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Cinque Gallery

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Adapted from the English Wikipedia article Cinque Gallery, available under CC BY-SA 4.0Updated 30 November 2025
Cinque Gallery
Company typeArtist-run gallery
IndustryArt gallery
Founded1969
FounderRomare Bearden, Ernest Crichlow, Norman Lewis
Defunct2004
Headquarters
New York City
,
United States
Area served
Primarily Black artists and artists of color

The Cinque Gallery operated in New York City from 1969 until 2004, established by Romare Bearden, Ernest Crichlow, and Norman Lewis during the era of the Black power movement. Its primary mission was to create opportunities for emerging and overlooked artists—mainly Black—to present and advance their artistic practices. Functioning largely through volunteer efforts, Cinque organized solo exhibitions, group shows, traveling displays, and initiated an artist residency program first featuring collagist Nanette Carter.

Throughout its 35 years, the gallery presented figurative and abstract works by approximately 450 artists of color, gaining recognition for its inclusive representation. Distinguished participants included figurative painter Jacob Lawrence; artist Michael S. Kendall; abstract painter Frank Bowling OBE RA; Caldecott Award-winning illustrator Tom Feelings; animator Edward H. Love; sculptor Valerie Maynard; muralist Hale Woodruff; National Medal of Arts honoree Jack Whitten; and master printmaker Robert Blackburn.

As a creative space managed by artists and deeply connected to the Black Arts Movement, Cinque extended its reach by also featuring marginalized Asian and Hispanic artists, thereby expanding its influence beyond African American art circles.

History

The gallery’s inception was a direct response to the 1969 exhibition Harlem on My Mind at New York City's Metropolitan Museum of Art, which included documentary photography but notably excluded Black fine artists. Its name pays tribute to Sengbe Pieh, also known as Joseph Cinqué, who led the 1839 revolt aboard the Spanish slave ship La Amistad.

Cinque's roots trace back to the Spiral collective (1963–1965), which engaged with questions surrounding "What is Black art?" This group featured co-founders Romare Bearden and Ernest Crichlow as well as artists such as Hale Woodruff and Charles Alston. The late 1960s marked a period of increasing cultural and financial self-determination within New York’s art community, leading to the formation of institutions like the Brooklyn Museum Community Gallery and the Studio Museum in Harlem. By the 1980s, Administrative Director Karen Hatcher alongside co-founder Crichlow underscored the gallery’s practical role in equipping young Black artists with administrative, political, and social insights. The gallery ceased operations in 2004.

In 2019, the Romare Bearden Foundation commemorated Cinque’s 50th anniversary with an event at the Harlem School of the Arts. Two years later, in 2021, the Art Students League of New York paid tribute to its heritage through Creating Community: Cinque Gallery Artists, highlighting many former exhibitors. Since 2017, guest curator Susan Stedman has been compiling an oral history of the gallery, supported by archival materials housed at the Smithsonian's Archives of American Art.

Artists

(Selected prominent artists; not exhaustive.)

See also

External links

Related books

  • Cahan, S. E. (2016). Mounting Frustration: The Art Museum in the Age of Black Power. Durham, NC: Duke University Press. 360 pages.