The Wings of the Dove
The Wings of the Dove is a 1902 novel by Henry James that narrates the life of Milly Theale, an affluent American heiress afflicted with a grave illness, and examines how she influences the people around her. While some individuals approach Milly with genuine motives, others are driven by selfish desires.
Synopsis
Kate Croy and Merton Densher, a financially constrained engaged couple residing in London, face familial pressures—Kate lives under the dominance of her aunt, Maud Lowder. Milly Theale, a wealthy American who once harbored secret feelings for Densher, becomes part of their social circle through Mrs. Stringham, an old acquaintance of Maud. Milly quickly attains social prominence in London society.
Worried about her symptoms, Milly seeks advice from Sir Luke Strett, a distinguished doctor, who is unable to provide a definitive diagnosis. Kate suspects that Milly’s condition is fatal. After returning from America, Densher encounters Milly again in London; Kate encourages him to develop a close relationship with Milly but keeps their own engagement concealed.
Confronting the reality of her impending death, Milly journeys to Venice accompanied by Mrs. Stringham; Kate, Aunt Maud, and Densher follow them. During a gathering at Milly’s palazzo (inspired by Palazzo Barbaro), Kate discloses her scheme: Densher is to wed the terminally ill heiress to secure her fortune for their eventual marriage. Densher insists that Kate consummate their relationship before consenting.
Kate and Aunt Maud return to London while Densher remains with Milly until she discovers the plot through Kate’s former suitor. Feeling deceived, Milly withdraws and her health deteriorates further. Upon Milly’s passing, she leaves Densher a substantial inheritance, which he refuses unless Kate also renounces it. Should Kate prioritize wealth over him, Densher offers to transfer the inheritance to her. The novel concludes with their unresolved farewell: "We shall never be again as we were!"
Inspiration
The character of Milly was inspired by Minny Temple (1845–1870), Henry James’s cherished cousin who succumbed to tuberculosis. In his autobiography, James described The Wings of the Dove as his artistic attempt to envelop her death in "beauty and dignity." In the preface to the New York Edition of the novel, James clarified that he devised the circumstances surrounding Milly’s final months and highlighted Kate and Densher's financial obstacles preventing their marriage.
Although doves are commonly emblematic of love and peace, the phrase "wings of the dove" also implies affluence: "Though you lie down among the sheepfolds, the wings of the dove are covered with silver, and her feathers with shimmering gold." (Psalm 68:13)
Literary significance and criticism
Despite Henry James’s own critiques regarding its structure, character development, and overall execution—as noted in his New York Edition preface—The Wings of the Dove enjoys high critical esteem among his works.
Most scholars consider these perceived shortcomings insignificant or unwarranted, instead emphasizing James’s subtle characterization and narrative artistry. Drawing on Eve Kosofsky Sedgwick’s interpretation, critic Rachel Haines points to lesbian themes within the novel—its "queer metaphorics of influence and impressibility"—manifested through the desires shared among Milly, Kate, and Susan (Mrs. Stringham).
In 1998, The Wings of the Dove was ranked 26th by the Modern Library in its list of the 100 greatest English-language novels of the twentieth century.
Theatrical, Television, and Film Interpretations
The initial television rendition of The Wings of the Dove was broadcast in 1952 on Westinghouse Studio One (CBS), under the direction of Franklin J. Schaffner, with Charlton Heston portraying Merton Densher. Another adaptation followed in 1959 for Playhouse 90 (CBS), featuring Dana Wynter as Kate Croy and James Donald in the role of Miles Denshaw (a renamed character).
In 1956, playwright Guy Bolton brought the novel to Broadway as Child of Fortune, which ran for 23 performances at the Royale Theatre. The production starred Mildred Dunnock, Norah Howard, Edmund Purdom, Pippa Scott, and Betsy von Furstenberg, with direction by Jed Harris.
The story was also converted into an opera by composer Douglas Moore, debuting at the New York City Opera on October 12, 1961, featuring Regina Sarfaty in the role of Kate Croy.
Christopher Taylor adapted the narrative for a West End production at the Lyric Theatre, London in 1963. Directed by Frith Banbury, the cast included Gene Anderson, Susannah York, Wendy Hiller, and James Donald.
The BBC presented a television drama version in 1979, directed by Rudolph Cartier. That same year saw another TV adaptation starring John Castle and Suzanne Bertish.
There have been three cinematic adaptations of The Wings of the Dove: released in 1981, 1997, and 1998. The 1997 movie, directed by Iain Softley and starring Helena Bonham Carter, Alison Elliott, and Linus Roache, garnered critical acclaim, achieved solid box office success, and earned Bonham Carter an Academy Award nomination. The 1998 film titled Under Heaven reimagined the setting from London to Seattle, offering a contemporary take on the story.
References
- The Wings of the Dove: Authoritative Text, The Author and the Novel, Criticism edited by J. Donald Crowley and Richard Hocks (New York: W.W. Norton & Company, 2003)
- The Wings of the Dove, edited by Nicola Bradbury (Wordsworth Classics, 2009)
- The Novels of Henry James by Edward Wagenknecht (New York: Frederick Ungar Publishing Co., 1983)
- The Novels of Henry James by Oscar Cargill (New York: Macmillan Co., 1961)
External links
- 1902 British novels
- 1902 American novels
- American novels adapted into films
- Novels by Henry James
- Novels set in London
- Novels set in Venice
- British novels adapted into films
- American novels adapted into plays
- British novels adapted into plays
- British novels adapted into operas
- Constable & Co. books
- American novels adapted into operas