Hasselblad lunar surface data camera

Victor Hasselblad AB
Company type	Private company
Industry	Photography equipment, cameras, image scanners
Predecessor	F. W. Hasselblad and Co.
Founded	1841 in Gothenburg, Sweden
Founder	Fritz Wiktor Hasselblad
Headquarters	Gothenburg, Sweden
Area served	Worldwide
Products	Medium format cameras, photographic instruments, image scanners
Number of employees	Not specified (more than 20 employees in 1941; current number not given)
Website	www.hasselblad.com

Adapted from the English Wikipedia article Hasselblad lunar surface data camera, available under CC BY-SA 4.0Updated 29 November 2025

Victor Hasselblad AB is a Swedish company specializing in the production of medium format cameras, photographic instruments, and image scanners, headquartered in Gothenburg, Sweden. The firm earned recognition for its iconic analog medium-format cameras equipped with waist-level viewfinders. Hasselblad cameras played a significant role during the Apollo missions, capturing nearly all the still images taken on the Moon. In 2016, the company introduced the X1D-50c, marking the debut of the world's first digital compact mirrorless medium-format camera, which greatly improved the mobility of medium-format photography. Annually, around 10,000 cameras are manufactured at their modest three-story facility.

Company history

Established in 1841 in Gothenburg by Fritz Wiktor Hasselblad as a trading enterprise named F. W. Hasselblad and Co., the business initially focused on commerce. Photographic activities were initiated by his son, Arvid Viktor Hasselblad, driven more by enthusiasm than financial gain. In 1877, Arvid commissioned the construction of Hasselblad’s long-standing headquarters, which remained operational until 2002. During his honeymoon, Arvid encountered George Eastman, founder of Eastman Kodak; by 1888, Hasselblad had become the exclusive Swedish distributor for Eastman products. By 1908, the photographic division had expanded sufficiently to become an independent entity known as Fotografiska AB, managing a nationwide chain of stores and laboratories. Leadership transitioned to Karl Erik Hasselblad, who ensured his son Victor Hasselblad received comprehensive training in optics and photography across Europe and the United States before returning to join the family enterprise. However, due to internal conflicts, Victor departed in 1937 to establish his own photo shop and laboratory named Victor Foto in Gothenburg.

World War II

During the Second World War, after Swedish forces acquired a German aerial reconnaissance camera, the government commissioned Victor Hasselblad in 1940 to develop a domestic aerial camera system. To fulfill this request, he founded Ross AB in Gothenburg to design the HK7 model. By late 1941, with a workforce exceeding 20 employees, Hasselblad had created the SKa4 camera intended for permanent installation on aircraft. From 1941 through 1945, the company supplied 342 cameras to Sweden’s military forces.

Following Karl Erik Hasselblad’s death in 1942, Victor assumed control of the family business. In addition to producing military cameras during wartime, Hasselblad manufactured over 95,000 components for watches and clocks.

Post-war

After World War II ended, Hasselblad maintained production of watch and clock components alongside machining operations that included building slide projectors and manufacturing parts for Saab automobiles.

The firm's first commercial breakthrough came with the Hasselblad Universal camera designed by Szilárd Szabad. Over 1,500 units were produced and it became favored among professional photographers throughout Scandinavia, successfully challenging Kodak and Agfa’s market dominance.

Victor Hasselblad’s vision was to develop premium civilian cameras. Between 1945 and 1946, initial concepts for what would become the Rossex camera were created through an internal design contest won by Sixten Sason—also renowned for designing Saab car bodies.

The launch of the 1600 F camera occurred in 1948; its intricate design reflected Hasselblad’s heritage in watchmaking. Approximately 50 units were produced in 1949 with around 220 more (Series One) following in 1950. The Series Two model (1950–1953) enhanced durability with about 3,300 units built but still suffered from frequent repairs due to its focal-plane shutter mechanism. Utilizing 120 film formatted to a square 6 × 6 cm frame eliminated the need for rotating the camera during shooting.

In 1954, Hasselblad unveiled the SWA (Supreme Wide Angle), which combined a new 38 mm Zeiss Biogon lens designed by Ludwig Bertele with a compact non-reflex body. Although serving a specialized niche market, it represented a significant technical accomplishment and related models remained available for many years. Both the SWA and other products gained visibility at Germany’s Photokina trade fair that same year.

The enhanced 1000 F camera was introduced in 1953 featuring a focal-plane shutter and offering lenses ranging from a 60 mm Distagon to a 250 mm Sonnar—ideal for wildlife photography. Despite receiving favorable reviews—including one from Modern Photography magazine after extensive testing in December 1954—persistent shutter problems prompted replacement with a lens-mounted Compur shutter system on subsequent models. This advancement improved reliability by integrating a focal-plane curtain to shield film exposure alongside the trusted Compur shutter incorporated into each lens.

Hasselblad camera reaches a defining milestone

A landmark achievement for Hasselblad occurred in 1957 with the launch of the 500 C model, which influenced the company's camera lineup for the following five decades. The firm reached profitability by 1960, having previously relied exclusively on imported photographic goods, including those from Kodak.

NASA's adoption of Hasselblad cameras for space exploration in 1962 led to several design adaptations. The company's first motorized camera, the 500 EL, introduced in 1965, was specifically developed to meet NASA's requirements. This collaboration greatly enhanced Hasselblad’s global brand visibility.

By 1966, following the success of its camera division, Hasselblad divested from photographic supply and retail operations, selling Hasselblad Fotografiska AB to Kodak.

Developments from the 1970s onward

In 1976, Victor Hasselblad transferred ownership of the company to Säfveån AB. Upon his passing in 1978, he allocated a significant portion of his wealth to establish the Hasselblad Foundation.

The 2000 series debuted in 1977, incorporating focal plane shutters and targeting complete exposure automation. Nevertheless, the 2000 FC model was introduced without automated functions due to design revisions. This series represented the final new camera released during Victor Hasselblad’s lifetime.

Hasselblad went public in 1984 by offering 42.5% of its shares on the Swedish stock market. Incentive AB acquired a controlling interest by 1985 and fully privatized the company by 1991.

In 1985, Hasselblad created Hasselblad Electronic Imaging AB to concentrate on digital imaging technologies and transmission systems.

The 200 series, launched in 1991, marked the last significant advancement within the classic "V-System" range of Hasselblad cameras.

In 1996, ownership transitioned to a consortium including UBS, Cinven, and company management.

Fuji, Shriro, Imacon, and embracing digital technology

Hasselblad began marketing the XPan camera in 1998, a model designed and manufactured by Fujifilm in Japan.

The introduction of the H-System in 2002 signified a strategic move away from the traditional square format toward a 6 × 4.5 cm film format with newly developed lenses. Due to concerns over profitability, company owners halted Hasselblad's advanced digital projects and shifted focus toward competing with automated medium-format cameras from Pentax and Mamiya. Fuji played a role in finalizing lens designs and manufacturing and was permitted to sell the H1 under its own brand within Japan.

In January 2003, Shriro Group acquired a majority shareholding; Shriro had served as Hasselblad’s distributor throughout Asia for more than forty years.

August 2004 saw Shriro Sweden purchase Imacon, a manufacturer specializing in high-end scanners and digital camera backs. This acquisition reversed prior decisions to discontinue digital development and revitalized Hasselblad’s commitment to professional digital imaging—a critical adaptation as industry dynamics moved away from film-based photography.

This approach helped sustain Hasselblad’s market presence amid competitors’ withdrawals or sales (including Mamiya, Contax, Bronica), although profitability has remained challenging compared to market leader Phase One.

On June 30, 2011, German private equity firm Ventizz took full ownership of Hasselblad.

By late 2015, Chinese drone producer DJI secured a minority stake in Hasselblad and became majority owner early in 2017. In August 2018, DJI introduced the Mavic 2 Pro drone equipped with a Hasselblad-branded camera, merging Hasselblad’s imaging expertise with aerial photography technology.

In space

Multiple Hasselblad camera variants underwent special adaptations for use in space missions. NASA chose Hasselblad cameras due to their interchangeable lens and film magazine capabilities, modifying them to fit the confined environment of spacesuits by substituting the reflex mirror with a viewfinder positioned at eye level.

These NASA-driven alterations influenced Hasselblad’s development process, expediting the introduction of a 70 mm film magazine tailored to the requirements of space exploration.

The initial modified Hasselblad 500 C models were deployed during the final two Project Mercury missions (1962–63) and throughout all Project Gemini flights (1965–66).

Apollo program

In the aftermath of the Apollo 1 tragedy in 1967, NASA implemented rigorous safety and reliability protocols for electrical devices operating in oxygen-rich atmospheres.

The first electric Hasselblad camera, known as the Hasselblad Electric Camera (HEC), appeared on Apollo 8. Apollo 11 carried three 500 EL units, including the extensively customized Hasselblad EL data camera (HDC) fitted with a Zeiss 5.6/60 mm Biogon lens and film magazines capable of holding between 150 and 200 exposures. This motor-driven film advance model was engineered for use both within the command module and under lunar vacuum conditions.

Hasselblad cameras continued to be standard equipment on all following NASA missions, maintaining configurations similar to those used on Apollo 11. The Apollo 15 mission introduced a 500 mm telephoto lens. During the Space Shuttle era, camera models derived from the 500 EL/M, 553 ELX, 205 TCC, and 203 FE series were employed.

At present, eleven Hasselblad cameras remain on the Moon’s surface; only their film magazines were brought back to Earth.

Cameras

Timeline of Hasselblad Cameras
System	1940s										1950s										1960s										1970s										1980s										1990s										2000s										2010s										2020s
System	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9	0	1	2	3	4	5	6	7	8	9
Early	Template:N/A	HK-7					colspan=84 Template:N/A
Early	Template:N/A	SKa4					colspan=84 Template:N/A
6×6 (FP)	colspan=8 Template:N/A	1600F						colspan=76 Template:N/A
6×6 (FP)	colspan=13 Template:N/A	1000F					colspan=72 Template:N/A
6×6 V	colspan=14 Template:N/A	Super Wide					Super Wide C (SWC)																					SWC/M									903 SWC												905 SWC						colspan=23 Template:N/A
	colspan=17 Template:N/A	500C														500C/M (500 Classic,1990–92)																								501C			501CM								colspan=24 Template:N/A
	colspan=48 Template:N/A	503CX						503CXi			503CW (503CWD,2006)																	colspan=16 Template:N/A
	colspan=26 Template:N/A	500EL					500EL/M													500ELX				553ELX											555ELD								colspan=24 Template:N/A
	colspan=37 Template:N/A	2000 FC					2000 FC/M			2000 FCW				2003 FCW			205 TCC			205 FCC										colspan=27 Template:N/A

HK-7 (1941–1945)
SKa4 (1941–1945)
1600F (1948–1953)
1000F (1953–1957)
V System lineup: including the flagship V System 500 (1957–2013), V System 2000 and 200 (1977–2004), Superwide series (1954–2006), and Flexbody models (1995–2003)
XPan (1998–2006) – developed and produced by Fujifilm for panoramic photography enthusiasts
H System (2002–present) – medium format cameras focused on professional imaging solutions
Lunar (2012) – mirrorless model expanding Hasselblad’s digital camera range
X1D-50c (2016–2019) – pioneering as the first compact digital medium format mirrorless camera worldwide, representing a key innovation
H6D-400c MS (2018–present) – featuring advanced multi-shot technology for ultra-high-resolution commercial imaging
X1D II 50C and 907X 50C (2019) – second-generation mirrorless cameras with the smallest Hasselblad bodies designed for enhanced portability
CFV II 50 (2019) – digital back broadening modular system options
X2D 100C (2022) – most recent medium format mirrorless camera equipped with a high-resolution BSI CMOS sensor
907X 100C and CFV 100C (2024) – latest compact camera body and digital back emphasizing lightweight construction alongside superior image quality

HK-7 and SKa4 Military Cameras

The HK-7 generated images measuring 7 cm by 9 cm on 80 mm film and was equipped with interchangeable lenses, commonly a 135 mm Zeiss Biotessar. Additional lens options included a 240 mm f/4 Meyer Tele-Megor and a 250 mm f/5 Schneider Tele-Xenar.

A notable advancement with the SKa4 was the introduction of interchangeable film magazines, a feature that significantly influenced the design of subsequent Hasselblad cameras.

1600F and 1000F

Hasselblad's debut civilian model, the "1600F," appeared in 1948 as a modular 6 × 6 cm focal-plane shutter SLR camera supporting interchangeable lenses, viewfinders, and film magazines. Its stainless steel shutter enabled an impressive top speed of 1/1600 second, a groundbreaking feature at that time.

Manufactured between 1949 and 1953, the 1600F was initially bundled with Kodak Ektar lenses of 2.8/80 mm and 3.5/135 mm focal lengths. Although prototypes for other lenses were developed, they never reached mass production. Early versions experienced reliability challenges that were addressed throughout its production run.

The follow-up model, the 1000F (produced from 1953 to 1957), incorporated a more durable shutter mechanism capable of speeds up to 1/1000 second. Carl Zeiss became the principal lens manufacturer for this series, providing options such as Distagon 5.6/60 mm, Tessar 2.8/80 mm, and Sonnar lenses in focal lengths of 3.5/135 mm, 4.0/250 mm, and 5.6/250 mm. Additionally, a specialized Dallmeyer 5.6/508 mm lens by Cook and Perkins was offered for niche applications.

Due to their age-related wear and limited servicing possibilities, both models are scarce on the used market. Units in excellent condition are highly valued for their rarity and historical significance.

Replacing the F-series focal-plane shutter design, the Hasselblad 500C introduced leaf shutters housed within each lens to improve reliability. Produced with minimal alterations over more than forty years, the 500C gained recognition for its use by NASA during Gemini and Apollo missions. While early lenses were produced by Kodak, Carl Zeiss in Germany supplied the majority of optics for this model line.

1600F (1948/1949–1953; max shutter speed: 1/1600 s)
1000F (1953–1957; max shutter speed: 1/1000 s)

V System

The term "V System" was coined following the release of the "H System" to differentiate Hasselblad’s earlier medium-format cameras. Victor Hasselblad aimed to create a compact camera featuring fast lenses and shutters that offered similar hand-held convenience to a Leica but utilized a larger film format for superior image quality and size balance—settling on the format as optimal for this purpose. Dissatisfied with existing shutter and viewfinder technology, Hasselblad developed the initial 1600 F followed by the manual leaf shutter-based 500 C in 1957, which provided flash synchronization at all shutter speeds—a critical benefit for professional photographers. The motorized variant, the 500 EL, arrived in 1964 maintaining compatibility with all accessories from the 500 C series.

The V-system’s core lineup comprised the series of 500 cameras alongside the Superwide Camera (SWC), launched in 1954 specifically for architectural photography with its fixed Carl Zeiss Biogon 38 mm f/4.5 lens, plus an array of compatible accessories. Over time, these models received incremental updates moving from the original 500C to the last manual model, the 503CW. The SWC line also evolved through versions culminating in the 905 SWC, while motorized models progressed from the original 500EL to the advanced 555ELD. TTL/OTF flash metering debuted with the 500ELX and continued through later versions such as those in the 503CX series. To honor Victor Hasselblad’s centennial in 2006, a limited edition model—the 503CWD—was released featuring a match-numbered CFV-16 digital back; only five hundred units were produced worldwide.

Designed for flexibility, the V system supports interchangeable lenses, film backs compatible with various formats including Polaroid and even large-format 70mm film, as well as customizable viewfinders offering different focusing screens and prism angles at both 90° and 45°.

Alongside this modular system, Hasselblad also developed focal-plane shutter cameras: starting with titanium-curtained models in the 2000-series (1977–1991) which addressed shutter longevity concerns through enhanced safety features; followed by rubberized cloth shutter models in the subsequent 200-series (1991–2004) which introduced metering systems and automated exposure controls.

Complementing these were medium format view cameras related to the V system such as the FlexBody (1995–2003) and ArcBody (1997–2001), both equipped with tilt-and-shift capabilities for advanced perspective control.

The final V System camera—the 503CW—was discontinued on April 29, 2013. In response to digital imaging demands, Hasselblad released the CFV-50c digital back in 2014 compatible with V system lenses; it shares its sensor technology with the H5D-50c DSLR but results in a crop factor due to sensor size differences. Subsequent digital backs include updates such as the CFV II 50C (2019) and CFV 100C (2024), all maintaining consistent sensor dimensions.

500 Series

500C (1957–1970; Leaf Shutter)
500C/M (1970–1994; Leaf Shutter)
500 Classic (1990–1992; Leaf Shutter)
501C (1994–1997; Leaf Shutter)
501CM (1997–2005; Leaf Shutter)
503CX (1988–1994; Leaf Shutter with TTL OTF flash metering)
503CXi (1994–1996; Leaf Shutter with TTL OTF flash metering)
503CW (1996–2013; Leaf Shutter with TTL OTF flash metering)
503CWD (2006 limited edition centenary model; Leaf Shutter with TTL OTF flash metering)

2000 Series Cameras Featuring Titanium Focal Plane Shutters

2000 FC (1977–1982)
2000 FC/M (1982–1984)
2000 FCW (1984–1988)
2003 FCW (1988–1991)

200 Series Cameras Equipped with Rubberized Cloth Focal Plane Shutters

205 TCC (1991–1994)
201 F (1994–1998)
203 FE (1994–2004)
205 FCC (1995–2004)
202 FA (1998–2002)

Super Wide-angle Cameras with Fixed Lenses

SWA & SW (1954–1958; fixed Carl Zeiss Biogon f/4.5 lens)
SWC (1959–1979)
SWC/M (1980–1988)
903 SWC (1988–2001)
905 SWC (2001–2006)

View Cameras

FlexBody (1995–2003; tilt-shift functionality; Hasselblad mount)
ArcBody (1997–2001; tilt-shift capability; specialized mount accommodating three Rodenstock lenses)

EL Series

500EL (1964–1970)
500EL/M (1971–1984; introduced user-interchangeable focusing screens)
500ELX (1984–1988; added TTL flash sensor and enlarged mirror assembly)
553ELX (1988–1999; featured new internal light-absorbing coating and AA battery power source)
555ELD (1998–2006; improved mirror mechanics and communication interface for digital backs)

Primarily designed for studio environments, EL series cameras were workhorses of their era. A modified version was utilized during NASA’s Apollo lunar expeditions—famously capturing astronaut William Anders’ iconic Earthrise photograph in late-1968. This led to specialized photogrammetric variants like the Hasselblad MK70 tailored for calibrated scientific imaging tasks.

XPan

Hasselblad's initial venture into 35mm film cameras came with the dual-format XPan and XPan II models. These rangefinder cameras, equipped with interchangeable compact lenses, featured bodies crafted from titanium and aluminium covered in rubber for enhanced grip.

Essentially, the XPan series were rebranded versions of Fuji's TX-1 and TX-2 cameras. The XPan II introduced extended exposure capabilities, allowing up to 30 minutes compared to the original's three-minute limit, and incorporated electronic exposure data displayed within the viewfinder.

The XPan employed a focal plane shutter offering speeds ranging from 8 seconds to 1/1000 of a second, with flash synchronization from bulb mode (maximum 270 seconds) to 1/125 second.

Engineered to replicate medium format quality on 35mm film, the XPan utilized the full width of the 35mm film strip for either panoramic or standard formats. This design yielded panoramic negatives nearly three times larger than conventional masking techniques and over five times the size of APS camera negatives.

The XPan line has since been discontinued:

XPan (released in 1998, featuring a focal plane shutter and panoramic 35mm capabilities)
XPan II (introduced in 2003, maintaining focal plane shutter and panoramic functions)

H System

At photokina in September 2002, Hasselblad unveiled the H System.

H1

The H1 represented a departure from Hasselblad's classic 6 × 6 format, adopting a 6 × 4.5 cm frame size and incorporating autofocus lenses.

This model utilized lenses and prisms produced by Fujinon, moving away from Hasselblad’s longstanding collaboration with Carl Zeiss for optics manufacturing. However, Hasselblad continued producing lens shutters and camera bodies internally. Digital back development compatible with the H System was undertaken by PhaseOne and Kodak.

Notable features included:

A fold-out lever replacing the traditional removable dark slide
Film inserts and backs compatible with both 120 and 220 formats
Automatic film advance mechanism
Integration capability for digital backs
Electronic leaf shutters capable of exposures from 1/800 second up to 18 hours

Most parts of the H1 and H2 series were designed to be interchangeable, maintaining compatibility akin to that seen in the V-series.

H1D

This model mirrored the H1 but was bundled with a Hasselblad-branded Imacon iXpress digital back delivering 22 megapixels alongside a 40 GB Image Bank storage unit, supporting up to approximately 850 captures per session. It was Hasselblad’s first fully integrated DSLR system, operating exclusively with its dedicated digital back.

H2

The H2 introduced operation powered by a single battery when used with the Ixpress CFH digital back, featuring a streamlined on/off control and unified system operation. It matched the H1’s capabilities while offering enhanced integration. Production ceased in October 2007.

H2D

As the second-generation integrated DSLR in Hasselblad’s lineup, the H2D was the first to support shooting in the new 3FR Raw format convertible via Flexcolor or Phocus software. It added CF card support, eliminating reliance on Image Bank tethering, and included FireWire 800 connectivity. Metering patterns were updated, powered by a lithium-ion 1850 mAh battery that supplied both body and digital back.

H2F

The H2F functions as both a film camera and digital system when paired with Hasselblad CF-series digital backs (CF31, CF22, CF22 MS, CF39, CF39 MS). While matching the H2’s design, it was engineered to prevent third-party digital backs from interfacing with the H-series platform. It remains compatible with all H lenses, including wide-angle options like the HCD 24mm, 28mm prime lenses, and the versatile 35-90mm zoom.

H3D

Representing the third generation of integrated DSLR systems, the H3D introduced improved software synchronization among the camera body, viewfinder, and digital back, surpassing the capabilities of its predecessors. Unlike the H1 and H2 models, which were conversions of film cameras, the H3D was purpose-built for optimal digital imaging performance. Hasselblad highlighted this enhanced integration as crucial for achieving superior image fidelity and expanded functionality.

H3DII

Debuting in 2007 as the fourth generation of integrated DSLRs, the H3DII featured a more cohesive sensor-to-camera connection than standalone digital backs; however, it does not support film backs. Notable enhancements include:

A larger 3" OLED screen
Replacement of the original fan with a heat sink for quieter operation
Reassignment of the drive button to control white balance and ISO, with drive functions relocated to the menu system
Introduction of the Global Image Locator (GIL) feature

Current H3DII variants:

Model	Sensor	ISO range	ISO range (with Phocus)	Capture speed	HC lens factor	Equivalent focal length	Display	Storage
H3DII-31	33.1 mm × 44.2 mm, 31 MP, 16-bit depth	100–800	100–1600	1.2 s	1.3	31 mm	3" OLED	CF
H3DII-39	36.8 mm × 49.0 mm, 39 MP, 16-bit depth	50–400	50–800	1.4 s	1.1	28 mm
H3DII-50	36.8 mm × 49.0 mm, 50 MP, 16-bit depth	50–400	50–800	1.1 s	1.1	28 mm

H4D

The fifth generation of integrated DSLRs arrived in 2009 with models including the H4D-31, H4D-40, H4D-50, H4D-50MS, H4D-60, and H4D-200MS.

Model	Sensor size and resolution	ISO range	ISO range (with Phocus)	Capture speed per shot	HC lens factor	Equivalent focal length	Display	Storage medium	Video capability
H4D-40	33.1 mm × 44.2 mm, 40 MP, 16-bit	100–800	100–1600	1.1 s	1.3	31 mm	3"	CF
H4D-50	36.8 mm × 49.1 mm, 50 MP, 16-bit	50–400	50–800	1.1 s	1.1	28 mm	3"	CF
H4D-60	40.2 mm × 53.7 mm, 60 MP, 16-bit	50–400	50–800	1.1 s	1.0	28 mm	3"	CF
H4D-200MS	36.7 mm × 49.1 mm, native 50 MP at 16-bit 200 MP in multishot mode	50–400	50–800	1.1 s	1.0	28 mm	3"	CF	None

H4X

Released on October 27, 2011, the H4X succeeded the earlier H1, H2, and H2F models.

H5D

The sixth generation integrated DSLR lineup launched in 2012 comprises models such as the H5D-40, H5D-50, H5D-50MS, H5D-60, and H5D-200MS.

Model	Sensor specifications	ISO range standard	ISO range (with Phocus)	Frame capture rate	HC lens factor	Equivalent focal length	Display size	Storage type	Video recording support
H5D-40	32.9 mm × 43.8 mm, 40 MP, 16-bit color depth	100–800	100–1600	1.1 s	1.3	31 mm	3"	CF
H5D-50	36.8 mm ×49.1 mm, 50 MP,16-bit depth	50–400	50–800	1.1 s	1.1	28 mm	3"	CF
H5D-60	40.2 mm ×53.7 mm,60 MP,16-bit depth	50–400	50–800	1.1 s	1.0	28 mm	3"	CF
H5D-200MS	36.7 mm ×49.1 mm, native resolution of 50 MP at16-bit 200 MP achievable in multishot mode	50–400	50–800	1.1 s	1.0	28 mm	3"	CF	None

H5D-50C

In January 2014, Hasselblad unveiled the H5D-50C model equipped with Wi-Fi capabilities, designed to improve connectivity and streamline the workflow for professional photographers.

H5X

On September 9, 2014, Hasselblad launched the H5X, which succeeded the H1, H2, H2F, and H4X models. Notable enhancements included:

serving as a backup camera option for H5D owners
incorporation of True Focus technology
comprehensive compatibility with HC and HCD lenses, including the HCD-24, HCD-28, and HCD 35-90 zoom lenses
introduction of the HVD-90x viewfinder tailored for the 36×48 mm format
HV-90x-II viewfinder optimized for film and the 40.2 × 53.7 mm format
powerful autofocus illumination
eight memory banks allowing rapid recall of saved configurations
addition of programmable buttons when paired with an H5D sensor unit

H5D-50C WiFi

Hasselblad released the Wi-Fi enabled version of the H5D-50C on September 16, 2014.

H6D-50c, H6D-100c, and H6D-400c MS

In April 2016, Hasselblad introduced the H6D series, which includes the H6D-50c, H6D-100c, and the multi-shot capable H6D-400c MS models.

Model	Sensor	ISO range	Capture speed	Shutter speed	Flash sync speed	Display	Storage	Video recording	Host connection type
H6D-50C	CMOS sensor with 50 MP resolution (8272 × 6200 pixels, 5.3 × 5.3 μm pixel size), sensor dimensions of 43.8 × 32.9 mm, 16-bit color depth	100–6400	1.7–2.3 seconds per capture	From 60 minutes up to 1/2000 second	Flash synchronization available at all shutter speeds	3'' LCD screen	Supports CFast card, SD card, or tethered connection to Mac or PC	Full HD (1920 × 1080p)	USB 3.0 Type-C (5 Gbit/s), Mini HDMI, Audio input/output
H6D-100C	CMOS sensor offering 100 MP (11600 × 8700 pixels, 4.6 × 4.6 μm pixel size), sensor size of 53.4 × 40.0 mm, with 16-bit depth	64–12800	To be determined	From 60 minutes up to 1/2000 second	Flash sync at any shutter speed	3'' LCD display	Compatible with CFast card, SD card or tethered to Mac or PC	Full HD (1920 × 1080p) and UHD/4K (3840 × 2160p)	USB 3.0 Type-C (5 Gbit/s), Mini HDMI, Audio input/output
H6D-400C MS	CMOS sensor with 100 MP resolution (11600 × 8700 pixels, 4.6 × 4.6 μm pixel size), sensor dimensions of 53.4 × 40.0 mm, supporting 16-bit color depth	64–12800		From 60 minutes up to 1/2000 second	Flash synchronization at all shutter speeds supported	3'' LCD screen	CFast card, SD card or connection via tether to Mac or PC supported	Full HD (1920 × 1080p) and UHD/4K (3840 × 2160p)	USB 3.0 Type-C (5 Gbit/s), Mini HDMI port, Audio input/output interfaces
H6D-400C MS	Single-shot mode: 100 MP Four-shot mode: 100 MP Six-shot mode: produces a composite image at 400 MP resolution	64–12800		From 60 minutes up to 1/2000 second	Flash synchronization at all shutter speeds supported	3'' LCD screen		Full HD (1920 × 1080p) and UHD/4K (3840 × 2160p)

H6D-400c MS

The H6D-400c MS is a specialized version of the H6D-100c that employs sensor shifting with full and half pixel increments combined with multiple exposures to improve colour accuracy and generate images with enhanced resolution. This technique, referred to as pixel shifting or "Multi-shot" (MS), does not deliver an authentic 400-megapixel file despite the model designation.

X System

The X System consists of compact mirrorless interchangeable-lens cameras featuring medium format sensors, identical to those utilized in Fujifilm's GFX series, a direct rival. The initial release was the X1D in June 2016, followed by the X1D II 50C in June 2019, and subsequently the X2D 100c in September 2022. In 2019, Hasselblad also launched the CFV II 50C digital back compatible with V system cameras, sharing the same sensor as the X1D II 50C, along with the modular 907X body designed to accommodate both CFV and X system lenses. The CFV 100C, introduced in 2024, features the identical sensor found in the X2D.

Hasselblad engineered the "XCD" lens mount to achieve a shorter flange focal distance compared to the larger "HCD" mount. An adapter enables HCD lenses to be mounted on XCD bodies while maintaining autofocus functionality. At debut, two lenses were offered: a 45mm and a 90mm. By mid-2024, the lineup expanded to fifteen lenses covering focal lengths from a 21mm wide-angle through to a 135mm short telephoto, plus one zoom lens spanning 35–75mm.

X1D-50c

Hasselblad unveiled the X1D-50c in June 2016 as its inaugural medium format mirrorless camera. Comparable in dimensions to full-frame DSLRs, it incorporates a 43.8 × 32.9 mm CMOS sensor paired with the newly introduced XCD mount, initially supported by two lenses. An H Mount adapter allows full autofocus compatibility with H System lenses. Presently, fifteen XCD lenses are available. In June 2019, Hasselblad released the enhanced X1D II 50C model, which retained the same sensor but featured upgraded electronics and a more competitive price point. The body finish transitioned from silver to gunmetal, accompanied by an updated grip material.

Model	Sensor	ISO range	Capture speed	Shutter speed	Flash sync speed	Display	Storage	Video recording	Host connection type
X1D-50c	CMOS, 51 MP (8272 × 6200 pixels, 5.3 × 5.3 μm), 43.8 × 32.9 mm, 16 bit	100–25600	2.0 fps	60 min to 1/2000 s	Flash usable at all shutter speeds	3.0''	Dual SD/SDHC/SDXC	HD (1920 × 1080)	USB 3.0 (5 Gbit/s) Type-C connector, Mini HDMI, Audio In/out
X1D II 50C	CMOS, 51 MP (8272 × 6200 pixels, 5.3 × 5.3 μm), 43.8 × 32.9 mm	100–25600	2.7 fps	60 min to 1/2000 s	Flash usable at all shutter speeds	3.6"	Dual UHS-II SD	2.7K (2720 × 1530) HD (1920 × 1080)	USB 3.0 (5 Gbit/s) Type-C connector, Audio In/out

X2D 100C

In September of 2022, Hasselblad introduced the X2D 100C, a premium medium format mirrorless camera equipped with a 100-megapixel sensor, enhanced autofocus capabilities, built-in image stabilization (IBIS), refined ergonomic design, and three newly developed X system lenses. The Earth Explorer Limited Edition version was launched in September 2024 in tundra brown finish and limited to just 1000 units, catering specifically to collectors and high-end clientele.

Lenses

Hasselblad's lens lineup has predominantly featured designs and manufacturing by Carl Zeiss AG, alongside contributions from other producers such as Fujifilm, Kodak, Rodenstock, and Schneider Kreuznach.

Scanners

After merging with Imacon in 2004, Hasselblad incorporated the Flextight series of scanners into its product range. The company introduced the X1 and X5 models in 2006:

The X1 offered scanning of positive and negative film at an optical resolution of 6300 dpi and a throughput of 60 MB per minute.
The X5 expanded capabilities to include A4-sized reflective scanning, a batch/slide feeder, active cooling, an increased resolution of 8000 dpi, and a scanning speed of 300 MB per minute.

Phocus (software)

Hasselblad develops Phocus, a sophisticated image processing application compatible with both Microsoft Windows and Mac OS X. Utilizing Mac OS X’s raw image format framework, it supports raw files from various DSLR manufacturers. Phocus is available as a complimentary download from Hasselblad’s official website.

In 2010, Hasselblad declared that upcoming Windows versions would discontinue support for raw files from third-party camera brands.

Phocus Mobile 2

Released in June 2019, Phocus Mobile 2 improves mobility by incorporating USB-C and Wi-Fi connectivity tailored for photographers working remotely. It enables importing, editing, and rating RAW images, along with importing and evaluating full-quality JPEGs directly on iPad Pro or iPad Air (2019). Additional functionalities include exporting at full resolution, tethered shooting capabilities, and direct control over compatible cameras.

Sony

Beginning in 2012, Hasselblad offered rebranded Sony digital cameras with distinctive designs.

At photokina 2012, Hasselblad unveiled the Lunar, a mirrorless interchangeable-lens camera based on the Sony NEX-7 featuring a 24.3 MP APS-C sensor. Positioned as a premium luxury product, it was released in summer 2013.

On 23 July 2013, the company introduced the Stellar, a luxury compact camera derived from the Sony Cyber-shot DSC-RX100 platform.

The HV model, a redesigned Sony α99 with improved robustness, was launched on 3 February 2014.

Later that year, on 26 November, the Stellar II based on the DSC-RX100M2 was announced. Since then, Hasselblad has not released additional rebranded Sony models.

Unlike Leica's collaboration with Panasonic that involved modified image processing, Hasselblad sold original equipment manufacturer (OEM) Sony cameras under its brand name at prices two to three times higher without altering image processing.

Mobile phones (OnePlus and Oppo)

On 8 March 2021, OnePlus revealed a $150 million partnership with Hasselblad focused on advancing camera technology. The OnePlus 9 series marked the first smartphones to incorporate enhanced camera systems developed through this collaboration.

In February 2022, Oppo initiated a three-year alliance with Hasselblad to jointly develop imaging technologies for its flagship Find X lineup. The triple-camera equipped 5G Oppo Find X5 debuted Hasselblad technology integration on Oppo devices, followed by subsequent models like the Oppo Find X6 and Oppo Find X7.

Company publications

Until 2007, Hasselblad issued the Hasselblad Forum publication, which was succeeded by the large-format periodical Victor. This journal is accessible online as a PDF upon registration.

Sources

External links

Hasselblad Focal Plane Shutter Variants