The Yellow Monkey
| Company type | Private |
|---|---|
| Industry | Music |
| Founded | 1988 |
| Founder | Kazuya Yoshii |
| Defunct | 2004 (originally) |
| Fate | Dissolved in 2004, reunited in 2016 |
| Headquarters | Japan |
Area served | Japan |
| Products | Music albums, singles, live performances |
The Yellow Monkey, occasionally shortened to , is a Japanese rock group that originally performed from 1988 until 2001, officially dissolving in 2004 before reuniting in 2016.
Their name draws from a derogatory phrase linking Japanese people to monkeys combined with the descriptor "yellow," referring to Asian skin tone. Recognized as a prominent force in Japanese rock, The Yellow Monkey has sold approximately 10 million records,[1] including 6.2 million singles.Cite error: The opening <ref> tag is malformed or has a bad name The band achieved three back-to-back chart-topping albums, released 18 singles that reached the top ten, and was placed at number 81 on HMV's 2003 ranking of the 100 most influential Japanese pop artists.[2] Globally, they are best known for their track "Tactics," which served as an ending theme for the Rurouni Kenshin anime.
1988–1994: Formation and Early Years
The Yellow Monkey was established in 1988 by Kazuya Yoshii after his former band Urgh Police disbanded. Transitioning from bass to guitar, Yoshii recruited bassist Youichi Hirose from the defunct heavy metal outfit Murbas, attracted by his distinctive style and character. Drummer Eiji Kikuchi joined following the dissolution of Killer May, and when vocalist Kenichi Matsuo departed, Eiji's elder brother Hideaki was brought in as lead guitarist. Initially acting as temporary vocalist, Yoshii became the permanent frontman once the band secured a recording opportunity.
Beginning their journey on the underground scene, The Yellow Monkey earned attention for their songwriting abilities and energetic live shows, which became central to their identity. Their lineup debuted on December 28, 1989, at Shibuya La Mama. This growing momentum laid the groundwork for their first studio album.
In 1991, they self-released Bunched Birth, a collection of seven original tracks characterized by raw hard rock influences and Yoshii's unique lyrical style. The positive reception paved the way for their major label debut with The Night Snails and Plastic Boogie (1992) under Triad/Nippon Columbia. This album offered eleven refined songs and increased their visibility, supported by singles such as "Romantist Taste" and the ballad "Pearl Light of Revolution," highlighting Yoshii's skill in crafting emotive ballads.
Their 1993 release Experience Movie showcased enhanced production quality alongside emotionally resonant compositions. Although their compelling stage presence and Yoshii’s passionate performances won critical praise, widespread commercial breakthrough in Japan remained modest.
In 1994, they unveiled the concept album Jaguar Hard Pain 1944–1994, telling the tale of Jaguar, a World War II soldier returning to find his beloved Mary. This project concluded the band's initial era, marked by a sound less oriented toward mainstream appeal.
1995–2000: Period of Prominence
By 1995, The Yellow Monkey had gained considerable acclaim within Japan, performing at their inaugural show at the Nippon Budokan on April 11. They released Smile, an album that achieved both critical acclaim and commercial success, accompanied by the single "Love Communication". Tracks like "Fantasy" (Nagekunari Waga Yoru no Fantasy), "Scorching Night" (Nettaiya), the ballad "Hard Rain," and "Venus's Flower" (Venus no Hana) became enduring fan favorites. Their nationwide tour supporting Smile included over forty major performances.
Late in 1995 saw the release of Four Seasons, recorded in London and reaching No. 1 on Oricon charts. Featuring more accessible compositions, it resonated strongly with fans and anime viewers alike; notably, "Tactics" was selected as the first ending theme for the acclaimed Rurouni Kenshin anime, becoming their most commercially successful single to date. Other notable tracks from this album include "The Sun Is Burning" (Taiyō ga Moeteiru), "I Love You Baby," and "Father." Despite mainstream popularity, The Yellow Monkey maintained a dedicated cult following through consistent lyrical depth and lively concerts. On May 5, 1996, they performed alongside The Spiders from Mars in London.
Following two successive album releases, the band paused activities for a year due to Kazuya’s stress from intense workloads. During this hiatus, they issued the compilation Triad Years Act 1, which earned million-seller status certified by the RIAJ. They also transitioned to BMG Funhouse/Ariola Japan. On December 28, 1996—celebrating seven years since their debut concert—they held Mekara Uroko 7 at Nippon Budokan featuring orchestral reinterpretations of earlier songs like "Pearl Light of Revolution," regarded as a career highlight for Kazuya. The Mekara Uroko name continued to be used for annual special concerts.
In 1997, The Yellow Monkey released what is often considered their masterpiece: Sicks. This album combined their evolving musical style with influences from prior works, featuring sophisticated and mature arrangements beginning with "Rainbow Man." The single "Rakuen" achieved commercial success and remains one of their hallmark songs; it was later covered by Eric Martin of Mr. Big in 2012. Other notable pieces include the ballad "End of Life (for Grandmother)" and the eight-minute epic "Trip in Heaven," both widely regarded among their finest creations.
Their commercially successful follow-up Punch Drunkard arrived in 1998. Although it did not surpass Sicks in sales, it was recognized by music magazine Band Yarouze as one of the best albums released between 1989 and 1998. Hit singles included "Kyūkon" ("Bulb"), "Burn," and "Love Love Show." Maintaining a similar songwriting approach as its predecessor, this album supported an extensive tour comprising 113 concerts through 1999—the largest tour in their history. They also conducted a brief tour in the United Kingdom during July 1998 and held Mekara Uroko 9 at Nippon Budokan that December.
After concluding the Punch Drunkard tour in March 1999, live performances were largely suspended except for two shows including Mekara Uroko 10 at Nippon Budokan on December 28 commemorating their tenth anniversary with guest artists. Returning in 2000, they released their final studio effort titled 8, backed by successful singles such as "Holy Sea and Sunshine" (Seinaru Umi to Sunshine), "Pearl," "Rosy Days" (Barairo no Hibi), and "Shock Hearts." This album reflected stronger Western musical influences prevalent among Japanese bands at that time. Despite its favorable reception, live shows were limited to a brief Spring Tour consisting of ten dates, signaling an approaching end to their active period.
2001–2004: Conclusion and Subsequent Endeavors
In 2001, The Yellow Monkey commenced an indefinite break following their final concerts held at Osaka Dome on January 4 and Tokyo Dome on January 8, both under the title Mekara Uroko 8, a nod to their then-recent album. Their concluding single, "Primal.," produced by Tony Visconti, was released on January 31. That June, they issued the compilation album Golden Years Singles 1996–2001. During this hiatus, band members embarked on individual projects: Kazuya adopted the moniker Yoshii Lovinson; Hirose collaborated with Heesey with Dudes; Annie formed Big Bites alongside Anchang and Natchin; and Hideaki fronted brainchild's.
In 2004, a comprehensive three-disc collection entitled Mother of All the Best was released, encompassing singles, b-sides, demos, and live recordings. The group officially dissolved on July 7. However, they reunited for a farewell performance at The Exhibition and Video Festival of The Yellow Monkey Mekara Uroko 15 held at Tokyo Dome on December 26, delivering the song "Jam".
A tribute compilation, This is For You ~ The Yellow Monkey Tribute Album, featuring contributions from artists such as Mucc, Fujifabric, and Kreva, was released on December 9, 2009. Additionally, Chemical Pictures covered their track "Jam" on the 2011 release Crush! 2 -90's V-Rock Best Hit Cover Songs-.
To commemorate two decades since their major label debut, a remixed version of their debut single titled "Romantist Taste 2012", mastered by Ted Jensen, was issued on October 10, 2012.
In 2013, the documentary film Pandora: The Yellow Monkey Punch Drunkard Tour The Movie, chronicling their extensive 1998-1999 tour spanning 113 shows, premiered nationwide. This film featured an interview with all four members together for the first time following their disbandment.
2016–present: Revival
Speculation about The Yellow Monkey’s comeback began with the launch of a cryptic website featuring a countdown to January 8, 2016, along with GPS coordinates of their initial concert venue. On that day, the band officially announced a twenty-date arena tour commencing May 11 at Yoyogi National Gymnasium, marking their first performance in fifteen years. This reunion was sparked by Yoshii’s inspiration after attending a The Rolling Stones concert in London in 2013. Their first new track in years, "Alright", premiered on radio February 10, 2016, followed by the single "Tower of Sand" ("Suna no Tō") released October 19 of the same year. Throughout 2016, they performed forty-two shows attracting over 360,000 fans, including Mekara Uroko 27 at Nippon Budokan on December 28. They also established , a charitable initiative supporting disaster relief and medical aid through donations collected at concerts and merchandise sales. In recognition of their influence on music, they were honored with a Special Award at the 58th Japan Record Awards in 2016 and named Best Respect Artist at the 2017 Space Shower Music Awards.
Celebrating the twenty-fifth anniversary of their major label debut, they unveiled the self-cover album The Yellow Monkey is Here. New Best on May 21, 2017. This collection featured re-recorded fan-selected tracks from Yemon -Fan's Best Selection-, alongside a new track "Rosanna" included in a special edition. They also covered David Bowie’s "Ziggy Stardust," which was digitally released in September and later as a limited vinyl in January 2018. Subsequent digital singles included "Stars" (October) and "Horizon," serving as the theme for the film Ototoki (November). That year included performances at Tokyo Dome for the first time in seventeen years on December 9–10 and Mekara Uroko 28 -Kyushu Special- at Fukuoka Yafuoku! Dome.
In October 2018, The Yellow Monkey signed with Atlantic Records/Warner Music Japan, making their entire catalog globally accessible via digital platforms starting November 9 alongside the release of new song "Ladybug" ("Tentomushi"). Only one concert took place that year: Mekara Uroko 29 -Final- at Nippon Budokan on December 28, which was announced as the concluding show under the Mekara Uroko series banner. The digital single "I Don't Know" followed in January 2019. Their tenth studio album 9999, arriving nineteen years after its predecessor, was released April 17 and supported by a nationwide arena tour through September. This album earned Album of the Year honors at the 61st Japan Record Awards. A surprise intimate concert at Shibuya La Mama on August 6 celebrated their early career roots with a limited audience. Marking their thirtieth anniversary, an expanded edition 9999+1 was issued along with plans for four dome concerts scheduled between December 28, 2019 and April 5, 2020; however, two Tokyo Dome shows were canceled due to the COVID-19 pandemic in Japan. Four additional dome performances occurred between November and December and were subsequently released on video in March 2021. Their first live album in over twenty years titled Live Loud, featuring fan-chosen songs, came out in February 2021.
In March 2023, all band members contributed to idol group Bish's single "Bye-Bye Show"; Yoshii handled writing and production while other members participated as performers. Yoshii disclosed undergoing three surgeries for throat polyps during 2022; later examinations diagnosed early-stage laryngeal cancer, which was successfully treated by early 2023. The Yellow Monkey digitally released "Hotel Neutrino" on January 1, 2024 followed by "Shine On" on April 3. They returned to Tokyo Dome for their first concert in three years on April 27 and launched their eleventh studio album Sparkle X on May 29. On October 15, they embarked on their first extensive hall tour in twenty-five years comprising thirty concerts extending into mid-2025. This tour’s four segments celebrated anniversaries of albums Jaguar Hard Pain 1944–1994 and Smile, included a rare performance at NHK Hall after twenty-seven years, culminating June 13, 2025. Their twenty-sixth single "Cat City," serving as the theme for anime Night of the Living Cat, is slated for release in July. Upcoming appearances include sharing the stage with B'z at Unite #02 in Yokohama (June) and participating in Luna Sea’s Lunatic Fest at Makuhari Messe (November).
Musical style
Yū Aoki from M-ON! Music characterized The Yellow Monkey's musical approach as deeply influenced by glam rock and hard rock.[3] According to Tomoki Takahashi of Rockin'On, although all four band members originated from the 1980s' Japanese metal scene, their sound merges inspirations drawn from David Bowie, T. Rex, Lou Reed, and the New York Dolls.[4] This amalgamation is also reflected in their distinctive use of fashion and makeup, contributing to a unique visual presentation.[4] Aoki highlighted that the group incorporates distinctly Japanese aspects within their melodies, lyrics, and thematic content, beyond their Western influences.[3] Themes of eros and decadence are notably prominent in their early material,[3] which Takahashi identifies as integral to their lasting artistic identity and musical complexity.[4]
Members
- Current members
- – lead vocals, guitar
- – guitar, backing vocals
- – bass guitar, backing vocals
- – drums
- Support members
- – keyboards (1994–2001, 2024[5])
- – keyboards (2016–present)
Studio albums
- Bunched Birth (July 21, 1991), peaked at No. 40 on the Oricon Albums Chart (1996 reissue)[6]
- The Night Snails and Plastic Boogie (June 21, 1992), reached No. 79[7]
- Experience Movie (March 1, 1993), attained No. 80[7]
- Jaguar Hard Pain 1944–1994 (March 1, 1994), peaked at No. 28[7]
- Smile (February 1, 1995), climbed to No. 4[7]
- Four Seasons (November 1, 1995), achieved No. 1[7]
- Sicks (January 22, 1997), reached No. 1[7]
- Punch Drunkard (March 4, 1998), secured the No. 1 spot[7]
- 8 (July 26, 2000), peaked at No. 2[7]
- 9999 (April 17, 2019), reached No. 3[8]
- Sparkle X (May 29, 2024), debuted at No. 1[6]
Compilation albums
- Triad Years Act 1 The Very Best of The Yellow Monkey (December 7, 1996), peaked at No. 2
- Triad Years Act 2 The Very Best of The Yellow Monkey (April 19, 1997), reached No. 2
- The Yellow Monkey Single Collection (December 10, 1998), attained No. 10
- Triad Years Act I & II The Very Best of The Yellow Monkey (March 1, 2001), peaked at No. 25
- Golden Years Singles 1996-2001 (June 13, 2001), achieved No. 2
- The Yellow Monkey Mother of All The Best (December 8, 2004), climbed to No. 5
- , peaked at No. 2
- 30 Years 30 Hits (January 8, 2022, streaming only)
Other albums
- Triad Complete Box (December 10, 1997, box set), reached No. 14
- So Alive (May 26, 1999, live album), peaked at No. 4
- This is For You ~ The Yellow Monkey Tribute Album (December 9, 2009, tribute album), attained No. 6
- Complete Sicks (January 22, 2010), reached No. 6
- The Yellow Monkey is Here. New Best (May 21, 2017, self-cover album), debuted at No. 1
- 9999+1 (December 4, 2019), peaked at No. 2
- Live Loud (February 3, 2021, live album), reached No. 1
- The Night Snails and Plastic Boogie <Deluxe Edition> (April 25, 2022), climbed to No. 5
- The Yellow Monkey Vinyl Album Collection -Major Debut 30th Anniversary Edition- (January 11, 2023, box set), peaked at No. 42
- Sparkle X -Complete Box- (October 9, 2024, box set), reached No. 3
- Jaguar Hard Pain 1944–1994 <Perfect Box> (December 28, 2024), attained No. 13
Singles
- "Romantist Taste" (released May 21, 1992)
- Chart positions: No. 49, No. 97, No. 59
- "Love Communication" (issued January 21, 1995) reached No. 29
- Additional rankings: No. 34, No. 19, No. 9
- "Jam/Tactics" (February 29, 1996) peaked at No. 6
- "Spark" (July 10, 1996) attained No. 3
- Further chartings: No. 3
- "Love Love Show" (April 19, 1997) reached No. 4
- "Burn" (July 24, 1997) achieved No. 2
- Other positions: No. 1, No. 15
- "Sugar Fix" (August 21, 1998) hit No. 5
- "My Winding Road" (October 21, 1998) also reached No. 5
- "So Young" (March 3, 1999) peaked at No. 5
- Additional rankings include No. 4 and No. 9
- "Shock Hearts" (April 5, 2000) climbed to No. 3
- Other chartings: No. 6
- "Brilliant World" (November 1, 2000) reached No. 5
- Additional position: No. 3
- "Romantist Taste 2012" (October 10, 2012) achieved No. 5
- Further ranking: No. 2
- "Cat City" (July 9, 2025) peaked at No. 3
Other singles
- "Alright" (February 12, 2017; exclusive to fan club)
- "Ziggy Stardust" (September 13, 2017; available only via Amazon.co.jp)
- "Stars" (October 27, 2017)
- "Horizon" (November 29, 2017)
- , reached No. 11 on Oricon Digital Singles Chart
- "I Don't Know" (January 25, 2019) peaked at No. 19
- "Dandan" (October 30, 2019) attained No. 7
- Additional chartings: No. 6 and No. 16
- "Shine On" (April 3, 2024) reached No. 24
Home videos
- Cherry Blossom Revolution -Live at Budokan- released July 21, 1995
- Clips Video Collection 1992〜1996 issued March 30, 1996
- True Mind Tour '95-'96 For Season: In Motion released October 21, 1996
- Blue Film issued November 1, 1997
- Red Tape released December 3, 1997
- Purple Disc issued December 17, 1997
- Clips 2 Video Collection 1996〜1998 released November 18, 1998
- Jaguar Hard Pain Live '94 issued December 10, 1999
- Spring Tour released December 9, 2000; reached No. 25 on Oricon DVDs Chart
- Clips 3 Video Collection 1999〜2001 issued March 14, 2001; peaked at No. 11
- The Yellow Monkey Clip Box released December 8, 2004; attained No. 9
- The Yellow Monkey Live Box issued December 8, 2004; charted at No. 15
- The Yellow Monkey Live at Tokyo Dome released December 28, 2004; reached No. 13
- Additional rankings include positions: No. 82, No. 6, No. 161, and No. 241
- True Mind "Naked" issued October 21, 2012; peaked at No. 4
- Red Tape "Naked" released December 3, 2012; attained No. 5
- Additional ranking: No. 7 on Oricon Blu-rays Chart with a peak of No.102
- The Yellow Monkey Super Japan Tour 2016 -Saitama Super Arena- issued October 19, 2016; secured the top spot on both DVDs and Blu-rays charts
- The Yellow Monkey Live Box released March 21, 2018; reached No.13
- Further rankings include DVD position at No.40 and deluxe Blu-ray at No.3
- The Yellow Monkey Super Big Egg Tour 2017 issued August 2, 2019; DVD peaked at No.3 and Blu-ray at No.4
- The Yellow Monkey30th Anniversary Live -Dome Special-2020.11.3 released March10,2021; DVD reached position21 and Blu-ray position35
- 30th Anniversary The Yellow Monkey Super Dome Tour Box issued March10,2021; DVD peaked atNo.4 and Blu-ray atNo.2
- Spring Tour "Naked" released May11,2022; Blu-ray attained positionNo.3
- The Yellow Monkey Super Japan Tour2019 -Grateful Spoonful- Complete Box issued July20,2022; Blu-ray peaked atNo.3
- The Yellow Monkey Super Big Egg2024 "Shine On" released October9,2024; DVD reachedNo.7 and Blu-rayNo.10
- Clips4 scheduled for November12,2025
Video games
- Perfect Performer: The Yellow Monkey (PlayStation, released July 1, 1999)
- The Yellow Monkey: Trancemission VJ Remix (PlayStation, released April 14, 2000)
Awards
| Year | Award | Category | Nominee or recipient | Outcome |
|---|---|---|---|---|
| 1997 | 1997 MTV Video Music Awards | International Viewer's Choice - Japan | "Rakuen" | Template:Nom |
| 2016 | 2016 MTV Video Music Awards Japan | Inspiration Award Japan | The Yellow Monkey | Template:Won |
| Best Group Video - Japan | "Alright" | Template:Nom | ||
| Best Rock Video | "Alright" | Template:Nom | ||
| 49th Japan Cable Awards | Special Award | "Spark" and "Tower of Sand" | Template:Won | |
| 58th Japan Record Awards | Special Award | The Yellow Monkey | Template:Won | |
| 2017 | Space Shower Music Awards | Best Respect Artist | The Yellow Monkey | Template:Won |
| 9th CD Shop Awards | Live Video Award | The Yellow Monkey Super Japan Tour 2016 -Saitama Super Arena 2016.7.10- | Template:Won | |
| 2018 | Space Shower Music Awards | Best Group Artist | The Yellow Monkey | Template:Nom |
| 2019 | 61st Japan Record Awards | Album of the Year | 9999 | Template:Won |
| 2020 | 12th CD Shop Awards | Winning work | 9999 | Template:Won |
| Space Shower Music Awards | Best Group Artist | The Yellow Monkey | Template:Nom | |
| Album of the Year | 9999 | Template:Won |
External links
- Official website of The Yellow Monkey
- Official website of Kazuya Yoshii
- Official website of Yoichi Hirose
- Official website of Eiji Kikuchi
- Official website of Hideaki Kikuchi
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