Tiger Morse
Joan "Tiger" Morse | |
|---|---|
| Born | Template:Birth date New York City, U.S. |
| Died | April 22, 1972 (aged 40) New York City, U.S. |
| Occupation(s) | Fashion designer, entrepreneur, socialite |
| Years active | 1955–1972 |
| Known for | Groundbreaking 1960s clothing designs; boutiques in New York City; costume design for films |
Joan "Tiger" Morse (April 23, 1931 – April 22, 1972) was an influential American fashion designer, entrepreneur, and socialite recognized for her groundbreaking clothing creations during the 1960s. She operated multiple boutique stores in New York City that attracted a clientele of celebrities. Morse appeared in Andy Warhol's film Tiger Morse (Reel 14 of ****) (1967) and contributed as a costume designer to John Chamberlain's movie The Secret Life of Hernando Cortez (1968). Most of her life was spent in New York City, with a later chapter based in London.
Early life and education
Joan Sugarman was born in New York City to Marcia Sand (née Freedman) and architect Morris Henry Sugarman, into a Jewish family. Following her parents’ divorce in 1944, she attended Lincoln School in Providence, Rhode Island, and Cherry Lawn School located in Darien, Connecticut. Her academic journey included studies at Syracuse University as well as the Sorbonne University in Paris. Before her 1951 engagement to William A. Moses, she legally adopted the name Joan M. Sand, taking her mother’s maiden surname.
Career
Beginning in 1955, Morse owned the boutique "A La Carte," which was rebranded as "Kaleidoscope" in 1964 and situated on East 58th Street in Manhattan. Additionally, she managed Tiger's Toys and the "Teeny Weeny," a shop positioned on Madison Avenue near 73rd Street. Her enterprises featured both ready-to-wear and custom-tailored apparel, alongside designing footwear such as shoes and boots. By 1967, she was pioneering kinetic garments incorporating early electronic elements for a collection inspired by psychedelic aesthetics. Her stores were renowned for their unconventional interiors and drew distinguished patrons including Jacqueline Kennedy Onassis, Florence Knoll Bassett, Jean Harvey Vanderbilt, and Twiggy.
Initially concentrating on saris, kimonos, and Asian fabrics early in her career, Morse was spotlighted in a comprehensive eight-page Life magazine feature chronicling her textile sourcing expedition throughout Asia in 1962. Transitioning into the early 1960s, her style evolved to embrace vivid fluorescent hues and bold shapes that resonated with the rising countercultural movements. She adopted trends such as miniskirts, oversized sunglasses, paper dresses, babydoll silhouettes crafted from inventive materials, artificially dyed furs, mod fashion influences, reflective surfaces including mirrors and mirror balls, patriotic "Uncle Sam" motifs, and vinyl clothing.
Her 1966 runway presentation was held at artist Jan Yoors' loft in Manhattan and showcased blacklight effects, fluorescent garments, and an elevated catwalk; notable attendees comprised Andy Warhol with his Factory entourage, Edie Sedgwick, and Halston. That same year, Women's Wear Daily recognized her among New York’s leading "fashion revolutionaries," grouping her with figures like Edie Sedgwick, Baby Jane Holzer, Pierre Cardin, Paco Rabanne, Rudi Gernreich, André Courrèges, Emanuel Ungaro, Yves Saint Laurent, and Mary Quant.
In 1968, Morse ventured into costume design for John Chamberlain’s film The Secret Life of Hernando Cortez, shot in Mexico featuring Ultra Violet and Taylor Mead.
Death and legacy
Toward the end of her life, she moved to London but faced challenges with amphetamine addiction. Morse passed away on April 22, 1972—one day before her 41st birthday—from a drug overdose while visiting New York City. She experienced several marriages and had one son named Henry Winston Moses.
Her designs are preserved within esteemed institutions such as the Museum of the City of New York and the Metropolitan Museum of Art. Collections documenting her professional work are maintained by the Dolph Briscoe Center for American History and the Toronto Public Library Archive.
In 2013, the Andy Warhol film featuring Morse—Tiger Morse (Reel 14 of ****) (1967)—was restored and presented at film preservation events. Posthumous exhibitions highlighting her contributions include "Tiger Morse by Mark Shaw: Jet-Set Style Quest 1962" (2015) held in New York City and the group show "Mod New York: Fashion Takes a Trip" (2017–2018) at the Museum of the City of New York.
Related topics
External resources
- Articles with short description
- Articles with hCards
- No local image but image on Wikidata
- 1931 births
- 1972 deaths
- American women costume designers
- American costume designers
- Syracuse University alumni
- 1960s fashion
- 20th-century American women
- American businesspeople in fashion
- Paris-Sorbonne University alumni
- American emigrants to the United Kingdom
- Fashion designers from London
- Businesspeople from New York City
- Drug-related deaths in New York City
- People associated with The Factory
- American Jews