The Madness (band)

Madness

Company type	Band
Industry	Music
Founded	1976
Headquarters	Camden Town, London , United Kingdom
Products	Music albums, singles, live performances

Madness is a British band from Camden Town, London, known for their blend of ska and pop. Established in 1976, they became a central figure in the late 1970s and early 1980s two-tone ska resurgence. The group remains active today, with six of the original seven members still performing. Their most commercially successful period was between 1980 and 1986, during which their tracks accumulated 214 weeks on the UK Singles Chart, a feat matched only by English reggae ensemble UB40 among groups in the 1980s.

Madness secured 16 singles within the UK top ten, featuring hits such as "One Step Beyond", "Baggy Trousers", and "It Must Be Love". They achieved one UK number-one single with "House of Fun" and topped the Irish charts twice with "House of Fun" and "Wings of a Dove". Their highest-charting song in the United States was "Our House", which reached number 7 on the Billboard Hot 100. In recognition of their songwriting accomplishments, Madness was honored with the Ivor Novello Award for Outstanding Song Collection by the British Academy of Songwriters, Composers and Authors in 2000.

1976–1978: Formation

Initially formed under the name North London Invaders in 1976, the band featured Mike Barson on keyboards and vocals, guitarist Chris Foreman, and saxophonist/vocalist Lee Thompson. The original lineup also included drummer John Hasler, bassist Cathal Smyth, and lead singer Dikran Tulaine.

In 1977, Graham McPherson, known as Suggs, replaced Tulaine as lead vocalist following an impromptu performance at a friend's garden gathering. Smyth departed after disagreements with Barson and was succeeded by Gavin Rodgers. McPherson experienced a brief removal from the group due to prioritizing Chelsea FC over rehearsals, while Thompson also exited temporarily after receiving criticism from Barson.

By 1978, McPherson had rejoined as lead singer, Thompson returned, and new members drummer Dan Woodgate and bassist Mark Bedford replaced Garry Dovey and Rodgers. The band briefly performed as Morris and the Minors before choosing the name Madness in 1979, inspired by a track from Prince Buster. Later that year, Chas Smash re-entered the lineup as backing vocalist and dancer, expanding the band to seven members.

1979–1981: Early success

During 1979, Madness built a strong local following through frequent live shows at Camden Town’s Dublin Castle. Their debut commercial single was Lee Thompson’s "The Prince", released on 2 Tone Records, a label founded by Jerry Dammers of the Specials. The single paid tribute to their musical influence Prince Buster and reached number 16 on UK charts. Madness toured alongside other bands from the 2 Tone movement before recording their first album.

Their debut album One Step Beyond..., released by Stiff Records, featured a re-recorded version of "The Prince" alongside singles such as "One Step Beyond" and "My Girl". The album remained on UK charts for 78 weeks, peaking at number two. Smyth contributed vocals to this album and officially joined Madness shortly after its October 1979 release.

Following "My Girl", the band felt they had exhausted material from One Step Beyond... and were reluctant to issue further singles. However, Stiff Records’ head Dave Robinson advocated for additional releases, resulting in the compromise EP Work Rest and Play. This EP combined one track from the album with three new songs; its lead track "Night Boat to Cairo" reached number six on the UK Singles Chart.

In 1980, Madness released their sophomore album Absolutely, which also peaked at number two on UK Albums Chart. This record produced several notable hits including "Baggy Trousers" (number three), "Embarrassment" (number four), and the instrumental piece "The Return of the Los Palmas 7" (number seven). Critical reception was mixed; Robert Christgau assigned a B− grade while Rolling Stone offered negative commentary, dismissing the ska revival genre and unfavorably comparing Madness to other contemporary acts.

In 1981, Madness appeared in the drama-documentary film Take It or Leave It, which depicted their early career journey. Additionally, live performances by Madness along with other bands from the 2 Tone scene were featured in the documentary film and soundtrack album Dance Craze.

1981–1983: Shift in Musical Style

In 1981, Madness unveiled their third studio album, 7, which climbed to number 5 on the UK Albums Chart and produced three successful singles: "Grey Day" (peaking at no. 4), "Shut Up" (reaching no. 7), and "Cardiac Arrest" (hitting no. 14). This release signaled a deliberate move away from their traditional ska roots toward a more mainstream pop sound, accompanied by a notable evolution in Suggs' vocal style. This change was part of the band’s strategy to better align their music with contemporary market demands.

Towards the end of 1981, Madness issued one of their most iconic tracks: a rendition of Labi Siffre's "It Must Be Love". The single reached number 4 in the UK and later attained number 33 on the US charts. The following year, Madness secured their sole UK number one hit with "House of Fun" and simultaneously topped the album charts with their inaugural compilation, Complete Madness. During this timeframe, the band broadened their international presence by featuring in Japanese advertisements for the Honda City hatchback and Honda Motocompo scooter, performing both original tracks and adaptations that boosted brand visibility.

In November 1982, they released their fourth studio album, The Rise & Fall, which was well received in the UK but was not issued in the United States. Instead, many songs from this album appeared on the US compilation Madness (1983), which included "Our House", their most globally successful single, reaching number 5 in the UK and number 7 in the US charts. The album drew parallels to the Kinks' The Village Green Preservation Society and is often regarded as a concept album. It also featured "Primrose Hill", noted for its psychedelic elements reminiscent of the Beatles.

1983–1986: Decline and Disbandment

In 1983, Madness released "Wings of a Dove", which peaked at number 2 on the UK charts, followed by "The Sun and the Rain", reaching number 5. Their album Keep Moving attained number 6 on the UK Albums Chart, with two singles entering the top 20. The record garnered positive critical reception, including a four-star rating from Rolling Stone, which highlighted the band's musical progression as an improvement over the less favorable reviews received by their previous album, Absolutely.

Departure of Mike Barson

As a pivotal creative force within Madness, Mike Barson experienced growing fatigue due to industry pressures during the late stages of producing The Rise & Fall in late 1982, prompting him to relocate to Amsterdam. Increasingly withdrawn from public appearances and even concealing his face in photographs, Barson distanced himself from the band's public image. While recording Keep Moving, he took an extended break traveling across Europe in a camper van.

On October 4, 1983, during rehearsals for a potential television series penned by Ben Elton and Richard Curtis, Barson declared his decision to leave Madness to prioritize his family life. He finished recording Keep Moving and performed his final live show with the group at the Lyceum Ballroom on December 21, 1983.

James Mackie served as Barson's temporary replacement when Madness appeared on Saturday Night Live in April 1984. Barson briefly returned to participate in filming videos for "Michael Caine" and "One Better Day," officially departing after the latter's release in June 1984. During early 1984's US tour, Paul Carrack substituted for Barson. Following these changes, the remaining six members parted ways with Stiff Records and launched their own label, Zarjazz Records, operating as a subsidiary of Virgin Records.

Post-Stiff Era

In 1985, the group unveiled their sixth studio project, Mad Not Mad. With Barson absent, keyboard duties were handled by synthesizers played by Steve Nieve from the Attractions. Lead vocalist Suggs later referred to the album as a "polished turd". Although the record reached number 16 on the UK charts—the lowest position for the band at that time—it was placed at number 55 in NME’s "All Time 100 Albums" list. The singles from this album underachieved commercially: "Yesterday's Men" peaked only at number 18, while "Uncle Sam" and "Sweetest Girl" failed to break into the top 20, marking a first for Madness singles.

The band laid down 11 demo tracks intended for a new studio album, but creative differences within the group stalled further development. This untitled album never saw release, and in September 1986, Madness announced their dissolution. Barson briefly rejoined to record the farewell single "(Waiting For) The Ghost Train", which reached number 18 on UK charts; however, he was absent from its accompanying music video.

1987–1991: Transitional Phase

Following the breakup, individual members embarked on separate paths within the music scene. Four of them—Suggs, Carl Smyth, Lee Thompson, and Chris Foreman—came together once more under the name The Madness. Their self-titled 1988 album reached only No. 65 on the UK chart and remained there for a single week; singles such as "I Pronounce You" and "What's That" failed to enter the top 40. Due to disappointing sales, this lineup dissolved again within the same year. In hindsight, band members have expressed significant dissatisfaction with this endeavor.

Dan Woodgate achieved recognition as a drummer for Voice of the Beehive, a band known for UK chart hits like "Don't Call Me Baby". Meanwhile, Mark Bedford initially joined but soon left to pursue graphic design studies; he continued his musical activities by collaborating with Terry Edwards in the jazz ensemble BUtterfield 8 and contributed bass guitar on Morrissey’s 1991 release Kill Uncle. Thompson and Foreman established the ska group The Nutty Boys, releasing Crunch! in 1990 to modest acclaim and touring across Europe. Early performances featured guest appearances from former Madness members.

Carl Smyth transitioned into an A&R role at Go! Discs in 1990, where he signed artists like The Stairs and collaborated with acts including The Beautiful South, Paul Weller, and The La's. He also built connections with Morrissey, introducing him to collaborator Boz Boorer and providing backing vocals on several of Morrissey’s single B-sides. Despite receiving an offer to manage Morrissey, Carl declined.

Suggs encountered personal difficulties after the split, including experiences of paranoia and a mental breakdown. He ventured into acting roles on television and film, briefly tried his hand at stand-up comedy, and hosted the TV program Suggs On Saturday between 1990 and 1991. From 1990 until 1992, he took on management and production duties for The Farm, overseeing their No.1 album Spartacus along with multiple Top 10 singles. Suggs also lent backing vocals to several Morrissey singles during this period.

Throughout these years, band members stayed in touch and collaborated intermittently. Thompson, Bedford, and Foreman performed with Terry Edwards' All Stars. Barson, having retired to Amsterdam, continued writing and producing alongside Thompson and Suggs; many compositions from these sessions appeared later on Madness albums as well as Suggs' solo debut The Lone Ranger released in 1995. Carl frequently visited Liquidator Studios during production of Crunch!.

After moderate success with compilation albums It's... Madness (1990) and It's... Madness Too (1991), conversations regarding a greatest hits release rekindled communication among band members. Carl took the lead in organizing promotional efforts that eventually paved the way for Madness' reunion.

1992–2003: Reunion and the Our House Musical

In February 1992, the single "It Must Be Love" was reissued and climbed to number 6 on the UK Singles Chart by March. This was followed by the release of the singles compilation album Divine Madness later that year, which secured the top position on the UK Albums Chart. Madness announced a reunion event named Madstock!, held at London's Finsbury Park on 8 and 9 August, marking the first time the original lineup performed together since Barson left in 1984. The concerts attracted over 75,000 attendees, with the audience’s energetic dancing causing vibrations in nearby structures.

After the Finsbury Park shows, a live album was issued, accompanied by the single "The Harder They Come"—a rendition of Jimmy Cliff’s 1973 hit—which peaked at number 44 in the UK. The live album itself reached number 22 on the charts.

Madness maintained a tradition of annual Christmas tours across the UK and organized Madstock! festivals in 1994, 1996, and 1998. In 1998, they embarked on their first American tour since 1984; during this period, they recorded the live album Universal Madness at Los Angeles’ Universal Amphitheatre, which was released in 1999. That same year saw the arrival of their first studio album since 1986, Wonderful, which attained number 17 on the UK Albums Chart. The lead single "Lovestruck" became their first new UK top 10 hit since 1983. However, follow-up singles "Johnny the Horse" and "Drip Fed Fred" (featuring Ian Dury) did not reach the top 40.

Between October 2002 and August 2003, the musical Our House, inspired by Madness’ songs, ran at London's Cambridge Theatre. The band was involved as executive producers, with Suggs temporarily joining the cast. The production won an Olivier Award for Best New Musical in 2003, and a recorded performance was released on DVD in November 2004. Prior to this, another Madness-themed musical titled One Step Beyond!, penned by Alan Gilbey, had brief engagements at Theatre Royal Stratford East in 1993 and later at London's Putney Arts Theatre in 2012.

2004–2010: The Dangermen and The Liberty of Norton Folgate

In 2004, Madness performed intimate shows under the alias the Dangermen, focusing on covers of reggae and ska classics that influenced their early years, commemorating their 25th anniversary. This initiative culminated in the 2005 release of The Dangermen Sessions Vol. 1 on V2 Records. During these sessions, guitarist Chris Foreman departed due to internal disagreements within the band. The album reached number 11 on the UK Albums Chart—marking their highest studio chart position in over two decades. Two singles emerged: "Shame & Scandal," which peaked at number 38 in the UK and number 12 in France, and "Girl Why Don't You," which did not chart. Following this period, Madness parted ways with V2 Records. Kevin Burdette joined as a live guitarist and appeared in promotional videos for "Sorry" and "NW5" released in 2007.

The core six members then began crafting their first original studio album in seven years. In March 2007, they issued "Sorry," a non-album single released through their own Lucky 7 Records label; it reached number 23 on the UK charts and featured collaborations with UK hip hop artists Sway DaSafo and Baby Blue.

Tracks such as "NW5" and a re-recorded version of "It Must Be Love" were included in the German film Neues vom Wixxer. These were released as a double A-side single accompanied by videos showcasing band members alongside Burdette. A re-recorded version of "NW5," featuring Foreman’s return, was released in January 2008 and attained number 24 on UK charts.

In June of that year, Madness previewed much of their upcoming album The Liberty of Norton Folgate during three consecutive nights at London’s Hackney Empire, offering recordings for sale on USB wristbands. Additional performances took place in Manchester and London that December.

Celebrating their thirtieth anniversary in 2009, Madness organized Madstock Festival V at Victoria Park in London on July 17—eleven years after its previous iteration. While reunion speculation involved the Specials, only Jerry Dammers—the original Specials keyboardist—appeared as support with his Spatial AKA Orchestra; he also opened Madness's Christmas tour that year with DJ sets.

Early in 2009, Madness toured Australia with both festival appearances and headline shows. The lead single from their forthcoming album, "Dust Devil," was released via Lucky 7 Records on May 11; its video featured actors Alfie Allen and Jaime Winstone. The track reached number 64 on the UK Singles Chart and topped the UK Independent charts.

Released on May 18, The Liberty of Norton Folgate peaked at number five on the UK Albums Chart. The band performed at major festivals including Pinkpop, Splendour, and Glastonbury. On September 27, they held a free concert on Regent Street sponsored by Absolute Radio.

On August 28 at Paris’s Rock en Seine festival—where Oasis canceled due to an altercation between the Gallagher brothers—Madness was invited to fill their slot with a second set; both performances garnered positive critical reception.

Their customary annual Christmas tour included a show in Dublin where bassist Mark Bedford was temporarily replaced by Graham Bush.

Members of Madness also appeared performing "Baggy Trousers" over the closing credits of Catherine Tate's Nan's Christmas Carol. On January 18, 2010, they released "Forever Young," the fourth single from The Liberty of Norton Folgate, which did not chart.

In May of that year, drummer Daniel Woodgate revealed that songwriting for a follow-up album was nearly complete with plans to record later in 2010.

September saw Madness honored with the Idol Award at the Q Awards; guitarist Foreman confirmed work was underway on new material.

The band toured extensively across the UK throughout November and December of 2010, concluding with performances at London's Earl's Court, where they debuted fresh songs live. Due to heavy snowfall, two dates scheduled for Hull and Sheffield were postponed until February 2011.

2011–2015: Oui Oui, Si Si, Ja Ja, Da Da

In June 2011, Madness took the stage at the Meltdown Festival held at the Royal Festival Hall, an event curated by Ray Davies of the Kinks, who also introduced the band. During this performance, they debuted three new tracks: "1978", "Can't Keep a Good Thing Down," and "Death of a Rude Boy."

The summer of 2012 saw Madness perform at the Queen's Diamond Jubilee concert atop Buckingham Palace, delivering renditions of "Our House" and "It Must Be Love" accompanied by animations. Later in August, they were the opening act at the 2012 Summer Olympics closing ceremony. For both occasions, former bassist Bedford rejoined the lineup. That same month, "Death of a Rude Boy" was released as a complimentary preview from their tenth studio album, Oui Oui, Si Si, Ja Ja, Da Da, which was officially released on 29 October 2012 and peaked at number 10 on the UK Albums Chart. Following significant radio play of the single "Never Knew Your Name," the album re-entered the charts in January 2013 at number 16.

Bedford gradually increased his involvement with the band starting in 2013, eventually returning as a full-time member and concluding Graham Bush’s four-year stint.

On 22 March 2013, Madness performed live outside the BBC Television Centre for a broadcast on BBC Four, marking the building’s closure with their song Goodbye Television Centre. They also headlined Dublin’s New Year’s Eve festivities in 2014.

Suggs announced on 22 March 2014 that recording for a new studio album was planned for summer, aiming for a release before year-end.

In October 2014, Cathal Smyth (known as Chas Smash) departed from Madness to focus on his solo career. His first solo album, A Comfortable Man, was released on 11 May 2015 through Phoenix Rising Recording Co. Although initially framed as a hiatus rather than a permanent exit, Smyth has not returned to the band since. Suggs later characterized Madness as a "dysfunctional family," highlighting that despite challenges, mutual respect and affection remain strong among members.

2016–2022: Can't Touch Us Now

May 2016 brought the announcement of Madness’s studio album Can't Touch Us Now. To support its release, they performed on the Pyramid Stage at the Glastonbury Festival in June. The lead single "Mr. Apples" featured their first scripted video since 2009 and gained A-list rotation on BBC Radio 2. Additionally, the song "Herbert" was accompanied by an animated video. Other singles such as "Can't Touch Us Now" and "Another Version of Me" also received airplay on BBC Radio 2. The album debuted at number five on the UK Albums Chart in November 2016, followed by a UK arena tour in December to close out the year.

Throughout 2017, Madness embarked on an extensive international tour covering Europe, Asia, and Australia. Their inaugural Australian show at Fremantle Arts Centre sold out quickly, prompting an additional date. In August, they hosted their second "House of Common Festival" on Clapham Common, which stood as their sole London performance that year.

During summer 2018, Madness toured various UK stately homes and wrapped up the year with a Christmas arena tour in December. They also performed live on New Year’s Eve for "Madness Rocks Big Ben Live," broadcast on BBC One.

In March 2019, Madness announced their group autobiography titled Before We Was We: Madness by Madness, which was published in hardback that October. The book offers perspectives from all seven members about their formative years. In May 2021, this autobiography was adapted into a three-part television documentary aired on AMC, with the first episode made available for free via BT’s YouTube channel.

To commemorate four decades since their debut album release, Madness staged several special live events in 2019 including their "House of Common" festival, a concert featuring a full orchestra at Kenwood House, and a show at the Electric Ballroom in Camden—later broadcast by Sky Arts in 2020. They concluded that year with three performances at The Roundhouse.

December 2019 saw the release of the single "Bullingdon Boys (Don't Get Bullied by the Bully Boys)," which NME described as a sharp commentary targeting Boris Johnson and his contemporaries from Eton. In March 2020, Madness was honored with a stone on Camden's Music Walk Of Fame; key members attended including former member Cathal Smyth.

Amidst the challenges posed by the COVID-19 pandemic, April 2021 featured Madness’s first worldwide live stream event titled "The Get Up!", showcasing live music and comedy segments pre-recorded at the London Palladium. Guest appearances included Roland Gift from Fine Young Cannibals and Paul Weller from the Jam, with Mike Barson impersonating Queen Elizabeth II. The following day, they announced The Ladykillers Tour scheduled for 2021 alongside fellow band Squeeze.

2023–present: Theatre of the Absurd Presents C'est la Vie

In September 2023, Madness unveiled their thirteenth studio effort, titled Theatre of the Absurd Presents C'est la Vie, which was officially released on 17 November 2023. To promote the album, they embarked on a UK tour alongside the Lightning Seeds, performing in cities such as Liverpool, Manchester, and London.

Prior to the album's release, the singles "C'est La Vie" and "Baby Burglar" were issued, drawing inspiration from the band's youthful escapades, including an incident involving breaking into singer-songwriter Lynsey de Paul's residence. A video compilation was produced featuring these singles as well as a live rendition of Round We Go.

This release marked Madness' first studio album to reach number one on the UK charts. Additionally, it secured chart positions in Ireland, Germany, and The Netherlands.

On 11 December, the complete video for "C'est La Vie" was made available, followed by the "Baby Burglar" video on 23 January 2024. In February, "Round We Go" was announced as the subsequent single; its video premiered on 6 February with a single edit released on 16 February. The track was added to BBC Radio 2's New Music Playlist on 23 February.

An expanded edition of the album was revealed in April, including five new songs alongside seven previously unreleased live recordings from their December tour. Among these live tracks was a cover of The Specials' "Friday Night Saturday Morning." The song "No Reason," penned by Suggs, was also released independently.

On 17 May, coinciding with their first US tour in over a decade, Madness issued "Hour Of Need," which was incorporated into BBC Radio 2's playlist. This launch also introduced the 'Hour Of Need' Award, designed for fans to recognize everyday heroes in their lives.

In August 2025, guitarist Chris Foreman publicly shared his diagnosis of myeloma—a blood cancer that is manageable but not curable. Earlier symptoms that year led to the detection of a spinal tumour. After undergoing radiotherapy and treatment, Foreman’s kidney function improved dramatically from 14%. He announced intentions to sit out upcoming tours in 2025 but expressed hope for remission and a return to performing in 2026.

The Fink Brothers

The Fink Brothers represented a brief side project created by Madness members Suggs and Chas Smash, who adopted the pseudonyms Angel and Ratty Fink. These names were inspired by characters from the sci-fi comic 2000 AD.

Single

Year	Song(s)	Album	UK	Notes
1985	"Mutants in Mega-City One"	Non-LP single	50	Their sole release containing two tracks.

The Madness

Active between 1988 and 1989, The Madness was formed by Suggs, Chas Smash, Lee Thompson, and Chris Foreman after bassist Mark Bedford, drummer Daniel Woodgate, and keyboardist Mike Barson left the group. They differentiated themselves by adding "The" to their original band name. A BBC Radio 1 contest aimed at renaming the band resulted in selecting 'The Wasp Factory', but that name was already claimed.

Their self-produced album featured contributions from guest musicians such as Jerry Dammers (The Specials), early Madness member John Hasler, and Earl Falconer (UB40). Efforts to reunite with Barson in Amsterdam were unsuccessful.

Several songs on this album originated from an abandoned Madness project dating back to 1986. The group is frequently viewed as a continuation of Madness itself—a sentiment echoed by Lee Thompson and Chris Foreman’s dedication on their subsequent 1990 album Crunch!.

Studio album

• 1988: The Madness

Singles

Year	Song(s)	Album	UK	Notes
1988	"I Pronounce You"	The Madness	44	Video includes Thompson playing flute.
1988	"What's That"	The Madness	92	First single from Madness or related projects not to enter UK top 75.

The Nutty Boys

Lee Thompson and Chris Foreman, both members of Madness, formed The Nutty Boys. Although their album was released under the title The Nutty Boys, the duo initially called themselves "Crunch!". However, a printing error on their debut concert posters mistakenly named them "The Nutty Boys," and this misnomer eventually became their official name. This section details the early 1990s releases by Thompson and Foreman under the moniker "The Nutty Boys."

Single

Year	Title	UK	Notes
1992	"It's OK, I'm a Policeman"	–	Issued as a four-track EP and cassette single. Included B-sides: "Fight Amongst Yourselves," "Birthday Girl," and "Magic Carpet."

Studio album

• 1990: Crunch!

Crunch!

Following the correction of their initial naming confusion, Lee Thompson and Chris Foreman formally adopted the name Crunch!.

Single

Year	Title	UK	Notes
1996	"Magic Carpet"	–	The sole single released by Crunch!, distributed with limited commercial availability. B-sides include "Danger Zone," "Hereditary," and a live rendition of "Magic Carpet" recorded at the Half Moon in Putney.

The Lee Thompson Ska Orchestra

Established in 2011 by Lee Thompson, with Mark Bedford on bass and a frequently changing ensemble, this group initially focused on ska cover songs before moving into original compositions.

Studio albums

• 2013: The Benevolence of Sister Mary Ignatius
• 2016: Bite the Bullet

Collaborations

In 1983, Madness teamed up with Elvis Costello to record a version of "Tomorrow's (Just Another Day)", which was included as a bonus track on the 12" single release. Mike Barson acknowledged Costello's "Watching the Detectives" as an inspiration behind "My Girl." Despite receiving an invitation to perform at Live Aid, Madness declined due to internal difficulties and commitments related to Mad Not Mad. Instead, Suggs, Carl, and Lee appeared at Fashion Aid.

On the 1999 album Wonderful, Ian Dury lent his vocals to "Drip Fed Fred", marking his last recording before passing away. Due to health issues, Dury was unable to extensively promote the single, although he did appear on the National Lottery Show. Subsequently, the song was reinterpreted with Phill Jupitus for TFI Friday. Live collaborations have included performances with UB40, Prince Buster, and various members of other 2 Tone bands such as The Specials, particularly during Madstock events.

In May 2008, Suggs and Carl joined Pet Shop Boys for a tribute concert titled Can You Bear It? held at Heaven nightclub in London. Shortly after this event, Pet Shop Boys released their own rendition of "My Girl" via their website.

Towards the end of 2010, Madness participated in the charity initiative Cage Against the Machine, where artists performed John Cage’s piece 4′33″ in protest against the X Factor winner securing the Christmas Number One spot. This followed a similar successful campaign from the previous year that promoted Rage Against the Machine's "Killing in the Name" over Joe McElderry’s victory.

Lyrical themes

Madness frequently delved into themes related to childhood nostalgia (examples include "Baggy Trousers" and "Our House") as well as minor criminal activities (such as "Shut Up" and "Deceives the Eye"). Although recognized for their infectious and lively tunes, numerous songs explored more serious subjects relevant to their era. For instance, "Embarrassment" from the Absolutely album addressed personal distress involving teenage pregnancy intertwined with racial issues. The band also confronted animal testing in "Tomorrow's Dream" and voiced criticism of the National Health Service through "Mrs. Hutchinson," inspired by Mike Barson’s mother’s experience with incorrect diagnosis. Their final single prior to disbandment, "(Waiting For) The Ghost Train", served as a commentary on apartheid in South Africa.

Awards

Madness secured their inaugural significant accolade in 1983 when Chris Foreman and Cathal Smyth were honored with an Ivor Novello Award for Best Song for "Our House". Seventeen years after this achievement, the band was again recognized with an Ivor Novello Award, this time for an "Outstanding Song Collection". In 2005, they were inducted into the Mojo "Hall of Fame," celebrated as "an artist's artist". A fan-driven campaign in 2007 aimed to secure a Brit Award for the group, highlighting a widespread sentiment that their extensive three-decade career had been underappreciated. Further distinctions include the 'Silver Clef' Icon Award bestowed in July 2009 and the 'Idol Award' received at the 2010 Q Awards held in London.

Members

The classic lineup members are indicated in bold.

Current members

• Chris Foreman – guitar, sitar (1976–1986, 1992–2005, 2006–present; currently not touring)
• Mike Barson – keyboards, piano, percussion, harmonica, backing vocals (1976–1984, 1992–present)
• Lee Thompson – saxophone, percussion, vocals (1976–1977, 1978–1986, 1992–present)
• Graham "Suggs" McPherson – vocals, percussion (1977, 1978–1986, 1992–present)
• Dan Woodgate – drums, percussion (1978–1986, 1992–present)
• Mark Bedford – bass (1978–1986, 1992–2009, 2012, 2013–present; absent from tours during 1995–1996, 2009–2012, and 2012–2013)

Former members

• Cathal "Chas Smash" Smyth – bass (1976–1977), vocals, trumpet, dancing (1979–1986, 1992–2014)

Touring members and frequent collaborators

• Dick Cuthell – French horn, flugel horn, cornet (1983–1985) (live and studio sessions)
• Nick Parker – violin (1983) (live performances)
• Jonathan Kahan – violin (1983) (live performances)
• Suzanne Rosenfeld – viola (1983) (live performances)
• Caroline Verney – cello (1983) (live performances)
• Paul Carrack – keyboards (1984) (live performances)
• James Mackie – keyboards (1984) (live performances)
• Steve Nieve – keyboards (1985, 1988) (both live and studio work)
• Terry Disley – keyboards (1985–1986) (live shows)
• Seamus Beaghan – keyboards (1985–1986, 2009, 2012, 2021) (studio and live)
• Jimmy Helms – backing vocals (1985–1986) (studio and live)
• Jimmy Thomas – backing vocals (1985–1986) (studio and live)
• Lorenza Johnson – backing vocals (1985–1986) (live only)
• Bosco De Oliveira – percussion (1985–1986) (live only)
• Norman Watt-Roy – bass guitar (1995–1996) (live shows)
• Mike Kearsey – trombone (1999, 2004, 2005 to present) (studio and live performances)
• Terry Edwards – saxophone and trumpet (2003) (live shows)
• Steve Turner – saxophone (2003, 2005 through approximately 2016) (studio and live work)
• John "Segs" Jennings – guitar contributions in 2005 (studio and live)
• Kevin Burdett – guitar duties during periods of 2005-2006, 2013, and from 2025 onward substituting for Chris Foreman) (studio and live settings)
• Graham Bush – bass guitar during years 2005 and between 2009 to 2013) (studio and live performances)
• Joe Auckland – trumpet player since 2005 to present day) (studio and live sessions)
• Steve Hamilton – saxophone parts from 2011 to 2012 and around 2016 to present) (live and studio work)
• Paul Fisher – trombone player between 2016 and 2017) (live only)
• Mez Clough – percussionist and backing vocalist from 2016 onwards) (live and studio), also drums during live shows in 2017 and 2021
• Neil Waters  – trumpet player from 2017 to 2019) (live only)
• Paul Burton  – trombone player in 2019) (live only)

North London Invaders members only (The band adopted the name "Madness" in 1979)

• John Hasler  – drums and vocals from 1976 to 1978
• Dikran Tulaine  – vocalist in 1976
• Gavin Rodgers  – bass guitarist between 1977 and 1978
• Garry Dovey  – drummer from 1977 to 1978

Timeline

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 at:10/19/1979 color:black layer:back
 at:09/09/1980 color:black layer:back
 at:10/06/1981 color:black layer:back
 at:10/08/1982 color:black layer:back
 at:02/21/1984 color:black layer:back
 at:09/30/1985 color:black layer:back
 at:05/03/1988 color:black layer:back
 at:11/01/1999 color:black layer:back
 at:08/16/2005 color:black layer:back
 at:05/18/2009 color:black layer:back
 at:10/29/2012 color:black layer:back
 at:10/28/2016 color:black layer:back
 at:11/17/2023 color:black layer:back

BarData =

 bar:Tulaine  text:"Dikran Tulaine"
 bar:Suggs    text:"Suggs"
 bar:Foreman  text:"Chris Foreman"
 bar:Burdett  text:"Kevin Burdett"
 bar:Smash    text:"Chas Smash"
 bar:Rogers   text:"Gavin Rodgers"
 bar:Bedford  text:"Mark Bedford"
 bar:Watt-Roy text:"Norman Watt-Roy"
 bar:bush     text:"Graham Bush"
 bar:Barson   text:"Mike Barson"
 bar:Nieve    text:"Steve Nieve"
 bar:Beaghan  text:"Seamus Beaghan"
 bar:Hasler   text:"John Hasler"
 bar:Dovey    text:"Garry Dovey"
 bar:Woodgate text:"Daniel Woodgate"
 bar:Thompson text:"Lee Thompson"

PlotData=

 width:11 textcolor:black align:left anchor:from shift:(10,-4)
 
 bar:Tulaine from:01/01/1976 till:01/01/1977 color:LVocals
 
 bar:Suggs from:01/01/1978 till:09/01/1986 color:LVocals
          from:01/01/1988 till:04/01/1989 color:LVocals
          from:06/01/1992 till:end        color:LVocals
 
 bar:Foreman from:01/01/1976 till:09/01/1986 color:Guitars
            from:01/01/1988 till:04/01/1989 color:Guitars
            from:06/01/1992 till:end        color:Guitars
 
 bar:Burdett from:07/01/2000 till:07/01/2006 color:Guitars
 
 bar:Smas h from:start till:end color=LVocals width=7 
          from:start till:end color=Trumpet width=3 
          # Vocal and trumpet roles merged for clarity; minor gaps omitted
 
 
 # Bass guitar duties shared between Rogers and Bedford with key intervals:
 
 bar:Rogers from early to late '70s, while Bedford took lead bass responsibilities late '70s onward, with occasional breaks
 

</timeline>

Discography

• One Step Beyond... (1979)
• Absolutely (1980)
• 7 (1981)
• The Rise & Fall (1982)
• Keep Moving (1984)
• Mad Not Mad (1985)
• The Madness (1988)
• Wonderful (1999)
• The Dangermen Sessions Vol. 1 (2005)
• The Liberty of Norton Folgate (2009)
• Oui Oui, Si Si, Ja Ja, Da Da (2012)
• Can't Touch Us Now (2016)
• Theatre of the Absurd Presents C'est la Vie (2023)

Tours

• Two Tone Tour (1979)
• Absolutely Tour (1980)
• Seven Tour (1981)
• Complete Madness Tour (1982)
• Rise and Fall Tour (1983)
• Keep Moving Tour (1984)
• Mad Not Mad Tour (1985)
• Christmas Madness (1992)
• The Man in the Mad Suit (1993)
• Mad Dogs (1995)
• The Maddest Show on Earth (1999)
• Welcome to the Wonderful World of Madness (2003)
• To the Edge of the Universe & Beyond (2006)
• On Board the Nutty Express (2007)
• The Liberty of Norton Folgate Tour (2009)
• Do Not Adjust Your Nut (2010)
• Butlin's House of Fun Weekender – Minehead only (2011–2021, 2025–present)
• Charge of the Mad Brigade (2012)
• Oui Oui, Si Si, Ja Ja, Da Da Tour (2013)
• All for the M.A.D.H.E.A.D. Tour (2014)
• Grandslam Madness Tour (2015)
• Can't Touch Us Now Tour (2016)
• Stately Madness Tour (2018)
• The Sound of Madness Tour (2018)
• Madness XL Tour (2018–2019)
• The Ladykillers Tour (2021)
• The Great European Roadtrip Tour (2022–2023)
• C'est La Vie Tour (2023)

See also

• Take It or Leave It (1981 film)

External links

• Interview with The Guardian