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Panteha Abareshi

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Adapted from the English Wikipedia article Panteha Abareshi, available under CC BY-SA 4.0Updated 1 December 2025
Panteha Abareshi
پانته‌آ ابارشی
BornTemplate:Birth year and age
Montreal, Quebec, Canada
EducationUniversity of Southern California
Occupationconceptual visual artist
Notable workFor Medical Use Only (2019), NOT A BODY (2021), FETISH MATERIAL (2023), OBJECT dESIRE (2024)
Websitewww.panteha.com

Panteha Abareshi (; born 1999) is a multidisciplinary artist and curator of Canadian origin who works primarily in installation art, video art, and performance art. With Jamaican and Iranian heritage, their creative practice centers on themes of chronic illness and disability. Abareshi resides in Los Angeles, California, and uses the pronouns they/them/theirs.

Early life

Abareshi was born in 1999 in Montreal, Quebec, Canada, and grew up in Tucson, Arizona. Raised mainly by their single father, they come from a Jamaican mother and an Iranian father. At the age of two, they were diagnosed with Sickle cell zero beta thalassemia, a hereditary blood disorder that results in persistent pain worsening over time.

Education

Abareshi completed their studies at the University of Southern California’s Roski School of Art and Design, where they were mentored by Jennifer West. Their artistic output is deeply informed by personal experiences with chronic illness, addressing subjects such as medical violence, representation, and the physicality of materials. The 2019 video piece For Medical Use Only notably inspired fellow artist Carolyn Lazard. In January 2020, Abareshi was featured on the cover of Bitch Magazine (spring 2020, issue 86) and released an art publication titled Panteha Abareshi: I Am Inside the Body through Sming Sming Books. They earned the 2021 VSA Emerging Artists Competition award presented by the Kennedy Center.

Exhibitions

  • 2017 – Participated in the group show The Body As Site Of at Lippitt House hosted by Brown University in Providence, Rhode Island
  • 2020 – Contributed to Art4Equality x Life, Liberty & The Pursuit of Happiness, a group exhibition accompanied by a public billboard campaign in Brooklyn, New York City
  • 2020 – Included in Shape Open 2020: The Future is Loading (Part II), organized by Shape Arts in London, England
  • 2021 – Presented solo exhibition Panteha Abareshi: Tender Calamities at the Los Angeles Municipal Art Gallery (LAMAG) during the COVID-19 pandemic
  • 2021 – Featured in “Well/Being: An Exhibition on Healing and Repair” at University Art Museum

Filmography

  • Infanticide (2018), video performance
  • Not Better Yet (2019), created using Super 8 and VHS film formats
  • For Medical Use Only (2019), produced on 8 mm and hi8 film
  • For Parts (2020), VHS video

See also

External links