The Mars Volta
| Company type | Band |
|---|---|
| Industry | Music |
| Founded | 2001 |
| Founder | Omar Rodríguez-López, Cedric Bixler-Zavala |
| Headquarters | United States |
Key people | Omar Rodríguez-López (guitarist and producer), Cedric Bixler-Zavala (vocalist and lyricist) |
| Products | Music albums, live performances |
The Mars Volta is a rock ensemble from the United States, established in 2001 and led by original members Omar Rodríguez-López (guitarist and producer) and Cedric Bixler-Zavala (vocalist and lyricist). The present roster features founding bassist Eva Gardner, Omar's sibling Marcel Rodríguez-López (keyboards and percussion), Leo Genovese (piano and saxophone), along with Linda-Philomène Tsoungui on drums.
Following the disbandment of Rodríguez-López and Bixler-Zavala's former group, At the Drive-In, The Mars Volta was conceived to explore a broader sound palette rooted in experimental and progressive rock genres. The original formation included Gardner, keyboardist Isaiah "Ikey" Owens, drummer Jon Theodore, and sound technician Jeremy Ward. Their initial release, the EP Tremulant (2002), was a precursor to their critically praised first full-length album De-Loused in the Comatorium (2003), produced by Rick Rubin. Gardner departed prior to recording sessions, with temporary replacement by Flea from Red Hot Chili Peppers.
Their sophomore album, Frances the Mute (2005), self-produced by Rodríguez-López, introduced permanent members bassist Juan Alderete and Marcel Rodríguez-López. The record debuted at number four on the US Billboard 200 chart, selling more than 500,000 units and achieving RIAA Gold status. Subsequent albums include Amputechture (2006), marking the final contribution from Theodore; The Bedlam in Goliath (2008), a concept piece inspired by experiences with a talking board; and Octahedron (2009). Their track "Wax Simulacra" earned the 2009 Grammy Award for Best Hard Rock Performance.
Following their sixth studio effort, Noctourniquet (2012), and reunion concerts with At the Drive-In, the group entered a hiatus in September 2012. Rodríguez-López went on to form Bosnian Rainbows, while The Mars Volta officially dissolved in January 2013 due to internal conflicts. The pair reconciled in 2014 through the project Antemasque and resumed activities with At the Drive-In.
In a covert reunion during 2019, Rodríguez-López and Bixler-Zavala recorded a self-titled album alongside Gardner, Marcel Rodríguez-López, and drummer Willy Rodriguez Quiñones. Their public comeback was revealed in June 2022 accompanied by an art installation. For live shows, jazz pianist Leo Genovese, drummer Linda-Philomène Tsoungui, and Josh Moreau were added to the lineup. The ninth studio album, Lucro Sucio; Los Ojos del Vacio, was released in April 2025.
Formation and early years (2001–2002)
The Mars Volta emerged from the breakup of At the Drive-In, which ended due to creative differences and dissatisfaction despite nearing mainstream success. Members Cedric Bixler-Zavala and Omar Rodríguez-López further developed their experimental dub-influenced side project De Facto (band), featuring Bixler-Zavala on drums, Rodríguez-López playing bass, Isaiah "Ikey" Owens handling keyboards, and Jeremy Ward providing vocals and sound effects.
In 2001, bassist Eva Gardner joined the ensemble. Alongside drummer Blake Fleming and producer Alex Newport, they recorded two tracks that became The Mars Volta’s first demo. Their inaugural live show included Rodríguez-López, Bixler-Zavala, Owens, Gardner, Ward, and drummer Jon Theodore. This lineup worked with Newport to produce three songs that were compiled into the Tremulant EP, released early in 2002 through Gold Standard Laboratories.
Following the dissolution of At the Drive-In, Rodríguez-López and Bixler-Zavala rebuilt their presence by performing at smaller venues. These early gigs were characterized by intense performances often accompanied by excessive drug use.
De-Loused in the Comatorium (2003–2004)
After releasing Tremulant, The Mars Volta embarked on tours featuring a fluctuating lineup while working on their first full-length album, De-Loused in the Comatorium. Produced by Rick Rubin, the album was launched on June 24, 2003. In contrast to Tremulant, De-Loused presents a unified speculative fiction narrative centered around a drug-induced coma, drawing inspiration from their late friend Julio Venegas—known as "Cerpin Taxt"—an El Paso poet whose life and tragic suicide deeply shaped the album’s themes.
Bixler-Zavala later expressed dissatisfaction with Rubin’s production approach, criticizing it for diluting distinctive aspects to reach a wider audience, though he recognized its commercial success.
At the time of recording, the band did not have a permanent bassist. However, Flea from the Red Hot Chili Peppers contributed bass on nine tracks, while Justin Meldal-Johnsen played double bass on "Televators". Additionally, Flea’s bandmate John Frusciante provided guitar, synthesizer, and backing vocals on "Cicatriz ESP". Subsequently, Juan Alderete (formerly of Racer X) joined as the official bassist.
Despite minimal promotional efforts, De-Loused garnered widespread critical praise and remains The Mars Volta’s highest-selling record, with sales exceeding 500,000 copies. The song "Drunkship of Lanterns" was honored by Rolling Stone as one of the greatest guitar tracks. A special limited-edition storybook version elaborating on Cerpin Taxt’s story was issued through Gold Standard Laboratories.
Tragically, during their tour supporting Red Hot Chili Peppers, founding member Jeremy Ward died due to a heroin overdose. This led to the cancellation of the tour’s second leg. The debut single from De-Loused was dedicated to Ward’s memory. His passing motivated Rodríguez-López and Bixler-Zavala to permanently cease opioid use. Reflecting on this loss, Bixler-Zavala stated: "His passing was the final nail in the coffin. We never went back."
Frances the Mute (2005)
As touring resumed to promote De-Loused, the band incorporated percussionist Marcel Rodríguez-López, Omar’s brother. Work commenced on their sophomore album in 2004—the same year they were honored with the American Society of Composers, Authors and Publishers Vanguard Award.
Released in 2005, Frances the Mute is a concept album inspired by a diary discovered in a repossessed vehicle belonging to their late sound technician Jeremy Ward. The diary’s author was an adoptee searching for biological parents and possibly struggling with mental health issues; these elements influenced the album’s lyrical content and overarching themes.
Frances the Mute debuted at number four on the Billboard charts, selling 123,000 units during its opening week—outperforming De-Loused commercially. Critical reception was largely favorable, reflected in a Metacritic score of 75; Rolling Stone highlighted its grandeur and intricacy. The track "L'Via L'Viaquez" was released as an extended 12-minute B-side accompanying "The Bible And The Breathalyzer" single, which itself did not appear on the album. According to Nielsen SoundScan data, U.S. sales approached 465,000 copies.
Rodríguez-López composed all instrumental parts and produced the recording sessions using a technique inspired by Miles Davis, where musicians recorded their parts independently to foster self-contained performances. All recordings were done with a metronome pulse for timing precision. During production, he enlisted Adrián Terrazas-González for saxophone, flute, and other wind instruments; Terrazas-González became a permanent touring member.
Several tracks were omitted from the final release, including the 14-minute title track "Frances the Mute", originally intended as the album opener to clarify its concept; this piece later surfaced as a B-side to "The Widow".
On May 21, 2005, at KROQ's Weenie Roast Festival, rather than performing a conventional setlist, they delivered a 50-minute improvisational piece titled "Abortion, The Other White Meat" by Rodríguez-López. Portions of this jam were later incorporated into "Population Council's Wet Dream" from Rodríguez-López's 2009 album Old Money.
During their U.S. tour midway through 2005, former At the Drive-In guitarist Paul Hinojos left his band Sparta to join The Mars Volta as live rhythm guitarist and sound manipulator—roles previously held by Ward. Hinojos had toured with them in earlier years (2003 and 2004).
In mid-2005, The Mars Volta toured alongside System of a Down and curated the All Tomorrow's Parties event at Camber Sands in England. They also released their full-length live album Scabdates on November 8, 2005.
Amputechture (2006–2007)
Following the 2005 tour supporting Frances the Mute, Rodríguez-López composed Amputechture while in Amsterdam. The album launched on September 8, 2006, across Europe, followed by releases on September 9 in Australia and September 12 in the United States. Concurrently, Rodríguez-López engaged in solo endeavors under the name "Omar Rodriguez Quintet" and created the soundtrack for El Búfalo de la Noche, performed by The Mars Volta.
Co-produced by Rodríguez-López and mixed by Rich Costey, Amputechture featured cover art by Jeff Jordan, marking a departure from previous collaborations with Storm Thorgerson. This concept album consisted of a collection of distinct vignettes rather than a linear narrative. It was also the final record to include drummer Jon Theodore, who was dismissed prior to touring due to reported dissatisfaction with live performances.
Guitar contributions from John Frusciante appeared on every track except "Asilos Magdalena," with Rodríguez-López providing additional solos and riffs. According to Bixler-Zavala, Frusciante’s involvement in recording guitars allowed Rodríguez-López to evaluate the material more objectively.
On July 28, 2006, Blake Fleming joined as drummer, bringing experience from bands such as Laddio Bolocko and Dazzling Killmen. The band performed "Rapid Fire Tollbooth" live for the first time on September 22; this track originated from Rodríguez-López’s solo work and would later evolve into "Goliath" on their fourth studio album.
During a September 25, 2006 concert in Toronto, with Cedric Bixler-Zavala absent due to illness, The Mars Volta played an instrumental set alongside John Frusciante. On October 17, while opening for the Red Hot Chili Peppers, drummer Deantoni Parks replaced Fleming amid internal tensions; Parks remained through the Japanese leg of the tour before departing because of other obligations. Thomas Pridgen rehearsed with the group during an October 31 show in Cleveland when Parks was unavailable.
In 2006, The Mars Volta made a rare television appearance on The Henry Rollins Show, delivering live renditions of "Tetragrammaton" and "Day of the Baphomets," followed by an interview discussing the development of Amputechture.
The Bedlam in Goliath (2008)
Thomas Pridgen became the permanent drummer in 2007, debuting full-time at a March 12 performance in New Zealand where they introduced "Idle Tooth," which was later retitled "Wax Simulacra" for their forthcoming album. After touring New Zealand, Australia, and selected West Coast venues, The Mars Volta entered the studio to record their fourth album, The Bedlam in Goliath. One of their performances was filmed by Jorge Hernandez Aldana for a live DVD project that remains unreleased.
The recording process encountered unusual difficulties linked to a Ouija board acquired in Jerusalem. Rodríguez-López reported that their initial engineer suffered a breakdown, his studio experienced two floods, and tracks inexplicably disappeared during mixing sessions.
On November 5, 2007, Jeremy Robert Johnson published "The Mars Volta's Descent into Bedlam: A Rhapsody in Three Parts," documenting the band's history alongside challenges faced during the album's creation. The lead single "Wax Simulacra" was released on November 20, accompanied by a cover of Siouxsie and the Banshees' "Pulled to Bits" as its b-side.
The supporting tour commenced on December 29, 2007, with a secret show at Los Angeles' Echoplex, followed by an acoustic New Year's Eve performance at San Francisco's Bill Graham Civic Auditorium. The band then toured clubs along the U.S. east coast in January and Europe from mid-February through mid-March.
On January 2, 2008, The Mars Volta introduced "Goliath: The Soothsayer," an online game inspired by their experiences with the "Soothsayer" Ouija board that influenced The Bedlam in Goliath. This game was available exclusively through Amazon.com for a limited period.
The band made their network television debut in the United States on January 17 by performing "Wax Simulacra" on the Late Show with David Letterman. Five days later, they appeared on Toronto's MTV Live, delivering performances of "Wax Simulacra" and an extended version of "Goliath." Upon release, the album debuted at number three on the Billboard 200, achieving their highest chart position to date.
"Wax Simulacra" earned The Mars Volta their first Grammy Award for Best Hard Rock Performance in 2009. During their acceptance speech, members expressed gratitude toward their families while Bixler-Zavala honored recently deceased artists Lux Interior and Ron Asheton.
Octahedron (2009–2010)
In early 2008, Omar Rodríguez-López characterized the band’s forthcoming release as an "acoustic album." Meanwhile, Cedric Bixler-Zavala expressed a preference for it not to be issued through a major record label. By February 2009, Rodríguez-López revealed that two Mars Volta albums had already been recorded and were awaiting their official release.
On April 14, 2009, The Mars Volta unveiled their fifth studio project, Octahedron, which was launched on June 23 in the United States and a day earlier internationally. A limited run of 500 vinyl copies became available on July 21. To create a more focused sound, Rodríguez-López requested the departure of woodwind player and percussionist Adrián Terrazas-González as well as live rhythm guitarist Paul Hinojos, resulting in a streamlined band lineup. Percussionist Marcel Rodríguez-López noted that this adjustment introduced a fresh group dynamic.
The lead single in North America was "Since We've Been Wrong", while "Cotopaxi" served as the primary single across Europe. Additionally, footage from their 2005 UK performance was included in the All Tomorrow's Parties documentary released in October 2009.
During the Octahedron tour, the scheduled concert on October 23 in Raleigh, North Carolina was canceled following a conflict between Bixler-Zavala and drummer Thomas Pridgen, who exited the band shortly thereafter. Pridgen attributed his departure to clashes with the vocalist's ego; however, bassist Juan Alderete later explained that trust issues stemming from Pridgen’s conduct were the underlying cause. The tour proceeded with Dave Elitch replacing Pridgen on drums for European and Australian dates through January 2010.
In October 2010, The Mars Volta performed shows in Brazil and Chile, although keyboardist Ikey Owens was absent due to obligations with his own project, Free Moral Agents.
Noctourniquet (2011–2012)
Soon after the release of Octahedron, Rodríguez-López announced that the anticipated follow-up album was temporarily "on hold" as he began work on a new record. By April 2010, he confirmed that songwriting was complete and awaited vocal contributions from Bixler-Zavala. Throughout 2010, Rodríguez-López concentrated on his solo endeavors while drummer Deantoni Parks toured alongside him and emerged as a candidate for The Mars Volta’s next drummer.
In 2011, Rodríguez-López described their upcoming album as containing thirteen tracks and representing a "simplified version" of their prior work, noting that its release schedule depended on label decisions. Bixler-Zavala referred to the sound as "future punk," indicating a significant stylistic shift. On March 19, 2011, the Omar Rodriguez-Lopez Group performed at SXSW, featuring Bixler-Zavala on vocals and debuting new songs that sparked rumors of an unannounced Mars Volta performance. This ensemble included Omar and Marcel Rodríguez-López, Juan Alderete, Deantoni Parks, and keyboardist/sound manipulator Lars Stalfors.
The band embarked on tours during summer 2011 as openers for Soundgarden and later supported Red Hot Chili Peppers in Hong Kong. They showcased new compositions introduced during the Omar Rodríguez-López Group tour, confirming these were part of their forthcoming album.
Keyboardist Ikey Owens, an original member of The Mars Volta, did not participate in any shows throughout 2011 and stated he was uninvolved with the new album's production. Bassist Juan Alderete later confirmed Owens had departed to concentrate on producing other artists. Keyboard responsibilities were assumed by Marcel Rodríguez-López and Lars Stalfors.
On January 5, 2012, "Zed and Two Naughts," a track from the upcoming album, appeared on the soundtrack for MLB 12: The Show. One week later, on January 12, the album title Noctourniquet was officially announced. A dedicated webpage soon followed with confirmation of the title, artwork, tracklist, and a release date set for March 27, 2012. The lead single "The Malkin Jewel" premiered on February 13 and was officially released on February 14.
Hiatus, breakup, and reunion rumors (2013–2021)
Following the conclusion of the Noctourniquet tour, Omar Rodríguez-López put The Mars Volta on hold to concentrate on his emerging project, Bosnian Rainbows, which included Deantoni Parks. When questioned about the possibility of a reunion, he conveyed uncertainty, noting that the members were exploring separate directions and would only come back together if it felt appropriate.
On January 23, 2013, Cedric Bixler-Zavala declared on Twitter that he had left The Mars Volta and that the band had disbanded. Subsequently, Bixler-Zavala dedicated himself to solo endeavors and established Zavalaz alongside Juan Alderete. He disclosed that he was "not on speaking terms" with Rodríguez-López, characterizing their split as a prolonged estrangement.
Rodríguez-López did not dismiss the chance of reuniting in the future, emphasizing a more open and positive outlook. He recognized Bixler-Zavala’s exit as the conclusion of their partnership spanning over two decades but maintained respect for his choice.
In August 2013, an anonymous source leaked The Ramrod Tapes, a compilation of unreleased demos and improvisations dating from 2005 through the Noctourniquet sessions.
By February 2014, insiders suggested that Rodríguez-López and Bixler-Zavala had reestablished communication, fueling speculation about a reunion. This was further supported when Bixler-Zavala’s wife shared a photograph featuring both musicians. On April 9, they announced their collaboration on a new band, Antemasque, which included Flea on bass and Dave Elitch on drums.
On October 14, 2014, original member Isaiah "Ikey" Owens passed away from a heart attack while touring with Jack White.
During a July 2016 interview with Rolling Stone, Rodríguez-López expressed a desire to revive The Mars Volta. In February 2018, Bixler-Zavala confirmed via Twitter that the band would "be back soon," although he prioritized activities with At the Drive-In first. By May 2019, social media posts indicated they were experimenting with new compositions.
On February 23, 2021, Hamburg-based label Clouds Hill Group acquired the rights to The Mars Volta's entire discography along with Omar Rodríguez-López's solo catalogue, intending to release official reissues. On March 4, Clouds Hill previewed an 18-LP box set titled La Realidad De Los Sueños (The Reality of Dreams), featuring previously unreleased tracks from the De-Loused in the Comatorium era called Landscape Tantrums. This collection was officially released on April 23, 2021.
Reunion and subsequent albums (2022–present)
On June 18, 2022, the group unveiled new music through an art installation in Los Angeles named "L'ytome Hodorxí Telesterion". This event preceded the release of the single "Blacklight Shine" and an accompanying tour announcement, marking their first fresh material and live performances in ten years. A second single titled "Graveyard Love" followed on July 8. Their first album in a decade, The Mars Volta, was launched on September 16, 2022. An acoustic rendition called Que Dios Te Maldiga Mi Corazón was announced on March 10, 2023, and released on April 21.
The documentary film Omar and Cedric: If This Ever Gets Weird, which explores the founders’ long-standing friendship over several decades, premiered at select festivals throughout 2023 and 2024 before receiving a one-day theatrical release in the United States on November 20, 2024.
Beginning February 25, 2025, The Mars Volta debuted an unreleased album during their opening performances for Deftones' arena tour. Their ninth studio album, Lucro Sucio; Los Ojos del Vacío, was announced by Clouds Hill label on April 7 and officially released on April 11. On November 25, 2025, producer Sylvia Massy revealed that Rodríguez-López and Bixler-Zavala were collaborating with her and Jon DeBaun on new recordings. Bixler-Zavala confirmed they were tracking fresh material the next day via Instagram.
Musical style and influences
The band's sound is often described as progressive rock fused with experimental rock, incorporating elements from genres such as hardcore, psychedelic rock, and free jazz. Omar Rodríguez-López has stated that the term "progressive" should not be viewed negatively in relation to their music, emphasizing that "if you’re not advancing, you’re remaining static." Rodríguez-López was responsible for composing nearly all the music, while Cedric Bixler-Zavala handled the lyrics and vocal melodies. Their inspirations span a wide range of artists, including King Crimson, Led Zeppelin, Pink Floyd, Can, Captain Beefheart, Frank Zappa, Larry Harlow, Miles Davis, Fela Kuti, Ennio Morricone, Throbbing Gristle, Talk Talk, Black Flag, Brainiac, Björk, Roni Size, Jaga Jazzist, and Aphex Twin. Additionally, Rodríguez-López cites film as a significant influence on his songwriting approach, focusing on crafting tension, seamless flow, and dynamic narrative scenes.
Legacy
The Mars Volta has left a considerable mark on various musicians and groups such as Mastodon, Lizzo, Protest the Hero, Nick Hipa from As I Lay Dying, The Fall of Troy, Danny Marino of The Agonist, Tor Oddmund Suhrke of Leprous, Jonathan Nido of The Ocean, Mutiny on the Bounty, The Old Dead Tree, Canvas Solaris, and Syriak of Unexpect.
Esteemed artists including Neil Peart from Rush, members of Tool, Steven Wilson of Porcupine Tree, James Hetfield of Metallica, Holger Czukay from Can, Mike Portnoy of Dream Theater, Lil B, and Kanye West have also publicly acknowledged their admiration for The Mars Volta's work.
In 2008, Rolling Stone magazine honored The Mars Volta with the title of Best Prog-Rock Band.
Band members
Per the liner notes found on Amputechture, The Bedlam in Goliath, Octahedron, Noctourniquet, and The Mars Volta: "The core partnership behind The Mars Volta consists of Omar Rodríguez-López & Cedric Bixler-Zavala. The compositions are subsequently brought to life by The Mars Volta Group."
Current line-up
| Image | Name | Years active | Instruments | Release contributions |
|---|---|---|---|---|
| Template:CSS image crop | Omar Rodríguez-López |
|
|
all releases |
| Template:CSS image crop | Cedric Bixler-Zavala | lead vocals | ||
| Template:CSS image crop | Eva Gardner |
|
|
|
| Template:CSS image crop | Marcel Rodríguez-López |
|
|
all releases beginning with Frances the Mute (2005) (credited only on Noctourniquet) |
| Template:CSS image crop | Leo Genovese | 2022–present |
|
|
| Template:CSS image crop | Linda-Philomène Tsoungui | minimal drums | (on) Lucro Sucio; Los Ojos del Vacío (2025) |
Touring members
- Josh Moreau – bass guitar (September 2022 to April 2025; substitute for Eva Gardner, performed on Lucro Sucio; Los Ojos del Vacio)
- Teri Gender Bender – backing vocals (February 2025–present)
Former contributors
| Image | Name | Active years | Instruments played | Release contributions |
|---|---|---|---|---|
| Template:CSS image crop | Jeremy Ward | '01–May '03 (deceased) | sound manipulation |
|
|
keyboards |
all releases from Tremulant (2002) through Octahedron (2009) (credited only on Octahedron) | ||
|
drums |
none | ||
|
Aug '01–July '06 |
all releases from Tremulant to Amputechture | |||
|
guitars |
| ||
|
June–Oct '02 |
bass |
Landscape Tantrums (uncredited) | ||
|
June–Oct '02 |
keyboards |
Landscape Tantrums (uncredited) | ||
| '02 (studio for De-Loused sessions, trumpet on Frances the Mute) |
bass |
| ||
| 'Jan–Apr '03' | none | none | ||
| 'Apr '03 – '12' | all releases from Live EP through Noctourniquet | |||
| '05–08; live offstage '03' | sound manipulation; live guitar ('06–'08) |
| ||
| '05–08; studio Frances the Mute ('04)' | woodwind, percussion |
| ||
| 'Sep–Nov '06; '10–'12' | drums | 'Noctourniquet' (2012) | ||
| October – December ’06 – ’09 | drums |
| ||
| Dave Elitch | Nov ’09 – Oct ’10’ | drums | none | |
| Lars Stalfors | 2011’ | keyboards, sound manipulation |
| |
| Willy Rodriguez | 2019 – ’21 studio sessions’ | drums |
| |
| Daniel Diaz Rivera | 2023 studio sessions’ | percussion |
|
Timeline
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bar:Cedric text:"Cedric Bixler-Zavala" bar:Omar text:"Omar Rodríguez-López" bar:John text:"John Frusciante" bar:Eva text:"Eva Gardner" bar:Ralph text:"Ralph Jasso" bar:Flea text:"Flea" bar:Jason text:"Jason Lader" bar:Juan text:"Juan Alderete" bar:Josh text:"Josh Moreau" bar:Blake text:"Blake Fleming" bar:Jon text:"Jon Theodore" bar:Deantoni text:"Deantoni Parks" bar:Thomas text:"Thomas Pridgen" bar:David text:"David Elitch" bar:Willy text:"Willy Rodriguez Quiñones" bar:Tsoungui text:"Linda-Philomène Tsoungui" bar:Ikey text:"Isaiah 'Ikey' Owens" bar:Linda text:"Linda Good" bar:Marcel text:"Marcel Rodríguez-López" bar:Leo text:"Leo Genovese" bar:Adrián text:"Adrián Terrazas-González" bar:Jeremy text:"Jeremy Ward" bar:Paul text:"Paul Hinojos" bar:Lars text:"Lars Stalfors"
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width:11 textcolor:black align:left anchor:from shift:(10,-4) bar:Omar from:03/01/2001 till:01/23/2013 color:guitar bar:Omar from:01/01/2005 till:01/23/2013 color:keyboards width:3 bar:Omar from:06/01/2019 till:end color:guitar bar:Omar from:06/01/2019 till:end color:keyboards width:3 bar:Cedric from:03/01/2001 till:01/23/2013 color:vocals bar:Cedric from:06/01/2019 till:end color:vocals bar:Cedric from:03/01/2001 till:12/04/2001 color:percussion width:3 bar:John from:10/15/2002 till:08/31/2008 color:guitar bar:John from:10/15/2002 till:08/31/2008 color:stumem width:3 bar:Ikey from:03/01/2001 till:06/01/2002 color:keyboards bar:Ikey from:10/15/2002 till:02/01/2010 color:keyboards barLinda from=06_/_01_/_2002 till=10_/_15_/_2002 color:keyboards bar=Jeremy from=03_/_01_/_2001 till=05_/_25_/_2003 color=soundm. bar=Paul from=06_/_02_/_2005 till=12_/_31_/_2008 color=soundm. bar=Paul from=07_/_01_/_2006 till=12_/_31_/_2008 color=lguitar width=3 bar=Lars from=03_/_01_/_2011 till=08_/_31_/_2011 color=soundm. bar=Lars from=03_/_01_/_2011 till=08_/_31_/_2011 color=keyboards width=3 bar=Eva from=03_/_01_/_2001 till=06_/_01_/_2002 color=bass bar=Eva from=06_/_01_/_2019 till=end color=bass bar=Ralph from=06_/_01_/_2002 till=10_/_15_/_2002 color=bass bar=Flea from=10_/_15_/_2002 till=01_/_01_/_2003 color=bass bar=Flea from=10_/_15_/_2002 till=01_/_01_/_2003 color=stumem width=3 bar=Jason from=01_/_01_/_2003 till=04_/_23_/_2003 color=bass bar=Juan from=04_/_23_/_2003 till=01_/_23_/_2013 color=bass bar=Blake from=03_/_01_/_2001 till=08_/_01_/_2001 color=drums bar=Jon from=09_/_01_/_2001 till=07_/_30_/_2006 color=drums bar=Blake from=07_/_31_/_2006 till=09_/_30_/_2006 color=drums bar=Deantoni from=09_/30_/06 till=10_/31_/06 color=drums bar=Deantoni from=11_/01_/06 till=12_/01_/06 color=drums bar=Thomas from=12_/01_/06 till=10_/23_/09 color=drums bar=David from=11_/20_/09 till=10_/31_/10 color=drums bar=Deantoni from=11_/01_/10 till=01_/23_/13 color=drums bar=Willy from=06_/01_/19 till=12_/31_/21 color=drums bar=Willy from=06_/01_/19 till=12_/31_/21 color=stumem width=3 bar:=Tsoungui from:=09/=22/=22_till=end_color:=drums bar:=Marcel_from:=10/=03/=03_till:=10/=01/=10_color:=percussion bar:=Marcel_from:=02/=02/=10_till:=01/=23/=13_color:=keyboards bar:=Marcel_from:=01/=01/=05_till:=02/=01/=10_color:=keyboards_width:=3 bar:=Marcel_from:=06/=01/=19_till=end_color:=keyboards bar:=Marcel_from:=06/=01/=19_till=end_color:=percussion_width:=3 bar:=Leo_from:=06/=01/=19_till:=12/=31/=21_color:=stumem_width:=3 bar:=Leo_from:=06/=01/=19_till=end_color:=keyboards bar:=Leo_from:=09/=22/=22_till=end_color:=wind_width:=3 bar:=Adrián_from:=06/=10/=05_till:=12/=31/=08_color:=wind bar:=Adrián_from:=06/=10/=05_till:=12/=31/=08_color:=percussion_width:=3
</timeline>
Discography
- De-Loused in the Comatorium (2003)
- Frances the Mute (2005)
- Amputechture (2006)
- The Bedlam in Goliath (2008)
- Octahedron (2009)
- Noctourniquet (2012)
- The Mars Volta (2022)
- Que Dios Te Maldiga Mi Corazón (2023)
- Lucro Sucio; Los Ojos del Vacio (2025)
External links
- Articles with short description
- 2001 establishments in Texas
- 2013 disestablishments in Texas
- Musical groups from El Paso, Texas
- American musical quintets
- American musical sextets
- American progressive rock groups
- American experimental rock groups
- American progressive metal musical groups
- Grammy Award winners
- Musical groups disestablished in 2013
- Musical groups established in 2001
- Musical groups reestablished in 2022
- Sibling musical groups
- Universal Music Group artists
- Warner Records artists
- Alternative rock groups from Texas