The Weinstein Company
| Company type | Private |
|---|---|
| Industry | Film production and distribution |
| Founded | March 10, 2005 in New York City, United States |
| Founder | Bob Weinstein, Harvey Weinstein |
| Defunct | May 1, 2018 |
| Fate | Filed for Chapter 11 bankruptcy; assets acquired by Lantern Capital |
| Successor | Lantern Entertainment |
| Headquarters | New York City , United States |
Area served | North America |
Key people | Bob Weinstein (minority owner), Harvey Weinstein (former CEO) |
| Products | Films, film distribution, home entertainment |
Number of employees | 150 |
| Parent | None |
The Weinstein Company, LLC (TWC) was an independent American film production and distribution firm established in New York City by brothers Bob and Harvey Weinstein on March 10, 2005. Recognized as one of the largest mini-major studios in North America, TWC commanded a notable portion of the film market. Nonetheless, its financial stability deteriorated rapidly after Harvey Weinstein was removed from his position amid numerous allegations of sexual harassment and assault in October 2017. Prior to the company's downfall, Bob Weinstein maintained a minority ownership interest.
Following accusations from over 100 women against Harvey Weinstein, he was terminated as CEO and stepped down from the board, sparking a crisis that derailed acquisition negotiations with investor Maria Contreras-Sweet. On February 26, 2018, TWC disclosed intentions to file for bankruptcy protection. Although a $500 million asset purchase agreement was momentarily confirmed on March 1, it ultimately failed due to undisclosed liabilities. The company officially filed for Chapter 11 bankruptcy on March 19, 2018.
During the liquidation process, Lantern Capital emerged as the successful bidder for TWC’s assets at the bankruptcy auction held on May 1, 2018. This acquisition encompassed the company’s extensive film catalog along with subsidiaries including Dimension Films and RADiUS-TWC. Prior to ceasing operations, TWC operated from its headquarters at 99 Hudson Street in New York City and employed around 150 personnel.
TWC's operational strategy focused on producing and distributing films across various platforms through its subsidiaries and divisions dedicated to home entertainment. Despite initial expansion and industry acclaim, the company’s collapse highlighted vulnerabilities linked to leadership scandals and financial challenges within media organizations.
Early years
The Weinstein Company (TWC) was created on March 10, 2005, officially commencing operations in October of that year after Harvey and Bob Weinstein departed from Miramax Films, which they had originally co-founded in 1979 before selling it to the Walt Disney Company in 1993. The Weinsteins retained control over the Dimension Films label. Among the studio’s early releases in 2005 were Derailed, Transamerica, Hoodwinked!, Mrs Henderson Presents, and The Matador.
In February 2006, TWC entered into a distribution agreement with Metro-Goldwyn-Mayer (MGM), wherein MGM managed domestic theatrical distribution while TWC preserved long-term ownership rights. On July 13, 2006, the Weinsteins collaborated with Robert L. Johnson to establish Our Stories Films, a venture aimed at African-American audiences. Later that year, TWC secured a three-year exclusive rental agreement with Blockbuster Video starting January 2007; however, under U.S. copyright law, other rental services remained permitted to rent purchased copies.
TWC co-produced the Lifetime reality series Project Runway alongside Miramax, which received a Peabody Award in 2007. On May 23 of that year, TWC introduced three direct-to-video labels: Miriam Collection (classic films), Kaleidoscope TWC (family-oriented content), and Dimension Extreme (genre-specific movies).
On February 8, 2008, Third Rail Releasing was launched by TWC to concentrate on home video distribution markets. Nevertheless, on September 25, 2008, TWC terminated its distribution arrangement with MGM three months ahead of schedule, partly due to entering a new television output agreement with Showtime. Under the MGM contract, TWC bore marketing and print expenses while MGM received distribution fees for theatrical releases.
Financial restructuring
On June 5, 2009, TWC engaged a financial consultant to reorganize its financial structure. This move was followed by workforce reductions and postponements in some movie release schedules. On September 14, 2009, TWC divested its interest in Genius Products, the home video distributor it partnered with from 2006 to 2009, as Genius Products exited the home entertainment market; consequently, DVD distribution rights were assigned to Vivendi Entertainment under a new agreement with TWC. That same year, TWC earned a Peabody Award for The No. 1 Ladies' Detective Agency.
In January 2010, additional layoffs were implemented after the poor box office performance of Nine. The following month, TWC entered into a DVD distribution partnership with Sony Pictures Home Entertainment. The Weinsteins made an unsuccessful bid to reacquire Miramax from Disney during 2010.
To avoid insolvency, TWC sold a portion of ownership in its collection of approximately 200 films to Goldman Sachs and Assured Guaranty in 2010. AMC Networks later purchased Goldman Sachs’ share in 2015; the film library is scheduled to revert to TWC upon full repayment of associated debts.
In January 2011, TWC acquired a 25% ownership stake in Starz Media, establishing Starz subsidiary Anchor Bay Entertainment as its home video distributor. The following month, Disney relinquished its 50% stake in Project Runway and returned partial shares in four films to the Weinsteins as part of a $75 million settlement. Later that month, TWC’s production The King's Speech secured the Academy Award for Best Picture—the company's first such accolade since Chicago earned it under Miramax in 2002. In March 2011, TWC expanded into interactive entertainment by launching TWC Games in collaboration with Beefy Media for strategic growth.
After acquiring U.S. distribution rights for The Artist in February 2012—a film that won five Academy Awards including Best Picture—TWC became the first independent mini-major studio since Orion Pictures to achieve consecutive Best Picture wins.
In August 2012, Mark Gooder, formerly CEO of Icon Productions, joined TWC as president overseeing acquisitions and Australian operations to manage project development and expand market presence.
TWC released films across various platforms through its Radius-TWC label. In September 2013, Bob and Harvey Weinstein introduced the TWC-Dimension brand targeting select projects; their inaugural release was Paddington in January 2015.
By November 2013, TWC had acquired U.S. distribution rights for the British drama series Peaky Blinders. In December, TWC and Miramax formed a 20-year joint venture aimed at developing films and television projects leveraging Miramax’s extensive library of approximately 700 titles. Planned productions included sequels to Rounders and Shakespeare in Love, along with series adaptations based on Good Will Hunting and Flirting with Disaster. Within this partnership, Miramax provided financing and international sales capabilities while TWC managed development and domestic distribution.
In May 2014, TWC entered into a multi-year co-financing agreement with Worldview Entertainment; however, Worldview’s investment was limited to the film Tulip Fever following CEO Christopher Woodrow’s departure.
In April 2015, TWC nearly finalized the sale of its television division to British broadcaster ITV for $950 million; the transaction ultimately fell through in May. Shortly thereafter, TWC announced layoffs affecting between 40 and 50 employees due to the commercial failure of Burnt, shifting its strategy from releasing approximately eighteen films annually to focusing on eight to ten titles each year with fewer acquisitions from film festivals.
Chief Operating Officer and president David Glasser briefly departed in July 2015 but returned by September with intentions to remain through at least 2018. Meanwhile, Harvey Weinstein expressed renewed interest in reacquiring Miramax and integrating its catalog with that of TWC.
In February 2016, TWC placed its film library comprising about 520 titles along with a controlling interest in its television division up for sale. The company enlisted investment banks Moelis & Company and ACF Investment Bank to identify strategic investors after negotiations with ITV failed. Despite Miramax being acquired by BeIN Media Group in March, Weinstein continued pursuing a merger of both companies’ libraries.
By June 2016, hedge fund billionaire Marc Lasry joined TWC’s board as a replacement for James L. Dolan. In August, Opus Bank extended a $400 million credit facility to support TWC’s financial operations.
On August 18, 2017, TWC unveiled Mizchief, an animation label named after Harvey Weinstein’s child’s pronunciation of “mischief.” The label’s only release was the French-Canadian animated feature Leap! which premiered on August 25, 2017.
Accusations of Sexual Misconduct Involving Harvey Weinstein
On October 5, 2017, The New York Times revealed that more than 60 women in the entertainment sector had accused Harvey Weinstein of various forms of sexual misconduct, including harassment, assault, and rape.
In the wake of these revelations, three out of the nine board members at the company, among them Marc Lasry, stepped down on October 6. Weinstein announced he would take an indefinite leave of absence. The following day, Paul Tudor Jones became the fourth board member to resign.
On October 8, The Weinstein Company (TWC) terminated Harvey Weinstein’s employment. Company officials confirmed he would not be credited on forthcoming projects and discussed the possibility of rebranding the firm. On October 12, Richard Koenigsberg, a board member who had previously supported Weinstein, also resigned.
Attempts to Sell, Bankruptcy Proceedings, and Asset Liquidation
On October 13, Bob Weinstein refuted media claims suggesting that the company was contemplating a sale or closure due to his brother Harvey’s scandal. He emphasized backing from financial institutions, partners, and shareholders while asserting ongoing operations. Nevertheless, TWC president and COO David Glasser and investor Goldman Sachs contradicted this position, and the board did not endorse Bob Weinstein’s remarks.
Producer Amanda Segel accused Bob Weinstein of sexual harassment on October 17; his attorney denied these allegations. By December 2017, law firm Greenberg Glusker Fields ended its representation of TWC over unpaid fees, underscoring the company's financial difficulties despite a long-standing relationship.
According to Reuters on October 16, TWC engaged in negotiations with private equity firm Colony Capital regarding an asset sale; Colony Capital withdrew from talks by November 7. Other potential buyers included Jay-Z, Yucaipa Companies, Viacom, Lionsgate (which later acquired a stake in Spyglass Media Group encompassing TWC films), MGM, A&E Networks, Maria Contreras-Sweet (who proposed establishing a female-led studio), Killer Content (offering profit-sharing with assault survivors), Shamrock Holdings, among others. Any takeover would necessitate rebranding and Bob Weinstein’s departure. Bids were due by December 20, 2017. By January 4, 2018, six bidders remained with offers below $500 million; company owners were not expected to receive cash proceeds from the sale.
As of November 2017, The Weinstein Company held $520 million in liabilities spanning credit lines, production financing, corporate debt, and performer obligations. Although the firm sought to avoid Chapter 11 bankruptcy protection initially, it ultimately filed after negotiations stalled. Discussions led by New York Attorney General Eric Schneiderman briefly resulted in a $500 million asset sale coupled with board restructuring featuring a female-majority leadership; however, discovery of an additional $50 million debt caused this arrangement to collapse.
To generate liquidity, TWC sold distribution rights for Paddington 2, In the Heights, and The Six Billion Dollar Man to Warner Bros. Early in January 2018, multiple film releases were postponed indefinitely; distribution rights for titles such as The Upside, Scream, and Mary Magdalene were transferred to other studios.
By early 2018, lawsuits against TWC included claims from American Express ($1.4 million), Lindt & Sprüngli ($133,333), and Entertainment One ($7.2 million related to Paddington 2). The March bankruptcy filing disclosed a list of creditors that featured notable individuals and several Russian studios owed funds. Lantern Entertainment later clarified it bore no responsibility for unsettled debts.
On March 19, 2018, TWC officially filed for bankruptcy and considered a $310 million stalking horse bid from Lantern Capital. The bankruptcy auction commenced May 4 with interest from 23 bidders; Miramax and Lantern Capital emerged as leading contenders by late April. In June, Lantern reduced its offer to $287 million; this prompted objections from industry stakeholders regarding creditor compensation.
On July 16, 2018, the bankruptcy judge converted proceedings to Chapter 7 liquidation; Lantern Capital Partners acquired TWC’s assets for $289 million. Lantern Entertainment was established to oversee a downsized film catalog consisting of 277 titles. Co-presidents Andy Mitchell and Milos Brajovic managed operations amid workforce reductions from approximately 170 to 50 employees while planning to recruit an experienced CEO.
Netflix ended its output agreement with TWC in July 2018 affecting series such as Scream, which transitioned to VH1 by mid-2019. Other shows like Peaky Blinders remained available on streaming platforms. In early 2019, Lantern reached settlements with Disney concerning films not acquired during bankruptcy proceedings. Spyglass resolved claims with Viacom for $11 million related to the TV series Scream and Sin City 2.
Civil rights inquiry
On October 23, 2017, New York Attorney General Eric Schneiderman initiated an investigation into whether the Weinstein Company breached state and New York City human rights statutes in its management of sexual harassment allegations and workplace discrimination. The Civil Rights Bureau issued subpoenas for extensive corporate records, including documents pertaining to confidential out-of-court settlements with accusers.
Employees of the Weinstein Company publicly appealed in The New Yorker to be released from nondisclosure agreements (NDAs), seeking the freedom to share their accounts openly. They described working under the supervision of a "serial sexual predator" and called for greater clarity regarding the company’s internal environment.
On February 11, 2018, Schneiderman filed a civil rights lawsuit targeting the company as well as Harvey and Bob Weinstein. The complaint accused them of ongoing gender-based harassment, fostering a hostile work environment, and discriminatory practices. It detailed that female staff were frequently tasked with facilitating Harvey Weinstein’s sexual advances. The suit further disclosed communications from the COO to human resources about complaints necessitating settlements and NDAs, while HR was deliberately kept out of investigative processes. Additional allegations included verbal intimidation and threats referencing supposed Secret Service connections.
The legal action aimed to force the company to waive NDAs with former employees and to enhance safeguards for current personnel reporting concerns about managers, including COO David Glasser. The investor consortium acquiring the company earmarked $50 million for victim restitution, supplementing insurance payouts. Nonetheless, NDAs between the investors and the company initially restricted dialogue with the Attorney General until February 10. Critics within the industry argued that the timing of the lawsuit might undermine the sale and delay compensation for victims. The investor group intended to confer with the Attorney General before deciding on finalizing the acquisition.
On February 16, 2018, the Weinstein Company dismissed President and COO David Glasser "for cause." Glasser responded on February 20 by filing an $85 million wrongful termination counterclaim, alleging his firing was a tactic to deflect responsibility for failing to prevent Harvey Weinstein’s misconduct.
Lantern Entertainment
Lantern Capital’s subsidiary Lantern Entertainment acquired all assets of the Weinstein Company on July 16, 2018, subsequently shutting down both the company and its website entirely. Its last film release was the historical drama The Current War, which premiered in U.S. theaters on October 25, 2019. On November 13, 2018, Lantern secured full ownership rights to three Quentin Tarantino films—Inglourious Basterds, Django Unchained, and The Hateful Eight—in a $6.1 million transaction. Prior to this, on July 31, 2018, Lantern entered into a distribution agreement with Lionsgate covering the Weinstein Company’s film catalog.
On March 13, 2019, Lantern Entertainment collaborated with Gary Barber to revive Spyglass Media Group alongside investors including Warner Bros.; Lantern took a controlling stake and licensed its film library to Spyglass. A federal court ruled on March 20, 2020, that Spyglass held no liability for any outstanding royalty payments owed by the Weinstein Company.
On July 15, 2021, Spyglass sold most of its Weinstein catalog and associated distribution rights to Lionsgate. As part of this deal, Lionsgate acquired an 18.9% ownership interest in Spyglass and secured a first-look television production agreement with the studio.
Radius-TWC
Radius-TWC (often presented as RADiUS-TWC) operated as a specialty film label within The Weinstein Company's division dedicated to multi-platform video-on-demand and theatrical releases. Established in 2012, the label concentrated on independent and niche cinema rather than mainstream productions. By 2018, Radius had been responsible for distributing approximately 35 films, thereby broadening TWC's range of offerings. Prominent titles under its banner included:
- 20 Feet from Stardom
- A Lego Brickumentary
- All the Boys Love Mandy Lane
- Bachelorette
- Butter
- Citizenfour
- Fed Up
- Horns
- It Follows – the highest-earning film distributed by Radius-TWC
- The Last Five Years
- Lovelace
- Man of Tai Chi
- Only God Forgives
- Snowpiercer
Radius-TWC’s approach focused on delivering specialized content to targeted audiences, strengthening TWC’s foothold within the independent film marketplace before ceasing active operations.
Weinstein Books
Following in the footsteps of Miramax Books, which Bob and Harvey Weinstein founded in 2001, Weinstein Books was launched in 2009 as a partnership between The Weinstein Company and the Perseus Books Group. This imprint published a wide array of genres including fiction, media-related non-fiction, and young adult literature.
Starting in 2012, Publishing Director Georgina Levitt and Editorial Director Amanda Murray oversaw the imprint’s creative strategy, with Publicity Director Kathleen Schmidt joining a year later in 2013. Weinstein Books maintained close collaboration with The Weinstein Company to produce literary tie-ins for films such as My Week With Marilyn, Bully, and One Chance.
On October 12, 2017, amid controversies involving the Weinstein brothers, Hachette Book Group, which had acquired Perseus’s publishing division in 2016, announced the immediate shutdown of Weinstein Books. Its catalog and authors were subsequently integrated into Hachette Books.
International distributors
- Canada:
- Alliance Atlantis (2005–2008)
- Alliance Films (2008–2013)
- Entertainment One (2013–2018)
- United Kingdom:
- Momentum Pictures (now part of Entertainment One) (2006–2011)
- Optimum Releasing (currently StudioCanal UK) (2007–2017 for select titles)
- Entertainment Film Distributors (2008–2018) (primary distributor)
- Icon Entertainment International (2007–2009)
- Paramount Pictures (2006–2008)
- Warner Bros. UK (limited to TMNT and the The Nut Job series)
- Australia and New Zealand: Roadshow Entertainment (2006–2018)
- Russia: Forum Film (2010–2018); Central Partnership/A Company (2007–2018)
- Middle East: Italia Film (2009–2018)
- Israel: Forum Film (2009–2018)
- France: SND Films, StudioCanal, Metropolitan Filmexport
- Indonesia: SinemArt; Multivision Plus
- Spain: Diamond Films (2016–2018); Alliance Atlantis (2005–2008), Alliance Films (2008–2013), Entertainment One (2013–2016); DeAPlaneta, Tripictures, Filmax (all from 2006 to 2016); Wide Pictures (2008–2011); Warner Bros. España (only for TMNT, Vicky Cristina Barcelona, and Paddington); Universal Pictures (2006–2015); Paramount Pictures (from 2011)
Top-Grossing Movies
| Position | Movie Title | Release Year | Domestic Revenue | Remarks |
|---|---|---|---|---|
| 1 | Django Unchained | 2012 | $162,805,434 | Released internationally in partnership with Columbia Pictures |
| 2 | The King's Speech | 2010 | $138,797,449 | |
| 3 | Silver Linings Playbook | 2012 | $132,092,958 | |
| 4 | Inglourious Basterds | 2009 | $120,540,719 | International distribution shared with Universal Pictures |
| 5 | The Butler | 2013 | $116,632,095 | |
| 6 | Hoodwinked! | 2005 | $110,013,167 | |
| 7 | The Imitation Game | 2014 | $91,125,683 | |
| 8 | Scary Movie 4 | 2006 | $90,710,620 | Released via Dimension Films; international release jointly managed with Buena Vista Pictures |
| 9 | Paddington | 2015 | $76,223,578 | Produced in the UK by StudioCanal |
| 10 | 1408 | 2007 | $71,985,628 | Distributed under Dimension Films; co-distribution by Metro-Goldwyn-Mayer |
External links
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- The Weinstein Company
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