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Samuel Goldwyn Productions

From Alfawiki
Samuel Goldwyn Productions
Company typePrivate
IndustryMotion picture production
Founded1923
FounderSamuel Goldwyn
Defunct1959
FateCeased operations
Headquarters
United States
ProductsMotion pictures

Samuel Goldwyn Productions was an American motion picture production company established by Samuel Goldwyn in 1923, operating until 1959. With Goldwyn's direct leadership and an emphasis on filmmaking rather than film distribution, it emerged as the most profitable and critically acclaimed independent studio during the Golden Age of Hollywood.

History

Following the sale of his earlier enterprise, Goldwyn Pictures, Samuel Goldwyn initiated his new production company in February 1923, initially collaborating with director George Fitzmaurice. Although the studio Metro-Goldwyn-Mayer was created in 1924 and included his name, Goldwyn himself did not produce films there. The company’s debut release, Potash and Perlmutter, had a successful premiere in Baltimore on September 6, 1923.

In its early years, some productions were credited under "Howard Productions," named after Goldwyn's wife, Frances Howard, whom he wed in 1925. During the 1920s, Goldwyn’s films were distributed through Associated First National, shifting to United Artists in the 1930s, and from 1941 onward primarily via RKO Radio Pictures.

Renowned for its superior production quality and partnerships with directors such as John Ford and Howard Hawks, Samuel Goldwyn Productions garnered numerous Academy Award for Best Picture nominations including Arrowsmith (1931), Dodsworth (1936), Dead End (1937), Wuthering Heights (1939), and The Little Foxes (1941). The studio secured the Best Picture Oscar in 1946 with The Best Years of Our Lives.

Throughout the 1940s and 1950s, many productions prominently featured star Danny Kaye. The company's final film was the 1959 version of Porgy and Bess.

The Academy Film Archive preserves elements from numerous films produced between 1929 and 1955 as part of the Samuel Goldwyn Collection.

Filmography

Release date Title Distributor Notes
September 6, 1923 Potash and Perlmutter First National
January 24, 1924 Template:Sortname
April 3, 1924 Cytherea
September 29, 1924 In Hollywood with Potash and Perlmutter
May 3, 1925 His Supreme Moment
June 18, 1925 Template:Sortname
September 27, 1925 Template:Sortname
November 16, 1925 Stella Dallas United Artists
February 15, 1926 Partners Again
October 14, 1926 Template:Sortname
January 27, 1927 Template:Sortname
September 18, 1927 Template:Sortname
November 3, 1927 Template:Sortname
March 23, 1928 Two Lovers
November 17, 1928 Template:Sortname
January 12, 1929 Template:Sortname
May 2, 1929 Bulldog Drummond
June 22, 1929 This Is Heaven
November 3, 1929 Condemned
July 24, 1930 Raffles
October 5, 1930 Whoopee!
December 20, 1930 Template:Sortname
January 14, 1931 One Heavenly Night
September 5, 1931 Street Scene
October 3, 1931 Palmy Days
October 28, 1931 Template:Sortname


Distribution

In 2012, the distribution rights for films produced by Samuel Goldwyn were assigned to Warner Bros., while Miramax took charge of global licensing responsibilities. Up until 2021, StudioCanal managed licensing under an agreement with Miramax. That year, ViacomCBS (currently known as Paramount Skydance Corporation), through Paramount Pictures, acquired a 49% ownership interest in Miramax along with worldwide distribution rights to its film library. The U.S. distribution rights for The Hurricane reverted back to Metro-Goldwyn-Mayer, now operating as part of Amazon MGM Studios. Due to failure to renew copyright, The North Star entered the public domain; its U.S. rights are currently overseen by Paramount Pictures, the successor entity to National Telefilm Associates, which released a re-edited version titled Armored Attack in 1957. The entire Samuel Goldwyn film collection, including The Hurricane, is distributed on home video by Studio Distribution Services, LLC—a collaborative venture between Warner Bros. Home Entertainment and Universal Pictures Home Entertainment—under an arrangement with MGM Home Entertainment. Ownership of Street Scene remains with the estate of author Elmer Rice, having been transferred to Video-Cinema Films in 2004.

See also

References