Hasselblad XPan II
| Company type | Private |
|---|---|
| Industry | Photography equipment manufacturing |
| Founded | 1841 in Gothenburg, Sweden |
| Founder | Fritz Wiktor Hasselblad |
| Headquarters | Gothenburg , Sweden |
Area served | Worldwide |
| Products | Medium format cameras, photographic instruments, image scanners |
Number of employees | Not specified (employs more than 20 in 1941; current number not given) |
Victor Hasselblad AB is a Swedish company headquartered in Gothenburg, specializing in the production of medium format cameras, photographic instruments, and image scanners. The firm earned international acclaim for its classic analog medium-format cameras equipped with waist-level viewfinders. Hasselblad cameras notably played a crucial role in the Apollo missions, capturing the majority of still images during the Moon landings. In 2016, the company introduced the X1D-50c, recognized as the first digital compact mirrorless medium-format camera worldwide, significantly advancing the portability of medium-format photography. Annually, Hasselblad manufactures around 10,000 units within its modest three-story facility.
Company history
Established in 1841 in Gothenburg by Fritz Wiktor Hasselblad, the business began as a trading enterprise named F. W. Hasselblad and Co. The photographic division was later initiated by his son, Arvid Viktor Hasselblad, who reportedly remarked, "I certainly don't think that we will earn much money on this, but at least it will allow us to take pictures for free."
In 1877, Arvid commissioned the construction of what would serve as Hasselblad's headquarters until 2002. During his honeymoon, he encountered George Eastman, founder of Eastman Kodak. By 1888, Hasselblad had become Eastman's exclusive distributor in Sweden. The photographic segment grew sufficiently successful to be spun off into Fotografiska AB in 1908, overseeing a nationwide chain of shops and photo laboratories. Leadership transitioned to Karl Erik Hasselblad, Arvid’s son. Around 1924, Karl Erik sent his son Victor Hasselblad to Dresden—the global center for optics—to acquire industry knowledge.
Victor gained extensive experience studying and working throughout Europe and the United States, including time spent with George Eastman in Rochester, New York, before rejoining the family enterprise. After internal conflicts arose, Victor departed in 1937 to establish his own photo shop and laboratory in Gothenburg under the name Victor Foto.
World War II
During the Second World War, Swedish military forces recovered a German aerial reconnaissance camera—a Handkammer HK 12.5 cm/7x9 (codenamed GXN)—from a downed aircraft. Recognizing its strategic importance, the government commissioned Victor Hasselblad in 1940 to develop a similar aerial camera system. Victor founded Ross AB in Gothenburg and began work on designing the HK7 camera.
By late 1941, Ross AB had grown to employ more than 20 individuals. The Swedish Air Force requested a larger negative format camera designed for permanent installation on aircraft—the SKa4 model. Between 1941 and 1945, Hasselblad supplied a total of 342 cameras to Sweden’s military forces.
Following Karl Erik Hasselblad’s death in 1942, Victor assumed control of the family company. Throughout wartime production, Hasselblad also manufactured over 95,000 watch and clock components alongside military camera equipment.
Post-war
In the post-war period, Hasselblad maintained production of watches and clocks while expanding into machinery such as slide projectors and supplying components for Saab automobiles.
The first commercially successful camera was the Hasselblad Universal, designed by Szilárd Szabad. With more than 1,500 units produced, it became a favored choice among professional photographers across Scandinavia and challenged market leaders Kodak and Agfa.
Victor Hasselblad’s vision was to develop premium cameras for civilian use. Initial designs for the Rossex camera emerged between 1945 and 1946 with input from Sixten Sason, renowned for creating Saab’s original car body designs.
The introduction of the 1600 F occurred in 1948. Its intricate design drew on watchmaking precision but required considerable refinement before reaching production maturity. Approximately 50 units were produced in 1949 and around 220 during 1950 (Series One). The Series Two model (1950–1953) saw an increase to roughly 3,300 units featuring enhanced reliability; however, repairs remained frequent due to challenges with its focal-plane shutter mechanism. Utilizing 120 film format, it produced square images measuring 6 × 6 cm without necessitating camera rotation for portrait orientation.
In 1954, Hasselblad combined Ludwig Bertele’s innovative 38 mm Zeiss Biogon lens with a compact non-reflex body to create the SWA (Supreme Wide Angle). Although targeting a niche market segment, this product represented a significant technical breakthrough with variants sold for many years afterward. These innovations were presented at Photokina 1954 in Germany where they attracted considerable industry attention.
The upgraded 1000 F model launched in 1953 incorporated a focal-plane shutter alongside an extensive lens selection ranging from a 60 mm Distagon to a 250 mm f/4 Sonnar sports lens suited for wildlife photography. Despite receiving positive reviews—including an enthusiastic December 1954 appraisal by Modern Photography after rigorous testing—the shutter issues ultimately led to its replacement by the more dependable 500 C model. This new design featured a Compur shutter mounted within each lens combined with a focal-plane curtain that shielded film exposure until activation—improving reliability though requiring shutters on every lens.
Hasselblad camera gains prominence
The defining moment for Hasselblad came in 1957 with the debut of the 500 C model, which influenced the company’s offerings for the following five decades, with variations continuing until 2006. It was not until 1960 that Hasselblad's cameras became financially viable; prior to this, the company depended largely on distributing imported photographic materials, including products from Kodak.
NASA began employing Hasselblad cameras for space missions in 1962 and requested specific design adaptations. Responding to NASA's requirements, Hasselblad introduced its first motorized camera, the 500 EL, in 1965. NASA’s endorsement greatly enhanced Hasselblad’s reputation among professional photographers worldwide.
By 1966, as the camera segment flourished, Hasselblad divested from photographic supply and retail operations by selling Hasselblad Fotografiska AB to Kodak.
Developments from the 1970s onward
In 1976, Victor Hasselblad sold the company to the Swedish investment group Säfveån AB. Upon his passing in 1978, he left a substantial portion of his wealth to establish the Hasselblad Foundation.
The 2000 series launched in 1977 incorporated focal plane shutters aimed at enabling full exposure automation. However, the hurried release of the 2000 FC model lacked these automated functions due to technical challenges and was the last new camera introduced during Victor Hasselblad’s lifetime.
Victor Hasselblad AB went public in 1984, offering 42.5% of its shares on the Swedish stock market. The following year, Incentive AB acquired majority ownership and proceeded to privatize the company completely by 1991.
In 1985, Hasselblad founded Hasselblad Electronic Imaging AB to concentrate on digital imaging technologies and data transmission solutions.
The automated 200 series launched in 1991 represented the final significant advancement within the classic "V-System" camera lineup.
Ownership changed hands again in 1996 when UBS, Cinven, and Hasselblad management took control.
Fuji, Shriro, Imacon, and embracing digital technology
Starting in 1998, Hasselblad began marketing the XPan camera, which was designed and produced by Fujifilm in Japan.
The introduction of the H-System in 2002 marked a strategic transition away from the traditional square format toward a 6 × 4.5 cm film format. Due to concerns about profitability, previous owners terminated an advanced digital project and redirected focus toward manufacturing this contemporary film camera. Fujifilm contributed by finalizing lens designs and handling production; it also sold the H1 under its own brand within Japan.
In January 2003, the Shriro Group took a majority ownership stake; Shriro had been distributing Hasselblad products throughout Asia for over forty years.
In August 2004, Shriro Sweden acquired Imacon—a producer of high-end scanners and digital camera backs—with the intention of revitalizing Hasselblad’s digital initiatives after prior owners had discontinued such projects.
This acquisition corresponded with industry-wide shifts from analog to digital imaging. CEO Christian Poulsen highlighted digital technology as critical for sustaining Hasselblad’s future viability.
Despite competitors withdrawing or scaling back operations (with Mamiya being sold; Contax and Bronica ceasing production; Rollei and Pentax reducing their market presence), Hasselblad maintained its position within the market. Nevertheless, its profitability remained below that of leading competitor Phase One.
On June 30, 2011, German private equity firm Ventizz obtained full ownership of Hasselblad.
By late 2015, Chinese drone manufacturer DJI acquired a minority interest and secured majority control by early 2017. In August 2018, DJI introduced the Mavic 2 Pro drone equipped with a camera bearing the Hasselblad brand.
In space
Multiple Hasselblad camera variants underwent specialized adaptations for use in space expeditions. NASA chose Hasselblad cameras for their interchangeable lens systems and film magazines. Adjustments were made to accommodate the confined environment of spacesuits, including substituting the reflex mirror with an eye-level viewfinder.
The technical improvements developed by NASA were integrated into new Hasselblad models, which expedited the creation of a 70 mm magazine tailored to the requirements of the space program.
Simplified versions of the Hasselblad 500 C were initially deployed during the concluding two Project Mercury flights (1962–63) and continued throughout Project Gemini (1965–66).
Apollo program
After the tragic Apollo 1 fire in 1967, NASA enforced rigorous safety and reliability protocols, particularly concerning electrical devices operating in oxygen-enriched atmospheres.
Electric (EL) camera versions made their first appearance on Apollo 8. From that mission onward, the extensively modified Hasselblad Electric Camera (HEC) was standard equipment. Apollo 11 carried three 500 EL cameras onboard. On the lunar surface during Apollo 11, a highly customized Hasselblad EL data camera (HDC) equipped with a Zeiss 5.6/60 mm Biogon lens and large-capacity film magazines was utilized. This command module camera was a streamlined adaptation of the commercial motorized Hasselblad 500 EL, capable of capturing color photographs in the vacuum of space.
All subsequent NASA missions featured Hasselblad cameras outfitted similarly to those used on Apollo 11. Apollo 15 introduced a 500 mm telephoto lens. Throughout the Space Shuttle program, models based on the 500 EL/M, 553 ELX, 205 TCC, and 203 FE were employed.
Presently, eleven Hasselblad cameras remain on the lunar surface; only their film magazines were brought back to Earth.
Cameras
| System | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | |
| Early | Template:N/A | HK-7 | colspan=84Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Template:N/A | SKa4 | colspan=84Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 6×6 (FP) |
colspan=8Template:N/A | 1600F | colspan=76Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=13Template:N/A | 1000F | colspan=72Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 6×6 V |
colspan=14Template:N/A | Super Wide | Super Wide C (SWC) | SWC/M | 903 SWC | 905 SWC | colspan=23Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=17Template:N/A | 500C | 500C/M (500 Classic,1990–92) | 501C | 501CM | colspan=24Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=48Template:N/A | 503CX | 503CXi | 503CW (503CWD,2006) | colspan=16Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=26Template:N/A | 500EL | 500EL/M | 500ELX | 553ELX | 555ELD | colspan=24Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=37Template:N/A | 2000 FC | 2000 FC/M | 2000 FCW | 2003 FCW | 205 TCC | 205 FCC | colspan=27Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=54Template:N/A | 203 FE | colspan=26Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=55Template:N/A | 201 F | 202 FA | colspan=27Template:N/A | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=55Template:N/A | FlexBody | colspan=26Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| colspan=57Template:N/A | ArcBody | colspan=28Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 135 XPan |
colspan=58Template:N/A | XPan | XPan II | colspan=23Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 645 H |
maxcols62 Template:N/A | maxcols3 H1, H1D | maxcols2 H2, H2D | maxcols2 H3D | maxcols3 H4D | maxcols4 H5D | maxcols8 H6D | maxcols6 Template:N/A | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 44×33 X |
maxcols76 Template:N/A | maxcols3 X1D | maxcols3 X1D II | maxcols3 X2D | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| maxcols79 Template:N/A | maxcols6 907X | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| maxcols79 Template:N/A | maxcols3 CFV | maxcols2 CFV II | maxcols1 CFV 100C | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- HK-7 (1941–1945)
- SKa4 (1941–1945)
- 1600F (1948–1953)
- 1000F (1953–1957)
- V System series (1957–2013), encompassing models such as Superwide and Flexbody
- XPan (1998–2006), developed and produced by Fujifilm
- H System (2002–present)
- Lunar (introduced September2012, delivered early2013)
- X1D-50c (2016–2019), recognized as the first digital compact medium format mirrorless camera globally
- H6D-400c MS (2018–present), incorporating Multi-Shot technology capable of producing images up to400MP
- X1D II50C and907X50C (revealed June2019), representing the second generation mirrorless and smallest Hasselblad bodies respectively
- CFV II50 digital back (announced June2019)
- X2D100C (unveiled September2022), third model in the X system featuring a100MP medium format sensor
- 907X100C and CFV100C (disclosed January2024), noted as Hasselblad's smallest and lightest body and digital back options
HK-7 and SKa4 Military Cameras
The HK-7 generated images measuring 7 cm by 9 cm on 80 mm film and featured interchangeable lenses—commonly equipped with a 135 mm Zeiss Biotessar, while alternative options included a 240 mm f/4 Meyer Tele-Megor or a 250 mm f/5 Schneider Tele-Xenar lens.
The SKa4 introduced the innovative use of interchangeable film magazines, a feature that became a standard in subsequent Hasselblad camera models.
1600F and 1000F
Hasselblad's inaugural civilian camera, launched in 1948, reflected Victor Hasselblad’s concept of the "perfect camera." This 6 × 6 cm SLR with a focal-plane shutter was distinguished by its modular architecture, enabling the swapping of lenses, viewfinders, and film magazines. Named the "1600F" due to its maximum shutter speed of 1/1600 second, it incorporated a lightweight stainless steel shutter designed for robustness.
Manufactured between 1949 and 1953, the model underwent enhancements to resolve initial technical challenges. Early lenses included Kodak Ektar variants of 2.8/80 mm and 3.5/135 mm; prototypes for wider and longer focal lengths were created but never entered full production.
Its successor, the 1000F (produced from 1953 to 1957), featured a slower top shutter speed of 1/1000 second but improved shutter reliability. Carl Zeiss supplied essential lenses such as the Distagon 5.6/60 mm, Tessar 2.8/80 mm, and Sonnar types up to 5.6/250 mm. Later production runs also incorporated a Dallmeyer 5.6/508 mm lens from Cook and Perkins, although it did not fully cover the film frame.
Due to their age, limited availability of spare parts, and repair difficulties, both models are scarce in the used camera market, with well-maintained examples fetching high prices.
Replacing the F-series, the Hasselblad 500C transitioned from a focal plane shutter to leaf shutters integrated within each lens, significantly improving reliability. This model remained in production for over forty years with incremental upgrades and gained prominence through NASA’s Gemini and Apollo missions. Early lenses were produced by Kodak, while later optics were predominantly manufactured by Carl Zeiss in Germany.
- 1600F (1948/49–1953; max shutter speed: 1/1600 s)
- 1000F (1953–1957; max shutter speed: 1/1000 s)
V System
The term "V System" was introduced alongside the "H System" to differentiate Hasselblad’s earlier medium format cameras. Inspired by Victor Hasselblad’s ambition to build a compact camera with fast lenses and shutters, this system adopted the format to strike a balance between image quality and portability. Early models like the 1600 F encountered shutter reliability problems, which led to the release of the 500 C in 1957 featuring a manual leaf shutter with flash synchronization at all speeds—an essential feature for professional studio photographers. The motorized 500 EL followed in 1964 while maintaining compatibility with existing lenses and accessories. The Superwide Camera (SWC), launched in 1954 with a Carl Zeiss Biogon 38 mm lens, targeted architectural photographers and completed the core lineup of the V System.
Hasselblad steadily enhanced the V Series over time: progressing from the original 500C through models like the 500C/M, 503CX, and culminating with the limited edition 503CWD released in 2006 to honor Victor Hasselblad’s centenary. The latter model was paired with a CFV-16 digital back—marking Hasselblad’s early adoption of digital technology within its traditional systems. The modular design allowed for interchangeable lenses, backs (supporting multiple film formats including Polaroid and 70mm), and various viewfinders (waist-level, sports type, prism), offering extensive flexibility for professional use.
Alongside leaf shutter cameras, Hasselblad developed focal plane shutter models: the titanium-curtained 2000-series (1977–1991) followed by the rubberized cloth-curtained 200-series (1991–2004), which introduced metering and exposure automation into the V System lineup. Additionally, medium format view cameras such as FlexBody and ArcBody expanded options with tilt-shift capabilities.
The final V System camera—the 503CW—was discontinued in April 2013. Responding to digital imaging trends, Hasselblad launched the CFV-50c digital back in 2014 compatible with V System bodies; this digital back shared its sensor with Hasselblad’s H5D-50c DSLR. Later iterations of CFV digital backs released in 2019 and 2024 preserved this sensor size while updating performance features.
500 Series
- 500C (1957–1970; Leaf Shutter)
- 500C/M (1970–1994; Leaf Shutter)
- 500 Classic (1990–1992; Leaf Shutter)
- 501C (1994–1997; Leaf Shutter)
- 501CM (1997–2005; Leaf Shutter)
- 503CX (1988–1994; Leaf Shutter; TTL OTF flash system)
- 503CXi (1994–1996; Leaf Shutter; TTL OTF flash system)
- 503CW (1996–2013; Leaf Shutter; TTL OTF flash system)
- 503CWD (2006; limited edition centenary model; Leaf Shutter; TTL OTF flash system)
2000 Series Cameras with Titanium Focal Plane Shutter
- 2000 FC (1977–1982)
- 2000 FC/M (1982–1984)
- 2000 FCW (1984–1988)
- 2003 FCW (1988–1991)
200 Series Cameras with Rubberized Cloth Focal Plane Shutter
- 205 TCC (1991–1994)
- 201 F (1994–1998)
- 203 FE (1994–2004)
- 205 FCC (1995–2004)
- 202 FA (1998–2002)
Super Wide-angle (SW) Cameras with Fixed Lenses
- SWA & SW (1954–1958; Carl Zeiss Biogon f/4.5, 38 mm lens)
- SWC (1959–1979)
- SWC/M (1980–1988)
- 903 SWC (1988–2001)
- 905 SWC (2001–2006)
View Cameras
- FlexBody (1995–2003; tilt-shift functionality)
- ArcBody (1997–2001; tilt-shift functionality; specialized mount)
EL Series
- 500EL (1964–1970)
- 500EL/M (1971–1984; user-swappable focusing screen)
- 500ELX (1984–1988; TTL flash sensor, enlarged mirror)
- 553ELX (1988–1999; enhanced light-absorbing coating, powered by AA batteries)
- 555ELD (1998–2006; upgraded mirror mechanics and digital back interface)
The EL series has been integral to studio photography and played a pivotal role during NASA’s Apollo missions. A customized variant was employed by astronaut William Anders to capture the iconic Earthrise image in 1968. This heritage inspired specialized photogrammetric cameras such as the Hasselblad MK70 designed for scientific purposes.
XPan
The XPan and XPan II, Hasselblad's initial ventures into 35mm film cameras, featured bodies crafted from titanium and aluminium with a rubber coating and were designed as coupled rangefinder systems equipped with interchangeable compact lenses.
These cameras are essentially rebranded versions of Fuji's TX-1 and TX-2 models. The XPan II introduced enhancements such as extended exposure times up to thirty minutes (compared to three minutes previously) and incorporated electronic exposure data visible within the viewfinder.
The XPan employed a focal plane shutter capable of speeds ranging from 8 seconds to 1/1000 second, with flash synchronization settings spanning from B (maximum 270 seconds) to 1/125 second.
Hasselblad’s objective was to replicate medium format image quality on 35mm film by utilizing the full film surface for either panoramic or standard 35mm formats. This approach allowed for panoramas nearly triple the size of conventional masking methods and over five times larger than APS format cameras.
The XPan lineup has since been discontinued.
- XPan (1998; focal plane shutter; 35mm; panoramic functionality)
- XPan II (2003; focal plane shutter; 35mm; panoramic functionality)
H System
Hasselblad launched the H System at photokina in September 2002.
H1
The H1 represented a departure from Hasselblad’s classic 6 × 6 format, adopting a 6 × 4.5 cm frame size and incorporating autofocus lenses.
It utilized Fujinon-produced lenses and prisms, moving away from the longstanding collaboration with Carl Zeiss for optics. Nonetheless, Hasselblad continued manufacturing the camera bodies and shutters. The company also collaborated with PhaseOne and Kodak to develop digital backs compatible with the H-System.
Key innovations included:
- a fold-out lever replacing the traditional removable dark slide
- compatibility of inserts and backs with both 120 and 220 roll films
- automatic film advance mechanism
- integration capability for digital backs
- electronic leaf shutters offering timing from 1/800 second up to 18 hours
Most parts across the H1 and H2 models remained interchangeable, similar to the V-series design philosophy.
H1D
This model mirrored the H1 but was packaged with a Hasselblad-branded Imacon 22-megapixel iXpress digital back and a 40 GB Image Bank, allowing up to 850 captures per session. It was Hasselblad's first fully integrated DSLR system, operable only with the supplied digital back.
H2
The H2 introduced operation via a single battery paired with the Ixpress CFH digital back. It featured a unified on/off switch simplifying workflow while maintaining all functionalities of the H1. Production ceased in October 2007.
H2D
As Hasselblad’s second-generation integrated DSLR, the H2D was the first model to capture images in the new 3FR Raw format, which could be converted using Flexcolor or Phocus software. It supported CF memory cards, eliminating reliance on an Image Bank cable connection, and provided Firewire 800 connectivity. Metering patterns were updated to suit larger sensors, powered by a lithium-ion battery rated at 1,850 mAh serving both camera body and digital back.
H2F
The H2F functions as either a film camera or digital system when combined with Hasselblad backs such as CF31, CF22, CF22 MS, CF39, or CF39 MS. While it shares identical features with the H2, it was engineered to restrict compatibility with third-party digital backs on the H-series platform. It remains compatible with all H lenses including the HCD 24mm, 28mm, and 35-90mm zoom options.
H3D
The third-generation integrated DSLR enhanced software communication between camera body, viewfinder, and digital back beyond previous iterations. Unlike the H1 and H2—which were adaptations of film cameras—the H3D was purpose-built for digital imaging from inception. Hasselblad focused on advancing image quality and operational capabilities through this integrated design.
H3DII
Released in 2007, the fourth-generation integrated DSLR offered enhanced sensor-to-camera integration compared to standalone digital backs, though it was not compatible with film backs. Notable advancements comprised:
- A larger 3" TFT screen
- Replacement of the fan with a quieter heat sink
- Reassignment of the drive button to WB/ISO functions, with drive settings relocated to the menu
- Inclusion of Global Image Locator (GIL) functionality
The current lineup of H3DII models includes:
| Model | Sensor | ISO range | ISO range (with Phocus) |
Capture speed | HC lens factor | Equivalent focal length | Display | Storage |
|---|---|---|---|---|---|---|---|---|
| H3DII-31 | 33.1 mm × 44.2 mm, 31 MP, 16 bit | 100–800 | 100–1600 | 1.2 s | 1.3 | 31 mm | 3" OLED | CF |
| H3DII-39 | 36.8 mm × 49.0 mm, 39 MP, 16 bit | 50–400 | 50–800 | 1.4 s | 1.1 | 28 mm | ||
| H3DII-50 | 36.8 mm × 49.0 mm, 50 MP, 16 bit | 50–400 | 50–800 | 1.1 s | 1.1 | 28 mm |
H4D
Introduced in 2009 as the fifth generation of integrated DSLRs, the H4D series comprises models H4D-31, H4D-40, H4D-50, H4D-50MS, H4D-60, and H4D-200MS.
| Model | Sensor | ISO range | ISO range (with Phocus) |
Capture speed | HC lens factor | Equivalent focal length | Display | Storage | Video recording |
|---|---|---|---|---|---|---|---|---|---|
| H4D-40 | 33.1 mm × 44.2 mm, 40 MP, 16 bit | 100–800 | 100–1600 | 1.1 s | 1.3 | 31 mm | 3" | CF | |
| H4D-50 | 36.8 mm × 49.1 mm, 50 MP, 16 bit | 50–400 | 50–800 | 1.1 s | 1.1 | 28 mm | 3" | CF | |
| H4D-60 | 40.2 mm × 53.7 mm, 60 MP, 16 bit | 50–400 | 50–800 | 1.1 s | 1.0 | 28 mm | 3" | CF | |
| H4D-200MS | 36.7 mm ×49.1 mm, 50 MP,16 bit 200 MP in multishot mode |
50–400 | 50–800 | 1.1 s | 1.0 | 28 mm | 3" | CF | None |
H4X
On October 27, 2011, Hasselblad announced the H4X model as a successor to the earlier H1, H2, and H2F cameras.
H5D
The sixth generation of integrated DSLRs debuted in 2012 with the introduction of models including the H5D-40, H5D-50, H5D-50MS, H5D-60, and H5D-200MS.
| Model | Sensor | ISO range | ISO range (with Phocus) |
Capture speed | HC lens factor | Equivalent focal length | Display | Storage | Video recording | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| H5D-40 | 32.9 mm ×43.8 mm, 40 MP,16 bit | 100–800 | 100–1600 | 1.1 s | 1.3 | 31 mm | 3" | CF | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| H5D-50 | 36.8 mm ×49.1 mm, 50 MP,16 bit | 50–400 | 50–800 | 1.1 s | 1.1 | 28 mm | 3" | CF | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| H5D-60 | 40.2 mm ×53.7 mm, 60 MP,16 bit | 50–400 | 50–800 | 1.1 s | 1.0 | 28 mm | 3" | CF | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| H5D-200MS | 36.7 mm ×49.1 mm, 50 MP,16 bit 200 MP in multishot mode |
50–400 | 50–800 | 1.1 s | 1.0 | 28 mm | 3" | CF | None |
} H5D-50CIn January 2014, Hasselblad released the H5D-50C model equipped with Wi-Fi functionality to improve connectivity and streamline workflow for professional photographers. H5XOn September 9, 2014, Hasselblad launched the H5X as a successor to the H1, H2, H2F, and H4X models. Key enhancements included:
H5D-50C WiFiOn September 16, 2014, Hasselblad introduced the Wi-Fi enabled version of the H5D-50C model. H6D-50c, H6D-100c, and H6D-400c MSIn April 2016, Hasselblad announced the launch of the H6D series targeting medium-format professionals. This lineup includes the H6D-50c, H6D-100c, and the multi-shot capable H6D-400c MS.
H6D-400c MSThis version of the H6D-100c employs sensor shifting through precise full and half pixel movements combined with multiple exposures to improve color accuracy and generate higher resolution output. Referred to as "Multi-shot" (MS), this pixel-shifting method does not create a genuine 400-megapixel photograph. X SystemThe X System is a collection of compact mirrorless cameras equipped with medium format sensors identical in size to those used by Fujifilm's GFX series—a direct market competitor. The first model, the X1D, was released in June 2016; it was succeeded by the X1D II 50C in June 2019 and later by the X2D 100c in September 2022. Additionally in 2019, Hasselblad unveiled the CFV II 50C digital back compatible with V system cameras that incorporates the X1D II sensor along with the modular 907X body designed to accommodate CFV and X system lenses. The CFV 100C launched in 2024 utilizes the same sensor found in the X2D. To support this lineup, Hasselblad engineered the "XCD" lens mount featuring a reduced flange distance compared to the larger "HCD" mount; an adapter is available allowing use of HCD lenses on XCD bodies while maintaining autofocus functionality. At launch, two lenses were offered: a 45mm and a 90mm focal length. By mid-2024, Hasselblad's lens portfolio has expanded to fifteen options ranging from a wide-angle focal length of 21mm up to a short telephoto at 135mm as well as a zoom lens covering from 35mm to 75mm. X1D-50cHasselblad unveiled the X1D-50c in June 2016 as its inaugural medium format mirrorless camera. With dimensions similar to those of full-frame DSLR cameras, it incorporates a 43.8 × 32.9 mm CMOS sensor and introduces the new XCD lens mount, initially supported by two lenses. Additionally, an H Mount adapter was launched, allowing complete autofocus functionality with H System lenses. At present, the lineup includes fifteen XCD lenses. In June 2019, Hasselblad released the enhanced X1D II 50C model, which maintains the original sensor while providing quicker electronics and a reduced price. The camera body transitioned from silver to gunmetal gray, alongside updates to the grip materials.
X2D 100CIn September 2022, Hasselblad presented the X2D 100C, equipped with a 100-megapixel sensor, enhanced autofocus capabilities, in-body image stabilization (IBIS), revamped ergonomics, and introduced three new lenses for the X system. Later, in September 2024, a special limited edition called Earth Explorer was launched in tundra brown color, with production capped at only 1000 units. LensesHasselblad's lens offerings have predominantly been designed and manufactured by Carl Zeiss AG, supplemented by additional options from Fujifilm, Kodak, Rodenstock, and Schneider Kreuznach. ScannersAfter merging with Imacon in 2004, Hasselblad incorporated the Flextight scanner series into its portfolio. Two new models were introduced in 2006:
Phocus (software)Hasselblad produces Phocus, a sophisticated image processing application compatible with Microsoft Windows and Mac OS X. The Mac version supports raw files from other DSLR brands through the operating system’s raw image framework. Phocus is available as a complimentary download from Hasselblad’s official website. In 2010, Hasselblad announced that future Windows editions would cease supporting raw files from third-party camera manufacturers. Phocus Mobile 2June 2019 saw the release of Phocus Mobile 2 by Hasselblad, aimed at improving mobile workflows via USB-C and Wi-Fi connectivity. This app allows importing, editing, rating RAW files and managing full-quality JPEGs directly on iPad Pro or iPad Air models from 2019 onward. Key features include full-resolution export options, tethered shooting capability, and direct control over compatible cameras. SonyBeginning in 2012, Hasselblad began offering Sony digital cameras with customized designs. At the photokina event in 2012, Hasselblad unveiled the Lunar, a mirrorless camera featuring interchangeable lenses and a 24.3 MP APS-C sensor, derived from the Sony NEX-7. Positioned as a premium luxury product, it was launched in mid-2013. On 23 July 2013, the company introduced the Stellar, a high-end compact camera modeled on the Sony Cyber-shot DSC-RX100. On 3 February 2014, Hasselblad released the HV, a revamped version of the Sony α99 featuring enhanced durability, described as exceptionally robust. Later that year, on 26 November 2014, the Stellar II was announced, based on the DSC-RX100M2 platform. Since then, no additional models based on Sony hardware have been produced. Unlike Leica’s collaboration with Panasonic, Hasselblad did not modify image processing software but adopted a similar approach by rebranding Sony cameras and pricing them at two to three times the original cost. Mobile phones (OnePlus and Oppo)On 8 March 2021, OnePlus revealed a $150 million partnership with Hasselblad aimed at advancing camera technology. The OnePlus 9 lineup marked the initial smartphones to incorporate enhancements from this collaboration. In February 2022, Oppo announced a three-year alliance with Hasselblad to jointly develop camera innovations for its flagship Find X series. The triple-camera 5G Oppo Find X5 was the first Oppo model to integrate Hasselblad technology, followed by the Oppo Find X6 and Oppo Find X7 devices. Company publicationsHasselblad produced the Hasselblad Forum until 2007, after which it was succeeded by Victor, a large-format publication accessible online as a PDF requiring registration. See also
SourcesExternal links |
- Hasselblad
- 120 film cameras
- Digital camera backs
- Manufacturing companies established in 1841
- Personal cameras and photography in space
- Swedish brands
- Swedish companies established in 1841
- Companies related to the Engwall family
- Apollo program hardware
- Photography equipment manufacturers of Sweden
- 19th-century establishments in Gothenburg and Bohus County
- Swedish subsidiaries of foreign companies
- 2011 mergers and acquisitions
- 2017 mergers and acquisitions
- Hasselblad XPan cameras