The Oscar (film)
| Company type | Film |
|---|---|
| Industry | Motion picture |
| Founded | 1966 |
Key people | Russell Rouse (director), Clarence Greene (producer), Harlan Ellison (co-writer) |
| Products | Drama film |
The Oscar is a 1966 American drama directed by Russell Rouse, featuring performances by Stephen Boyd, Elke Sommer, Milton Berle, Eleanor Parker, Joseph Cotten, Jill St. John, Tony Bennett, Edie Adams, and Ernest Borgnine. The cast also includes several actual Oscar winners such as Borgnine, Broderick Crawford, Ed Begley, Walter Brennan, Frank Sinatra, and James Dunn. Additionally, the film involved acclaimed cinematographer Joseph Ruttenberg and costume designer Edith Head, who received a nomination for her work on this project. Prominent Oscar nominees like Merle Oberon and Eleanor Parker also appear in the movie.
Plot
While awaiting the announcement of the Best Actor Oscar, film star Frankie Fane’s friend Hymie Kelly contemplates Fane’s cold-hearted climb to stardom. Frankie begins his journey as a pitchman for his stripper girlfriend Laurel, then relocates to New York City, leaving Laurel behind for fashion designer Kay Bergdahl. There, he encounters talent scout Sophie Cantaro, who helps him secure representation through agent "Kappy" Kapstetter, propelling him rapidly into Hollywood success.
Throughout his career, Fane demonstrates selfishness and deceit—he hastily marries Kay but treats her poorly, ostentatiously displays his wealth, and alienates studio executive Regan. His popularity nosedives when he is labeled "box office poison," yet he still receives an Oscar nomination for portraying a morally corrupt character resembling himself.
Determined to win the award, Fane enlists corrupt private investigator Barney Yale to manipulate Academy voters by leaking damaging scandals that tarnish Hymie and Laurel’s reputations. Hymie confronts Fane with the revelation that he married Laurel, who died from an abortion while pregnant with Fane’s child. When Yale attempts blackmail, Fane turns to Yale’s ex-wife for assistance in covering up the scheme.
At the Academy Awards ceremony, presenter Merle Oberon announces Frank Sinatra as the winner, leaving Fane shocked and defeated while those he betrayed witness his downfall.
Cast
- Stephen Boyd as Frankie Fane
- Elke Sommer as Kay Bergdahl
- Milton Berle as Kappy Kapstetter
- Eleanor Parker as Sophie Cantaro
- Joseph Cotten as Kenneth H. Regan
- Jill St. John as Laurel Scott
- Tony Bennett as Hymie Kelly
- Edie Adams as Trina Yale
- Ernest Borgnine as Barney Yale
- Ed Begley as Grobard
- Walter Brennan as Orrin C. Quentin
- Broderick Crawford as Sheriff
- James Dunn as Network Executive
- Edith Head as herself
- Bob Hope as himself, hosting the Oscars
- Hedda Hopper as herself
- Peter Lawford as Steve Marks
- Merle Oberon as herself
- Frank Sinatra as himself
- Nancy Sinatra as herself
- Jack Soo as Sam
- Jean Hale as Cheryl Barker
- Eddie Ryder as Mexican Marriage Broker
- Chris Alcaide as Ledbetter
- John Dennis as Sid
- Peter Leeds as Bert
- John Holland as Stevens
- Jean Bartel as Secretary
- John Crowther as Wally
- Cosmo Sardo as Academy Awards Guest
Broadcast
The Oscar made its network television debut on February 12, 1969, airing on ABC's Wednesday Night Movie. Following the cancellation of ABC’s comedy series Turn-On after just one episode, it was rescheduled to 8:30 pm Eastern time. The film was later included in TNT’s "Bad Movies We Love" collection.
On February 4, 2020, The Oscar became available on DVD and Blu-ray through a release by Kino Lorber.
Critical response
Though promoted as a drama, The Oscar is frequently perceived as an inadvertent camp comedy, with reviewers disparaging its screenplay and acting. Some critics interpreted it as a parody, especially highlighting the star-studded cast—Milton Berle's attempt at a serious role earned limited commendation.
Bosley Crowther of The New York Times denounced the movie for its stereotypical depiction of a cutthroat actor chasing an Academy Award, despite including well-known Hollywood personalities. Variety recognized the film’s authentic Hollywood backdrop but questioned the credibility of its narrative about Oscar rivalry. Philip K. Scheuer from the Los Angeles Times characterized the characters as unconvincing and overly scripted rather than realistic individuals. Richard L. Coe of The Washington Post reproached the Academy for endorsing a film that portrayed its awards in a negative light. Meanwhile, The Monthly Film Bulletin dismissed it as frivolous entertainment veiled by excessive dialogue and moralizing tones.
Tony Bennett did not pursue another feature film role following this project and was later awarded a Golden Turkey Award for "Worst Performance by a Popular Singer." For producers Clarence Greene and Russell Rouse, this film represented nearly the end of their careers; they collaborated on only one more movie afterward. Co-writer Harlan Ellison never had another produced feature screenplay throughout his six-decade tenure.
On Rotten Tomatoes, The Oscar is recognized for revealing Hollywood’s extravagances prior to transformative films like Easy Riders and Raging Bulls. Despite Tony Bennett’s heavily criticized performance, the tale of Frankie Fane’s ruthless ascent remains engaging due to its gritty atmosphere and numerous celebrity cameos.
Accolades
| Award | Category | Recipient | Outcome |
|---|---|---|---|
| Academy Awards | Best Art Direction | Arthur Lonergan, Hal Pereira, Robert R. Benton, James W. Payne | Template:Nom |
| Best Costume Design | Edith Head | Template:Nom | |
| Bambi Award | Best Actress - National | Elke Sommer | Template:Nom |
| The Golden Turkey Awards | Worst Performance By a Popular Singer | Tony Bennett | Template:Won |
See also
- List of American films of 1966
- Oscar bait
- Oscar season
- Naked Gun 33 1/3: The Final Insult, a 1994 comedy featuring its climax at the Academy Awards
- For Your Consideration, a 2006 satirical film exploring similar subject matter