted new single "Gunga Din" live and appeared unexpectedly at Glastonbury's Pyramid Stage.

Their third album, Anthems for Doomed Youth, was released on 11 September 2015 after a short delay caused by high demand for launch events. A subsequent UK arena tour featured support from Blossoms, The View, Sleaford Mods among others.

In 2017 their Prenton Park gig included a speech by Labour leader Jeremy Corbyn ahead of the UK general election. The 2019 "On the Road to the Wasteland" tour encompassed UK dates plus European shows.

The Libertines opened Glastonbury Festival in 2022 and issued a deluxe edition marking Up The Bracket’s twentieth anniversary. On 13 October 2023 they announced their first new single in eight years alongside their fourth album All Quiet on the Eastern Esplanade plus an intimate club tour that sold out swiftly.

All Quiet On The Eastern Esplanade (2024–present)

Released on 5 April 2024, All Quiet On The Eastern Esplanade debuted at No. 1 on the UK Albums Chart—their first chart-topping record since their self-titled second album in 2004.

To promote the album, The Libertines embarked on a sold-out UK tour combining fresh tracks with classic material and revealed European dates planned for early 2025. They also announced three major outdoor summer shows in 2025 at Dreamland Margate (East Kent), Piece Hall Halifax (West Yorkshire), and Gunnersbury Park London.

Their June 2025 appearance on Glastonbury Festival’s Pyramid Stage stood out as a major highlight of their touring schedule.

Musical style and legacy

The Libertines are acclaimed for an indie rock style infused with garage rock revival elements and post-punk influences grounded in punk ethos. Founders Doherty and Barât drew inspiration from varied sources: Doherty citing The Jam, Sex Pistols, The Smiths; Barât influenced by Velvet Underground, The Clash, Nirvana among others. Their lyrics often portray British life themes using cockney slang delivered through raw vocal expression.

Their lo-fi production approach prioritized authenticity over polish—Mick Jones preferred minimal mixing to capture live energy while Bernard Butler’s sessions preserved an unrefined sound.

Critics liken them to classic British bands such as The Jam, The Kinks, Buzzcocks and highlight Morrissey’s impact. Their energetic live performances recall Sex Pistols’ rebellious attitude.

The Libertines fostered close fan connections via guerrilla gigs, free online song releases, and personal engagement through forums—enhancing grassroots appeal.

Extensively documented biographies like Kids in the Riot by Peter Welsh and The Libertines Bound Together by Anthony Thornton & Roger Sargent chronicle their influence on British music culture.

Anthony Thornton described their iconic second album cover—Barât protectively holding Doherty—as one of rock’s most defining images of its decade.

The Libertines: Bound Together

This bestselling book by Anthony Thornton (writer) and Roger Sargent (photographer), published February 2006 with over one hundred images chronicling the band’s rise and aftermath received praise from Mojo and Q magazines and reached No. 7 on The Sunday Times Non-Fiction chart. An e-book edition followed in May 2013.

There Are No Innocent Bystanders

Directed by Roger Sargent this feature-length documentary covers the band’s 2010 reunion including rehearsals and festival performances. Premiering at East End Film Festival in April 2011 it includes thousands of previously unseen photos tracing their career arc. Produced by Pulse Films it toured UK venues prior to limited theatrical release and DVD distribution.

Relationship between Barât and Doherty

Photographer Roger Sargent described Barât and Doherty's relationship as an intense "first love" characterized by obsession and jealousy alongside profound intellectual connection.

Doherty openly expressed strong affection while Barât initially denied any physical dimension though later acknowledged moments of physical intimacy between them.

Their volatile bond deeply influenced their music and stage presence; Doherty’s online posts revealed emotional dependency while Barât admitted near self-destructive behavior linked to his connection with Doherty.

In interviews about potential reunions both emphasized enduring mutual significance despite past difficulties—Barât calling it “deep love” affecting behavior profoundly; Doherty confirmed his songwriting is often inspired by thoughts of Barât.

Members

Current members

Carl Barât – lead vocals, guitar, keyboards, saxophone (1997–2004, 2010, 2014–present)
Pete Doherty – lead vocals, guitar, harmonica (1997–2003, 2003–2004, 2010, 2014–present)
John Hassall – bass guitar, backing/lead vocals (1999–2000, 2001–2004, 2010, 2014–present)
Gary Powell – drums, percussion, keyboards (2001–2004, 2010, 2014–present)

Current touring musicians

Andrew Newlove – guitar (2023–present)
Gary Hodgkiss – keyboards, trumpet (2023–present)

Former members

Johnny Borrell – bass guitar (1998–1999)
Paul Dufour – drums (2000; died 2022)

Former touring musicians

Anthony Rossomando – guitar (2004)

Timeline

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bar:Pete from:20/04/2014 till:end color:Guitar
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Discography

Studio albums

Up the Bracket (2002)
The Libertines (2004)
Anthems for Doomed Youth (2015)
All Quiet on the Eastern Esplanade (2024)

Tours

Year	Tour Name	Number of Shows
2015–2016	Anthem for the Doomed Youth	20 dates
2019	2019 UK Tour	36 performances
2021	Giddy Up a Ding Dong Tour	16 performances
2022	Up The Bracket: 20th Anniversary Tour	31 dates
2024	The Albionay Tour	10 performances
2024	All Quiet on the Eastern Esplanade	26 dates

References

The Libertines Bound Together ()
Kids in the Riot: High and Low with The Libertines ()

External links